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Class 

Aa M. KNOEDLER & Co. Oy 

No, 955 | 45, Old Bond St., | 
W. 


Acq. No 


THE 


ARTISTIC PROPERTY 


OF THE WELL-KNOWN HOUSE OF 


COTTIER AND COMPANY 


TO BE SOLD UNDER THE MANAGEMENT OF 
THE AMERICAN ART ASSOCIATION 
AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH 
NEW YORK 


ON VIEW DAY AND EVENING 
AT THE AMERICAN ART GALLERIES 


From SATURDAY, NOVEMBER 15TH, UNTIL THE MORNING OF 
THE Day oF SALE FROM 9 A.M. untTIL 6 P.M. 


THE ARTISTIC PROPERTY 
OF THE WELL-KNOWN HOUSE OF | 


COTTIER AND COMPANY 


NEW YORK 


UNRESTRICTED PUBLIC SALE 
AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


ON WEDNESDAY AFTERNOON, NOVEMBER 19TH 
AND FOLLOWING DAYS 


BEGINNING AT 2.30 O’Crock 


ILLUSTRATED CATALOGUE 


OF 


THE ARTISTIC PROPERTY 


FINE ANTIQUE AND MODERN 
FURNITURE 


IMPORTANT FLEMISH TAPESTRIES 


STAINED GLASS, TEXTILES 
AND OTHER OBJECTS OF HOUSEHOLD UTILITY 
AND EMBELLISHMENT ; 


OF THE WELL-KNOWN HOUSE OF 


COTTIER AND COMPANY 


OF NEW YORK 


TO BE DISPOSED OF AT UNRESTRICTED 
PUBLIC SALE ON ACCOUNT OF REMOVAL AND DISCONTINUANCE 
OF CERTAIN BRANCHES OF THEIR BUSINESS 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
ASSISTED BY MR. OTTO BERNET, OF 


THE AMERICAN ART ASSOCIATION, ManaGeErs 
NEW YORK 
1913 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his WHS such bid would be 
likely to affect the sale oo erin 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for the 
enforcement of the sale, or may at public or private sale, and without 
other than this notice, re-sell the lots for the benefit of such pur- 
chaser, and the deficiency (if any) arising from such re-sale shall be 
a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Delivery will not be made of any purchase during the session of 
the sale at which it was sold. 

Delivery will not be made of any purchase at any time other than 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. — 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 


of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “as is” and without recourse. 


The Association exercises great care to catalogue every lot cor- 


rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 


foundation. 
SPECIAL NOTICE. 


Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the »bove Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale. will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, 
if the lot in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session ther cof, 
will be furnished by the Association at a reasonable charge. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


a 


CATALOGUE 
FIRST AFTERNOON’S SALE 
WEDNESDAY, NOVEMBER 19, 1913 
AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 oO’ CLOCK 


VENETIAN GLASS 


The following pieces of Venetian glass have been faithfully reproduced from the well- 
known examples of this ancient art exhibited in the museums of Venice and London. 
Many of them rank in quality and design with the famous pieces from which they are 
copied. The tall vase is exactly as that used by the early Venetians. 


1—Two Tirrany Guass Liqueurs 


Imitation of iridescent glass Greek cups. 


2—-THIRTEEN VENETIAN SMOKED Guass LIQUEURS 
Indented sides. 


3—FivE VENETIAN Guass TUMBLERS 
Blue, with flecked gold edge. 


4—Twrtve VENETIAN Guass TUMBLERS 


Blue glass of spiral design. 


5—EIcgHTEEN VENETIAN GuaAss TUMBLERS 


Blue, with gold and white bosses; have flecked gold rims. 


6—Fovur VENETIAN BovuronNIERE VASES 
Smoked glass, flecked with gold. 


Height, 5 inches. 
Y—Two VENETIAN SMOKED Guass VASES 


Bulbous top for boutonnieres. 
Height, 5% inches. 


8—TuHREE VENETIAN SMOKED Guass VASES 


Similar to the preceding. 
Height, 5Y, inches. 


9—Two VENETIAN SMOKED Grass Vases 
Morning-glory shape, with spiral lines around body. 
Height, 4 inches. 


10—TuHree VENETIAN SMOKED Gtass VASES 
Similar to the preceding. 


: Height, 4 inches. 


11—F ive VENETIAN BovuToNnNizRE HOoLpers 
Smoked glass, flecked with gold. 


Height, 5 inches. 


12—Fovur VENETIAN SMOKED Guass VASES 


Bulbous top for boutonnieres. 


Height, 51%, inches. 


13—Fovur BovuTonniERE VASES 


Of the finest quality of Venetian glass of deep amber; bulb top 
with a cylindrical stem tapering to the stand. 


Height, 6 inches. 
14—Five VENETIAN Guass VASES 
Deep amber, similar to the preceding. 
Height, 6 inches. 
15—Fovur VENETIAN SHERRY GLASSES 


_ Clear glass. 


16—Turee VENETIAN Guass Bowts anp PLATES 


Clear glass; spiral design in white and gold. Red rims. 


17—TurREE VENETIAN CHAMPAGNE GLASSES 


Tall shape; bowl supported by an ornamental stem. 


18—Two VENETIAN. SMoKED Guass VASES 


Bowl resting on four supports and standard. 
Height, 6%, inches. 


19—Twetve VENETIAN Guass TUMBLERS 


Clear glass, with indented sides. 


20—Two Venetian Warer Borruzs 
Clear glass, melon shape, with thread line and fluted lip. 
; Height, 74%, inches. 
21—Firreen Enciish SHEerry GuLasses 
Clear glass. 


22—TwrELvVE VENETIAN GLASSES 


Tulip-shaped, on standard. 


23—Two VENETIAN CLEAR Gtass Borries 


Indented sides; have stopples. 
Height, 8 inches. 


eS ee a 


Ee 


24—-Four VENETIAN CLEAR Guass VASES 


Chalice-shaped, on standard. 
Height, 734 inches. 


25—Two VENETIAN SMOKED Guass VASEs 


Chalice top; on standard. 
Height, 6% inches. 


26—Two Venetian Grass Vases 
Scalloped top, goblet-shaped, and body partly ribbed; smoked 
glass flecked with gold. 


Height, 7 inches. 
27—Twetve VENETIAN GLassEs 
Clear glass and decorated with bosses and lines in gold. 


28—Two VENETIAN CLEAR Guass CARAFES 
Melon-shaped, with fluted top. 
Height, 7, inches. 
299—Twetve VENETIAN CLEAR Guass TumBLEeRs 


With indented sides. 


$0—Twetve VENETIAN CLEAR Grass TUMBLERS 


Ribbed body. 


31—Four VENETIAN CLEAR Grass Vases 
Chalice-shaped, on standard. 
Height, 734 inches. 
32—Two VENETIAN CLEAR Grass BOTTLES 
Indented sides; have stopples. 
Height, 8 inches. 
33—TuirTEEN VENETIAN Hock Gtassts 
Clear glass; bowl partly ribbed and stem decorated with bosses. 


34—Twetve VENETIAN Guass TuMBLERS 


Indented sides; clear glass. 


$5—TwetveE VENETIAN CLEAR GuAss TUMBLERS 


Ribbed body. 


36—Two VENETIAN CLEAR GuaAss CARAFES 
Melop-shaped, with fluted top. 
Height, 714, inches. 
$87—Two VENETIAN CLEAR Guass BorruEs 


Indented sides; have stopples. 
Height, 8 inches. 


388—ELeven VENETIAN WINE GLASSES 


Goblet-shaped, on tall standard; clear glass. 


39—Four VENETIAN GuAss VASES 


Chalice-shaped, on standard. 


40—Four VENETIAN GuaAss VASES 


Similar to the preceding. 


41—Vewnetian Guass Tazza 
On low standard. Clear glass; indentation throughout body. 


Height, 234 inches; diameter, 10 inches. 


42——VENETIAN Giass COMPOTIER 
Clear glass; under part of body and standard fluted. 


Height, 6 inches; diameter, 10%, inches. 


43—ELEVEN GLASSES 
Clear glass, and decorated with bosses in gold; foot of spiral 
thread lines. 


44—THIRTEEN VENETIAN Wuitrt WINE GLASSES 


Smoked glass; lower part of body fluted. 


45—THIRTEEN VENETIAN CHAMPAGNE GLASSES 


Smoked glass; spiral body supported by fluted standard. 


46—Two VENETIAN Guass Water Borries 
Melon-shaped, with thread lines and fluted lip; smoked glass. 
Height, ty, inches. 


4%—Pair or VENETIAN Guass BoTrrues 
Light amber; indented sides; fig-shaped stopples. 
Height, 834 inches. 
48—Two VENETIAN Guass Trays 
Smoked glass, without ornamentation. 
Height, 24, inches. 
49—Two VENETIAN SMOKED Guass Bowts 


With two handles, flecked with gold and supported by four 
ribbed feet; ornamented with bosses and heads in gold. 


Diameter, 41, inches. 


50—Two VENETIAN SMOKED Guass Bowts 


Similar to the preceding. 
Height, 44 inches. 


51—FourTreen VENETIAN WHITE WixE GLASSES 
Smoked glass; lower part of body fluted. 


52—Two Venetian AmBER Guass VASES 


Chimney-shaped, on standard; bosses and dog-head ornamenta- 


tion on body. 
: Height, 914, inches. 
58—Two VENETIAN SMOKED Giass VASES 
Similar to the preceding. 
3 Height, 914, inches. 
54—Two VENETIAN SmokED Grass Water Botries 
Melon-shaped, with thread lines and fluted lip. 
Height, 71/, inches. 
55—Patr or VENETIAN Licghot Amber Guass BoTTiLEs 


Indented sides, with fig-shaped stopples. 
Height, 8°4, inches. 


56—VENETIAN Grass Tray 
Smoked glass, without ornamentation. 
: Height, 21%, inches; diameter, 91, inches. 
57—VENETIAN Guass Tray 
Similar to the preceding. 


Height, 24%, inches; diameter, 914, inches. 


58—TuHirTEEN VENETIAN SMOKED GLASSES 


Spiral pattern, with blue bosses. 


59—ELEvVEN VENETIAN GLASSES 


Clear glass, with white lines; has a twisted stem with three 
lines. 


60—Srix VENETIAN GLASSES 


Lower part of body and base ornamented with leaves and spiral 
thread lines. 


61—Two Venetian Guass CoMPoriIERS 


Clear glass, with white lines; has a twisted stem with three 


fluted bands. 
Height, 7 inches. 


62—Two VENETIAN Dovusite GLAssEs 


Goblet and chalice-shaped; smoked glass, without ornamenta- 
tion. 


63—THREE VENETIAN SMOKED DovuBLE GLASSES 


Similar to the preceding. 


. 


64—Twetve VENETIAN GLAssEs 
Smoked glass; corrugated body, with raised ornamentation. 


65—Five VenETIAN Guass Bownzs anv Six PuateEs 


Goldstone and white network pattern. 


66—VENETIAN SMOKED Guass VASE : 


Chimney-shaped, on fluted standard; ornamentation of bosses 


on body. 
Height, 914 inches. 
67—Two VENETIAN SMOKED Guass VASES 
Similar to the preceding. 
Height, 91 inches. 
68—Two VENETIAN SMOKED CLEAR Guass Water BotTrTieEs 
Melon-shaped, with thread lines and fluted lip. 
Height, 74, inches. 
69—Four VENETIAN SMOKED Guass VASES 
Champagne-shaped, on standard. 
Height, 8 inches. 
70O—Twuree VENETIAN SMOKED Gtuass VASES 
Similar to the preceding. 
Height, 8 inches. 
Y1—FirrrErEnN VENETIAN SMOKED GLASSES 


Chalice-shaped top; on long slender standard. 


%2—THIRTEEN FINGER-BOWLS AND FouRTEEN PLATES 


Venetian smoked glass. Bowls have two filigree handles. 


73—Srix VENETIAN GREEN GuAss GOBLETS 
Medallions and beading on under part of body. 
Height, 634, inches. 
74—Parr or VENETIAN Guass VASES 


Morning-glory shape, on spiral standard; smoked glass orna- 
mented with milk-white stripes. 
Height, 8% inches. 


75—Two Venetian Guass CoMPporiers 
Smoked glass, with milk-white stripes; spiral stem with three 
fluted bands. 
Height, 7 inches. 


%6—Two Venetian Guass ComMporiers 


Similar to the preceding. 
Height, 7 inches. 


77—VENETIAN Guass VASE 
Tall lily-shape, with bulbous body and two filigree handles; 
smoked glass with milk-white stripe ornamentation. 
Height, 15 inches. 
78—VENETIAN Guass VasE : 
Goblet-shaped, on heart-shaped standard, with roses on either 
side. 
Height, 12 inches. 
79—VENETIAN Guass VASE 
Similar to the preceding. (Imperfect.) 
; Height, 12 inches. 
80—Taut VENETIAN CLEAR Guass VASE 
Champagne-shaped, on fancy twisted standard; blue thread 
lines on top and base. 


Height, 18 inches. 


81—VENETIAN Guass VASE 


Clear glass, ornamented with a band of medallions and bosses; 
fluted standard, ornamented with two dolphins. 


Height, 18 inches. 
82—Tatu VENETIAN SmokED Guass VASE 


Body of spiral lines intervening with bosses at base, supported 
on an elaborate standard, with mask heads. The foot orna- 
mented to correspond. : 


Height, 1814 inches. 
83—Taxtit VENETIAN SMOKED Guass VASE 
Ornamentation of rings with leaves; standard to correspond. 
~ Height, 17 inches. 


84—Tatt VENETIAN SMOKED Gtuass VASE 


Body of spiral lines, with intervening bosses at base, supported 
on an elaborate standard with mask head. The foot ornamented 
to correspond. 


Height, 181 inches. 

85—VENETIAN SMOKED Guass VASE 
Ornamentation of rings, with blue leaves; standard to correspond. 
Height, 17 inches. 


86—Tatt VENETIAN GLASs-COVERED VASE 
Goblet-shaped, supported on a tall filigree standard. The cover 

is surmounted with a filigree ornament. 
Height, 2534 inches. 

87—Tatt VENETIAN GLASS-COVERED VASE 


Similar to the preceding. 
Height, 25%, inches. 


88—Tatt VENETIAN SmoKED Guass VASE 


Body of spiral lines, with intervening bosses at base, supported 
on an elaborate standard with mask heads. The foot orna- 
mented to correspond. 
Height, 181% inches 
89—Pair or VENETIAN SMOKED Guass FLowerR VAsEs 


Trumpet-shaped, with scalloped edge. Standard of filigree, with 


slight gold decoration. 
Height, 12% inches. 


~ 4 


90—VENETIAN SMOKED Guass Bown: wirnh Two Hannes 


Reproduction of an antique, the bottom of green glass with 
decoration in gold of “Saint Peter” and “Saint Paul.” 


Height, 3 inches; diameter, 74% inches. 
4 we 


91—VENETIAN SMOKED Grass PLATE 


Reproduction of an antique, the center oi green glass, with 
decoration in gold of “Orpheus.” Edged with milk-white thread 


lines. Li 4 
Diameter, 1014 inches. 


92—Venetian SmoKeD Guass VasE 
Chalice-shaped bowl; wings on stem, and plain foot. 
Height, 101% inches. 
93—VENETIAN SMOKED Guass VaAsE 
Goblet-shaped bowl; two wings on stem, and plain foot. 
Height, 13% inches. 
94—VENETIAN Guass FLower VASE 


Band round body ornamented with blue bosses, and round the 


base a relief ornamentation. 
Height, 11 inches. 


95—VENETIAN SMOKED Guass VASE 


Double-glass shape, with raised ornamentation in design of 


wheat, with gold splashing. : 
Height, 1014, inches. 


96—VeENeETIAN Guass VASE . 
Lily-shaped, on standard, with blue glass ornamentation in relief. 
Height, 12% inches. 
97—VENETIAN Guass VASE 


Globular shape, with a flaring top. Has cord of blue glass 
tied in bowknot round the neck. 
Height, 7%, inches. 
98—VENETIAN SMOKED Grass VASE 
With flaring top, two loose ring handles, corrugated stem, 


and plain foot. 
Height, 834 inches. 


99—VeneTiaAn Grass VASE 
Lily-shaped, on standard; ornamented with two narrow bands 
and handles of blue glass. 
Height, 121% inches. 
100—Two VENETIAN SmoxeD Guass VAsEs 
Morning-glory shaped bowl, with two blue glass* handles. 
Height, 9 inches. 


» 


101—Two VeneTIAN Guass DECANTERS 


Bands of blue glass, ornamented with bosses flecked with gold. 
Has stopple. 
Height, 121% inches. 


~102—Two Venetian Guass Vases 
Trumpet-shaped top and bulbous body, which is ribbed and 
ornamented with four filigree handles and bosses flecked with 
gold. 
Height, 71%, inches. 
103—VeENETIAN Guass DecAnTER 


Goldstone bosses and other ornamentation in high relief. Has 


stopple. 
ay, Height, 11 inches. 


104—Two VENETIAN Guass GOBLETS 


Smoked glass, splashed with gold; standard ornamented with 
three lion-heads. 


Height, 7 inches. 
105—Two Venetian Guass DecANTERS 
Spiral design, with two blue wave bands. Has stopple. 
Height, 10 inches. 


106—VeENeETIAN Guass VASE 
Sprinkler-shaped, wave top and long spout. 
Height, 11 inches. 
107—Two Venetian Guass CaRrAFEs 
With long slender neck and four handles on body. 
Height, 12 inches. 


108—Two VENETIAN SmOKED Guass VASES 


With slender neck and three handles; ornamentation of bosses 
on body. 


Height, 914 inches. 

109—VENETIAN CLEAR Grass VASE 
Bulbous top, with two handles; filigree wings on tall standard. 
Height, 11% inches. 


110—VeENeETIAN Guass VASE 


Tubular shape; blue glass, flecked with gold. Bosses and raised 
ornamentation on body and thread line round neck. 
Height, 12 inches. 


111—Venetian Smoked Grass FLacon | 
Encircling neck and base are white lines. Bosses around body. 


Has stopple. eat 
4 Height, 10% inches. 


112—VeENETIAN Guass DECANTER 
Ribbed body, with raised ornamentation and medallions in ruby 


glass. Has stopple. 
Height, 121, inches. 


1183—VENETIAN Guass VASE 

With two handles; blue glass flecked with gold. = 
Height, 11 inches. 
114—VENETIAN SmokED Guass VASE . 


Morning-glory shaped bowl, with two blue glass handles. 
Height, 9 inches. 


115—VENETIAN SmMoKED Guass VASE 
Ribbed with milk-white stripes covering entire body. Has four 
handles of blue glass. 
Height, 81, inches. 
116—Venetian Grass Ewer. AnD GOBLET 
Blue glass of spiral design, and lion-head ornamentation in 
relief. 
Ewer: Height, 14 inches. Glass: Height, 714 inches. 
117—VENETIAN CLEAR Grass VASE | 
Ribbed bulbous body, with blue glass handles. 
Height, 934, inches. 
118—VeENETIAN CLEAR Guass Borrie 
Round body a narrow banding of green glass with amber-color 


bosses. 
Height, 6 inches. 


119—VenetiaAn Guass DecANnTER 
Round body is a narrow banding in ruby glass, with bosses in 


clear glass. 
Height, 6% inches. 


120—VeENETIAN AmBER Guass WatTER BoTrie 


Has long twisted neck. 
Height, 914, inches. 


121—VeneTIaAn Grass Vase wiTtH Cover | 
Spiral pattern, with two narrow bands of blue glass. 
Height, 744, inches. 
122—Venetran Smoxen Grass Vase 
Body entirely ribbed, and ornamented with a band of bosses. 
Height, 63% inches. 
123—VenetTian Guass VAsE 


Ewer-shaped, ribbed spout and fancy handle. Band of bosses 

around neck. 
ne Height, 81, inches. 
124—VeneTian SmoxeD Guass Vase | 

Similar to the preceding. 

Height, 73/4, inches. 

125—VENETIAN SMOKED Gtass VASE 

With long slender neck and two twisted handles. 
Height, 71/4, inches. 
126—VeneTian Grass VAsE 

Globular-shaped body, with six ribbed spouts on ribbed ball 


stem. 
Height, 734, inches. 
127—VENETIAN CLEAR Guass VASE 


With wide pager’ mouth, small spout and two wing handles. 
Height, 8 inches. 


128—Dutecn Guass VAsE 


Barrel-shaped ; four heavy EOE AMi and milled bands around 


body. 
Height, 7 inches. 
129—DvutcH Guass 
Champagne-shaped, pinched in standard. 
Height, 61, inches. 
130—German Gtass VAsE 


Tall slender neck, of opalescent coloring, shading to a light 
amber in the body. Made by Professor Koepping,. of Berlin. 
Signed. 


Height, 9 inches. 
131—Gerrman Guass VAsE ' 


With tall slender neck; purple glass, partly covered with an 
. iridescence. Made by Professor eee: of Berlin. Signed. 


Height, 9 inches. 


132—German BiveE Gass 
’ Made by Professor Koepping, of Berlin. Signed. 


ROMAN AND GREEK GLASS 


133—Five Specimens oF RomMAn Gass 
Consisting of three tall tear bottles and two Poa bottles, 
with silver and green iridescence. 


1384—Arasian Guass Vase f 
With long handle; golden amber, partially coated with an iri- 
descence and showing in part the original surface. 

Height, 3 inches. 


135—Dark Brive Arasian Guass Essence Borrie 


Tubular shape, with rounded end and long slender neck. Par- 


tially covered with a rich iridescence. 
Hah, 6 inches. 


136— Gruco-Roman Vase or tHE Seconp Century B.C. 
Hydra-shaped, with curved applied handles. Coated with a | 
creamy white iridescence, revealing the original beautiful irides- 


cent surface. 
Height, 54%, inches. 


137—Greco-Roman Vase oF THE Second Century B.C, 
Tall cup shape. The exterior and portions of the interior cov- 
ered with a silvery iridescence. 


Height, 444 inches; diameter, 2% inches. 


188—Greaco-Roman Guass Urn oF THE SECOND CenrtuRY B.C. 


Globular shape. This remarkable specimen is of a deep purple 
tone with metallic iridescence, absolutely intact, 
From the Falcke collection, 1865. 


From the De Morgan collection, 1901. . 
; Height, 10 inches. 


189—Two Venetian Guass VASES 


Morning-glory shape; deep violet glass, with ca serpents 
splashed with gold entwined around stem. 


H stan. 7 inches. 
140—Two Venetian Guass Vases 


Ruby glass, with blue flying erp around a ribbed body. 
Has morning-glory top. 
H he 7 inches. 


141—Venetian Guass Vase 


Tripod form, of two ruby and one green vase joined together 
by medallions flecked with gold. 
Height, 74, inches. 


142—VeENETIAN SmoKED Grass FLrower Hovper 
Pyramid of seven jars. Four have milk-white glass handles 


on body. 
Height, 7%, inches. 
143—VenetTian Amber Guass Vase | 
Two handles and raised wavy lines on body. 
Height, 81%, inches. 
144—Two Frencu Grass Botries 


Engraved tree design and gilding. Have cap tops. 
Height, 8 inches. 


145—VeEneETIAN Guass GOBLET 


Reproduction of an antique ornamentation of eagles, dolphins 
and lions painted in various enamel colors, and a decorated gold 
band round the top. 


Height, 51% inches. 
146—Two VENETIAN Guass VASES 


Jar-shaped; light amethystine raised network covering part of 
body. 
Height, 414, inches. 
147—Dorcu Bucie 
Clear glass spiral stem. 
Height, 61%, inches. 
148—VeneTIAN Grass HorsesHoE 


On standard; clear glass, flecked with gold and ornamented with 
ruby nail heads. 


Height, 4%/, inches. 
149—Two Venetian Crear Guass DECANTERS 
Ribbed body, with blue glass wave bands. Has stopple. 
Height, 10 inches. 


150—VewneTiaAn Rusy Grass Bow. 
Scalloped edge and ribbed body. 


Diameter, 7 inches. 


151—VENETIAN CiEAR GuAss DECANTER 


Blue glass bandings and bosses. Has stopple. 
Height, 8 inches. 


152—Two Venetian CLEAR Guass Botrries 
Indented sides. Have stopples. 
Height, 8 inches. 


153—Two VENETIAN CLEAR GLAss Water Bortrues 


Melon-shaped, with thread line lips, 
Height, 7%, inches. 


154—VeneTian Guiass CoMPOTIER — 
Clear glass, under part of body and standard fluted. 


Height, 444 inches; diameter, 2% inches. 


155—Twentve VENETIAN Guass FINGER-BOWLS AND PLATES 
Ruby glass, flecked with gold. . 


156—Venetian Grass Liqueur Ser 


Comprising decanter, six glasses and tray, ornamented with blue 
thread lines and gold bosses. 


157—VeneETIAN Guass LiqueuR SET 


Comprising a decanter, five glasses and tray. Amethyst glass 
flecked with gold and ornamented with bosses. 


158—NineE VENETIAN Guass PLATES 
Blue rim and bosses. 
Diameter, 6%, inches. 
159—VENETIAN SMOKED Guass Tray 
Without ornamentation. 
Height, 2%, inches. 
160—Two VENETIAN CLEAR Guass CARAFES 
Melon-shaped, with thread line lip. 
Height, 7, inches. 
161—Two Venetian Crear Grass Botries 
_ Indented sides. Have stopples. ; 
: Height, 8 inches. 
162—Two VENETIAN CLEAR Guass DECANTERS 
Spiral body, with two blue bands. Have stopples. 
Height, 10 inches. 


163—VENETIAN CLEAR GLAss DECANTER 
Similar to the above. | 
Height, 10 inches 
164—VENETIAN Grass CoMPOTIER 
‘Clear glass, body and standard fluted. 
Height, 6 inches; diameter, 111% inches. 


165—F ive VENETIAN Guass VASES 
Chalice-shaped, on standard. 
Height, 734 inches. 
166—Twetve VENETIAN GuAss TUMBLERS 
Indented sides. 


167—Twetve VENETIAN Guass FINGER-BOWLS AND PLATES 


Ruby glass, flecked with gold. 


168—Two Venetian Crear Guass Water Borries 
Melon-shaped, with thread line and fluted lips. 
Height, 7/, inches. 
169—Turee VENETIAN CLEAR Gtass BotrriEs 
Indented sides. Have stopples. 
Height, 8 inches. 
170—Two Venetian Ciear Guass Water Borries 
Melon-shaped, with thread lines and fluted lips. 
Height, 74, inches. 
171—Nine VENETIAN Guass FINGER-BOWLS AND SEVEN PLATES 
Lace pattern, in pink and white and gold. Bowls have medallions 
on side. 


SECOND AFTERNOON’S SALE 
THURSDAY, NOVEMBER 20, 1913 
AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 O'CLOCK 


172—Fovur Miniature Borryes 


Chinese porcelain; of various shapes and decorations, all pen- 
ciled in underglaze blue. 


ee eee SnuFF Borries 


Chinese porcelain; round, ovoid and cylindrical shapes. Decora- 
tion of boys at play, and floral sprays painted in underglaze 
blue. 


174—Grovp or Five Vases 
Chinese porcelain; beaker and ovoid shapes. Decorated in 
underglaze blue in designs of floral sprays, grapevine in bear- 
ing, and landscape. 


175—Two Smarty Brive anp Waite Saucers 
One, with central lotus flower and eight lotus-petal-shaped 
panels containing alternately “Long Elizas” and sprays of 
flowers; and the other, pine tree, peony and chrysanthemum 
flowers, and fret and floral borders, all painted in blue. 


176—Buve anp Wuirte Jar 
Globular shape, with hat-shaped cover. Around the body are 
branches of lotus flowers and birds penciled in two shades of 
mazarine blue. 


177—Buve ano Waite Ovoip VAsE 
The decoration consists of a willow tree and leaves, painted in 
two shades of blue, and peony flowers carved in slight relief 
in the paste, are in white reserve. 


178—Buve anp WuiTrE PERFUME SPRINKLER 
On the body are four gourd-shaped panels, containing lotus 
flowers; and on the neck, shoulder and foot is a decoration of 
detached blossoms and conventional leaf designs painted in two 
shades of blue. 


179—Buvr anp WuitE PERFUME SPRINKLER 


Similar to the preceding. 


180—Buve anv WHITE, VasE | 
Ovoid shape. Upper part of body is ornamented with the - 
“Hundred Antiques” painted in deep blue on a clear white 


ground, and the lower part coated with a café-au-lait glaze. A 


Has brass collars. 


181—Buve anp Wuitrrt PERFUME SPRINKLER 


The decoration consists of sprays of flowers which are painted | 
in two shades of blue. ee 
Height, 8 inches. ; 
182—Two Buive anp Wuirte Vases 
_ Ovoid shape, with short necks. The decoration consists of — 
flowering plants and leafy scrolls painted in two shades of 
underglaze blue. . | 
; Height, 7 inches. 
183—Two Buive ann Waite Coverep Bowrs a) 
Ch’ien-lung period. The outer surface covered with flowering 
plants, birds, and a poem in Chinese character, penciled in two 
shades of underglaze blue, and the covers decorated to corre- 
spond. 


184—Buve anp Wuitre GuospuLtar JAR 


K’ang-hsi period. The decoration of peacocks, tree peonies, 
butterflies and band of gadroons round shoulder and foot is 
painted in two shades of blue. Six-character mark underneath 
the foot. 


Height, 514 inches; diameter, 41, inches. 


185—Buvuer anp Wuite WInE Ewer 


Decoration of flowering sprays and leafy scrolls Big ee in two 


shades of blue. 
Height, 7 inches. 


186—Buve anp Wuitrre Bow. 
Clear white porcelain. The decoration consists of the prunus 
blossom, peony, lotus and chrysanthemum, Buddhistic symbols 
and Chinese women carrying baskets of flowers, all penciled in 
two shades of blue. Fret band carved in relief. 
Diameter, 7144 inches. — 


187—Buve anp Wuitre Guonutar Covered JAR 


The all-over decoration of dragons, phoenix, flying storks, cloud 
forms and fire emblems are painted in two shades of deep blue. 
Six-character mark of Wan-li underneath the foot. 


Diameter, 5 inches. 


188—Buvue anp Wuire Tart Coverep Cup 


With two handles. The ornamentation consists of the ‘““Hundred 
Antiques” and palmettes painted in light and dark blue. 


Border to correspond. 
: Height, 7 inches. 


189—Buve ano Wuirr Vase 


K’ang-hsi period. Ovoid shape, with slender neck. Within four 
lozenge-shaped connecting panels are floral and leafy scrolls 
painted in two shades of blue. The neck is ornamented with 
detached blossoms in blue outline, and round the shoulder and 
foot a band of scepter heads. Leaf mark underneath the foot. 


Height, 734 inches. 


190—Buve anp Wuirre Manparin Vase 


Ch’ien-lung period. ‘The decoration consists of two upright 
panels containing landscape and river view, and the intervening 
spaces. are covered with a ground of honeycomb, upon which 
are numerous butterflies and leaves carved in relief and in white 


reserve. 
Height, 73, inches. 


191—Smatut Buur anp WuHitTE CuuB-sHAPED VASE 


K’ang-hsi period. ‘The decoration, which is painted in blue on 
a white ground, consists of a mountainous landscape and river 


view. 
Height, 73, inches. 


192—Parr Buive anv Wuite Vases 
Chinese porcelain. Bottle-shaped, with tall necks. The body 
is decorated with panels containing figure subjects and the 
“Hundred Antiques,” and the shoulder, neck and foot with pal- 


mettes, all penciled in two shades of cobalt blue. 
Height, 91, inches. 


193—Smatt Biur anp WuHuitrEe CiuB-sHAPED VASE 
Chinese porcelain. The decoration consists of prunus tree in 
blossom, birds and rocks, all executed in two shades of under- 


glaze blue. 
Height, 8 inches. 


194—Buve anp Wuire VASE 
Chinese porcelain. Bottle-shaped, with tall neck. The embel- 
lishment round the body consists of three tessellated hangings 
and three ornamental stands painted in two shades of underglaze 
blue. Round neck and foot are bands of scepter heads and 


palmettes. 
Height, 10 inches. 


195—Buve anv Wuire Borrie-suarep Vase | 
With tall neck. The body is embellished with six panels con- 
taining figure subjects and the “Hundred Antiques,” and round 
the neck, shoulder and foot are bands of scepter heads and pal- 


mettes, all penciled in two shades of blue. Ee | 
Height, 11 inches. 


196—Buvur anp Wuitre Gatiror 


The embellishment, which is painted in deep mazarine blue, con- 
sists of rocks, pine tree, stork and deer, all emblems of longevity. 


Diameter, 8 inches. 


197—Pair or Buve ann Wauire Quapritaterat Borries 


- Chinese porcelain. The decoration consists of the ‘‘Hundred 
Antiques,” lotus flower, plum tree in blossom and Buddhistic 
emblems penciled in two shades of underglaze blue. 

Height, 84% inches. 


198—Pair or Biue anno Wutre Borries 


Chinese porcelain. Quadrilateral, with cup-shaped covers. The 
embellishment consists of landscape, plum tree in_ blossom, 
bamboo and birds, all painted in two shades of underglaze blue. 


Height, 101% inches. 


199—Buve ann Wuire Bown anv Rose-warer BottLE  _— 


Ch’ien-lung period. On a ground of honeycomb of mazarine blue 
is an ornamentation of butterflies and sprays of flowers carved 


in relief and in white reserve. 
Sprinkler: Height, 10 inches. 
Bowl: Diameter, 10 inches. 


200—TIwo Buve ann Wuirt BEAKERS 


Chinese porcelain. The all-over decoration, which ‘is in two 
shades of blue, consists of flowers and leafy scrolls, and in a 
deeper blue are four large Shou characters. Have four-char- 


acter marks underneath the foot. 
Height, 15 inches. 


201—Larce Buiur anp Wuire Jar and Cover 
Chinese porcelain. An all-over decoration of eight large flowers 
amid leafy scrolls are in shades of light and a dark blue. Round 
the shoulder is a band of scepter heads, and round neck and 


foot a band of gadroons. 
Height, 25 inches; diameter, 14 inches. 


902—Larce Buus anp WHITE JAR 


K’ang-hsi period. Chinese porcelain. The embellishment con- 
sists of four large scepter heads, which contain a profuse decora- 
tion of peonies and leaf scrolls, and round the foot a conven- 
tional design, all of which are penciled in blue outline. 


Height, 31 inches; diameter, 18 inches. 


2038—Larcr Nankin Buvur anp Wuitet PLAQuE 


The center is decorated with a European subject representing 
the Baptism of Christ by St. John the Baptist, and the Holy 
Ghost in the form of a dove. The outer border is richly 
decorated with birds, flowers, fruit and cupids in semi-European 
taste, and the narrow inner border of geometrical designs inter- 
cepted by six medallions containing landscapes, all painted in 
two shades of blue. This specimen is known as a “Jesuit piece.” 


Diameter, 1734 inches. 
204—NankIn Biue and WuiTE PLaauE 
Ch’ien-lung period. The center is decorated with a basket of 


flowers and the wide outer and narrow inner borders with sprays 
of flowers and geometrical designs, all penciled in shades of 


blue. 


| Diameter, 15 inches. 


205—Larer Porcenain PLaave ; 
The ornamentation consists of peony flower, leaf scrolls, rock 
and fret bands painted in two shades of blue. 
Diameter, 15 inches. 
206—Buve ano Wuiret Puate 
K’ang-hsi period. The center is decorated with armorial bear- 
ings, and the borders with sprays of flowers and trellis patterns, 
all penciled in light blue. 


207—Buve anv Waite DisH 


Wang-hsi period. The center is decorated with sprays of 
hawthorn blossom, and the border consists of eight panels, each 

containing asters, water lilies, roses, hawthorn and other flower- 
ing plants, 


208—Buvr anp Wuirtt Priate with Fiurep Epcr 
Ch’ien-lung period. The center is decorated with a landscape 
and river view, and the border with conventional arabesque 
designs, all painted in two shades of blue. 


209—Pair or Ory Nankin Buve anp Wuire Rice PLares 
K’ang-hsi period. Centers richly decorated with flying pheenix, 
chrysanthemums and leaves. On a broad white bordering band 
is a narrow diaper pattern in blue. 


210—Pair or Biue anp Wuite PLaTeEs 
Yung-Ch’ien period. The centers are decorated with coats at 
arms enriched with mantlings and crests, and wide borders cca 
leafy scrolls, all painted in dark blue. ee 


211—Buve anp Wuire Suavine Disu be 
The center is decorated with a basket of flover and the etre , 
dred Antiques.” The wide border of diaper pattern with white 
reserve panels contains floral and leafy scrolls, all of which are — 
penciled in two shades of blue. 


212—Ninereen Buve ann Wuire Dessert Prates a 
Yung-Ch’ien period. The centers and outer borders are deeas ae 
rated with European armorial bearings surmounted by a crest __ 

_ and enriched with mantlings of scrolls, flowers and figures, ue 
the inner border consists of a diaper pattern. » 


213—Ten Buur anp Wurre Soup Prares 
To match the preceding. 


DECORATED CHINESE PORCELAIN 


214—Cuinesp Cup ann Saucer 
Sepia ground, with flowers in white reserve within leaf-shaped 
panels. 


215—Co.LuectTion or Four Bow.us 


Famille rose decorations of various designs. 


216—F ive Cuinese Cups, Two Saucers AND A TEAPOT 


The decoration consists of figure subjects and Le plants 
in colors of the famille rose. 


217—Two Bowtus, Curs anp Saucers 


Chinese porcelain. Gold ground, with panels decorated in famille 
rose colors. 


218—Curneset Mvue wirn Hanpie 


Center panel containing children at play and a profuse decora- 
tion of asters and peonies in famille rose colors, with leafy scrolls 
in blue. 


219—Two Smatu Minx Jues 


Decoration of floral designs in famille rose colors. 


220—Turee Jucs 
Chinese porcelain. Various decorations and colorings. 


221—Two Teapots 

One, decoration of maple leaves in black with gold outline, and 
vine and berries in red and gold; the other, floral decoration 
and the “Hundred Antiques” in famille rose color. 


222—Two Curnese Porcetarin TEarots 


One decorated with lake view and rocky landscape, in green, 
yellow and brown enamel; the other, with figures and floral 
decoration in famille rose. 


223—Two Cunese Trapors 
Ch’ien-lung period. Decoration of flowers in natural coloring. 
Chrysanthemum foot and cover. 


224—CutnesE QuapRILATERAL Wine Por 
Of the K’ang-hsi period. Decorated with sprays of flowers in 
colors of the famille verte. 


: =a | 

225—CHINESE PorcELAIN SAKE Por 
Three reserve panels, decorated with flowers and scrolls in various 
colors of enamels. 


226—CuHInESE TEAPOT 
Of cylindrical shape, richly decorated with flowers, leaves and 
birds in famille rose enamels. 


227—Larcr TEapor 
Chinese porcelain. The body is fluted and decorated with sprays 
of flowers, while the handle and spout are of a quaint dragon 


design. 


228—Smatu VAsE : 
Ch’ien-lung period (1736-1795). Robin’s-egg blue ground cov- 
ered with a decoration of vines and peonies. Has two gilt 


handles. 
Height, 4 inches. 


229——Circutar PEerFuME Box anp Cover 
Chinese porcelain of the Ch’ien-lung period (1736-1795). Tur- 
quoise blue sharkskin surface, with landscapes in panels on a 
white ground. Openwork cover. 


Height, 1%, inches; diameter, 1% inches. 


230—F LoWER-SHAPED COUPE 


Chinese porcelain. Three green leaves modeled in high’ relief on 4 
a ground representing hawthorn blossoms in white relief. Teale wa 


wood stand. is 
Peighe, 1% inches. — 


231—HexaconaL Box anp Cover 
Chinese porcelain of Ch’ien- -lung ‘period. Flower and scroll 
design in red, blue, pink and yellow on a turquoise-blue ground. 
Teakwood stand. 


Height, 1% inane is 


932—CHINESE PORCELAIN STAND 


ta 


Of the Ch’ien-lung period (1736-1795). Decoration of cherry 


blossoms and tree peony on a white ground. End scrolls cov-_ 
ered with a hexagonal design in various colors. Teakwood stand. — 


Height, 14% inches; length, 4% inches. oe! 


233—TurREE CHINESE PoRCELAIN VASES wITH COVERS 


Floral and landscape decoration in famille rose colorings. 


23.4.— THREE CHINESE Porceratn VASES 


Within two upright panels are Chinese figure subjects, ee the - 


intervening spaces are covered with floral sprays and butterflies 


carved in the paste; one has decoration of detached flowers in 


various colors of enamel. 


235—TIwo CuHiInEseE Wau VASES 


With handles and figures of boys in high relief. The bodies are 


fluted and decorated with flowers in famille rose colors. 


236—Pair or SmMAutuL CHINESE BEAKERS 


The bodies are of spiral design, and decorated with leaves and 
flowers in famille verte colors, and the neck and foot with an 
artichoke leaf in rouge-de-fer. 

_ Height, 63, inches. 


237—FamiLLE VERTE PERFUME SPRINKLER 


With spreading lip and base. The body of the vase is adaotied 
with sprays of flowers and leaf scrolls, the neck with leaves and 
diaper pattern in famille verte colors. 


238—Two MytTHoiocicaL ANIMALS 
Coated with yellow, green, blue and purple glaze. 


239—Bown 


Of the Sung Dynasty (960-1280). Fine blue glaze, with sang- 


de-beuf marking. 


Diameter, 63% inches. 


240—Bown 


Of the Yuan Dynasty (1280-1368). Coated with a fine varie- 
gated blue glaze. | 
Diameter, 714% inches. 
/241—Bown 

Of the Sung Dynasty (960-1280). Fine blue glaze. 


Diameter, 67, inches. 


2942—Bowu 


Of the Sung Dynasty (960-1280). Pale celadon color, with 
marking in sang-de-beuf. 
- Diameter, 74%, inches. 
243—Bow. a 
Of the Sung Dynasty (960-1280). Dark blue glaze with iron- 
rust effects. 
Diameter, 74/4, inches. 
244—Marsie Buppua 
Tang Dynasty (618-907). Buddha 
seated cross-legged upon a conven- 
tionalized lotus throne. Painted in 
colors of red, blue and green. Elab- 
orate inscription on back. 
Height, 14 inches. 


245—Parr or GINGER JARS 


The embellishment consists of Chi- 
nese parading children, painted in 
brilliant colors of enamels in famille 
rose. Have teakwood cover and 
stand. : 


246—Pair or CHINESE Breakers 
Ch’ien-lung period. Decorated with 
a diaper pattern in red, gold and 
blue with reserve panels depicting 
Chinese domestic scene and river 
view in famille rose. 


Height, 10 inches. 


947—GarniturE oF THREE Manparin Vases WITH COVERS 


The decoration consists of sprays of flowers, butterflies and 
European armorials painted in red, green, blue and yellow and — 
rose-pink on a white ground. 


248—CuinEsE Manparin VASE 
In two upright panels in enamel colors are Chinese domestic 
scenes in brilliant colors of enamels. These panels are sur- — 
rounded by borders of deep blue, and the intervening spaces are 


covered with a diaper pattern in red. 
Height, 1034 inches. 


249—Parr Manparin VASES 
Semi-eggshell. Yung-Chéng period (1723-1735). In two up- 
right panels finely painted in enamel colors and touched with 
gold are domestic scenes, landscape and river views. ‘These 
panels are surrounded by borders of floral and scroll designs in 
blue, and the intervening spaces are covered with a ground 


delicately penciled in gold. 
; Height, 10 inches. 


950—Parr or Friar Ovirorm VAsEs 


With handles at neck. On a diaper ground of red and blue 
are a series of upright reserve panels depicting Chinese garden 
scenes and landscape in famille rose colors with gilding. 

Height, 111% inches. 


951—GaRNITURE OF FiIvE CHINESE VASES 


The sharkskin ground, which is of light turquoise-blue, is deco- 
rated with floral and leafy scrolls in rose-pink and gilding. In 
two lar ge and two small panels are Chinese domestic scenes 


painted in brilliant colors. 
Height, 1114 inches. 


252—Set or Four Cuinese VASES 7 
Two ewers and two ovoid-shaped vases with, handles «at Rides: 
Within three leaf-shaped white reserve panels are “birds and 
flowers decorated in various colors, and the intervening spaces in 


mazarine-blue with gold penciling. Ormolu mountings. 
Height, 14 inches. 


253—Pair QuADRANGULAR BEAKERS 


Chinese porcelain. The body and neck are decorated with four 
irregular-shaped panels in white reserve, containing sprays of 
peonies and chrysanthemums in natural colors, surrounded by 
leafy scrolls of green upon a yellow ground. The shoulder has 
a border of conventional designs in black outline upon a pale 
green ground. 

Height, 11% inches. 


254—Pair or BEAKERS 
Chinese porcelain. Profusely ornamented with seven large lotus 
flowers and birds amid leafy scrolls in red, green, yellow and 
plum-color enamels. Round the neck and foot is a wide band of 


scepter heads, with gadroon in enamel colors to correspond. 
Height, 1414 inches. 


255—Tatu Breaker 
Chinese porcelain. The decoration consists of the “Hundred 
- Antiques” and fire emblems, painted in famille rose colors. 
Round the neck a wide band of scepter heads and round the 


foot a gadroon border, painted to correspond. 
Height, 1634 inches. 


ey, | an ree VERTE JAR 


Decoration consisting of four rampant horses and detached — 


blossoms in brilliant enamel colors of plum, yellow, green and 
red, upon a wave ground of red, with rocks in two shades of 


blue. 
Height, 121, inches. 


257—FamitLE VERTE JAR 
Ming Dynasty. Decoration in brilliant enamel colors of yellow, 
plum, red, green and black markings, of three rampant horses, 
symbols, rocks and detached blossoms upon a spiral red ground. 
Height, 12%, inches. 


258—Pair or Incense Burners on Tripop 
Chinese porcelain. Globular shape, with two long handles curv- 
ing upward. Coated with a yellow glaze and decorated with 
lotus flowers and leafy scrolls in green enamels. Within two 
white panels on the neck are inscriptions in Chinese characters. 


Have teakwood covers and stand. 
Height, 12%, inches. 


959—Pair oF ALTAR CANDLESTICKS 


To match the preceding vases (No. 258). 
a Height, 1334 inches. 


260—Patr or Curnese VAses WITH COVERS 
Quadrangular shape, with dragon handles. Profusely decorated 
with Chinese domestic scenes, birds, and landscape, painted in 
various colors on a white ground and surrounded by diaper 
pattern in coral red and gold penciling. Cover surmounted by 


a kylin. 
Height, 221, inches. 


2961—PorcetaIn FLower-por 


Coated with a thick sang-de-ba@uf glaze. 
Height, 814, inches. 


262—Larcer VASE ic : 
Of cylindrical shape, with flaring neck and spreading lip. In- 
vested with a monochrome glaze of sang-de-beuf. (Repaired.) = 


263—Mortvuary Urn 
Sung Dynasty (960-1280). Amphora-shaped, with flaring 
mouth and dragon’s-head handles, partly covered with a soft 


greenish glaze. 
Height, 17 inches. 


COLLECTION OF CHINESE DECORATED 
BOWLS AND PLATES 


2964—TureEe CuinesE Porcetain Bowtrs 


Decoration of flowers, butterflies and birds painted in various 
colors of enamel. 


265—Two Porcretatn Bowtns 


One, of the Ch’ien-lung period (1736-1795), Chinese domestic 
scenes in brilliant enamel colors and gilding; and the other, an 
all-over decoration of a fox hunt in brilliant colors of enamel. 


266—Turee Cuinese Porcentain Bowtns 


Decorated with various Chinese birds, insects and flowers in 
famille rose colors and bleu-de-Nankin. 


267—Two Bowtus 


Octagonal shape. Floral sprays in gold on a reserve white 
ground, and intervening spaces in dark blue with leafy scrolls 
in gold penciling. 


268—CurIneEse Bownu 


Elaborate floral and scroll designs painted in various colors. 


' 269—CuineEszt Bown 
On a dark red ground within four circular panels, which are in 
-white reserve, are bamboo branches penciled in brilliant red. 


Diameter, 634 inches. 


~ 270—Famitte Rost Bown 

Of the Ch’ien-lung period (1736-1795). The outer surface is 
embellished with large peonies, leafy scrolls, berries and butter- 
flies in red, pink, green and ‘blue enamels. The inner surface 
profusely covered with lotus buds, leaves and scrolls in two 
shades of blue. 


Diameter, 7 inches. 


271—CuinEsE Bow. 


The embellishment consists of a Chinese domestic scene and land- 
scape, painted in various colors of enamel. 
Diameter, 7 inches. 


272—CuinEsE Bown 
The decoration depicts a landscape scene with Chinese figures 
in various colorings of famille rose. 
Diameter, 71/4, inches. 
273—Bow. 
Decorated with sprays of flowers painted in famille rose colors. 
Diameter, 73/4 inches. 
274— Bow. 
Ch’ien-lung. The outer surface decorated with tree peonies and 
scrolls, panels containing vases filled with flowers, and an elab- 
orate border painted in the famille rose colors. 


Diameter, 7/, inches. 


2975—Bown 


Decorated with sprays of asters, peonies and other designs, in 
colors of the famille rose. 
Diameter, 73/4, inches. 


276—Bow1. 


The outer surface is decorated with figures and landscapes 
painted in various colors of enamels. 
Diameter, 8 inches. 


277—Larce Bow. 
Chinese porcelain. Decorated with floral and scroll designs in 


famille rose colors. 
Diameter, 9 inches. 


278—Larce Bow. 
Ch’ien-lung. The embellishment consists of tree peonies and 


other flowers painted in famille rose colors. 
Diameter, 94, inches. 


279—Larce Bow. 
Ch’ien-lung. The inner and outer surface decorated with sprays 


of tree peonies painted in rose-pink, blue, green, and cream color e 


and enhanced by gilding. 
Diameter, 1014 inches. 
280—Larcr Bown 
_ Ch’ien-lung. The outer surface is decorated with a garden scene 
and Chinese ladies richly attired; the inner surface, with four 
gold fish, all in bright colors of enamel. 


Diameter, 10 inches. 


281—Larcr Bown 
K’ang-hsi Dynasty. Richly decorated in famille rose colors with 
figures of Chinese ladies in palace gardens. 
Diameter, 111% inches. 
282—Five Saucers 


Decorated with sprays and branches of flowers in famille rose 
colorings. 


283—Two Trays 


Star and lozenge-shaped. Decorated in enamel colors of sprays 
of flowers and the Immortal Genii. 


284—Two Puates 


One, sprays of cherry blossoms in rose-pink on an engraved 
yellow ground; and the other, with four medallions in white re- 
serve containing aquatic birds and plants on a turquoise ground, 
with conventional scrolls in black. 


285—Parr or PLates 
The decoration consists of a small central medallion containing a 
landscape surrounded by a band, intercepted by three floral 
medallions painted in enamels of green and red enhanced by 
gilding. 


286—Pair or PuLatTeEs 


Embellished with a basket filled with flowers and a border of em- 
blems and detached blossoms, all painted in red, green and 
blue enamels enhanced by gilding. 


287—Two Porcenain PLaTEs 
Chinese. The decoration consists of “‘Presentation Scene” and 
“Musical Garden Party,” painted in rose-pink, yellow, blue, 
purple and other enamel colors. 


288—Pair or PLaTEs 
Chinese porcelain. The decoration consists of tree peony in 
bloom, in enamel colors of blue, red and green and enhanced by 


gilding. 


289—Pair oF PLATES 
The embellishment consists of four fan-shaped panels containing 
branches of bamboo and peony flower, and the intervening spaces 
of mazarine blue, all penciled in gold. 


290—Pair or Cutnese Porcetatn Piates 
The centers are decorated in famille rose colors, depicting Chinese 
fisherman, and the border, which is painted in blue in design of 
conventional scepter-head and diaper pattern, contains lozenge- 
shaped medallions which are ornamented with aquatic birds in 
gilding. — 

ami 

291—Two Curnese Porcerain PLatTeEs 
In the center of one is a beaker and a low-form vase filled with 
flowers and painted in various enamel colors upon a ground of 
rose-pink applied to represent Pekin enamel, with borders in pale 
blue; and of the other, branch of peonies in red and rose-pink 
enamels and gold. Borders of fruit and leaves in underglaze 


blue. 


9992 —"Trirezr CuHineseE Porcerain PLATES 


Decorated with flowers and European crests in famille rose 
colors and gildings. 


993—Four CHINESE PorceLAIn PLATES 


One, basket filled with flowers, and three with sprays of flowers 
and scepter-head and medallion borders in famille rose enamels. 


294—Four CHINESE PorcELAIN PLATES 


In the center are sprays of chrysanthemums painted in red, 
yellow and blue enamels. Borders to correspond. 


995—Five Puatrers 


The decoration of tree peony in bloom is painted in red and 
blue enamels, enhanced by gilding. 


296—Five Cuinese Porceiain PLates 


Decoration of peonies, cherry blossoms, medallions, emblems and 
butterflies painted in famille rose enamels. 


297—Srx CuInesE PorcetAIn PLATES 


In the center are “The Hundred Antiques,” deer and tree peonies 
painted in red, green, blue and yellow enamels and gold pencil- 
ings. Borders to correspond. 


298—PorcrELAIN PLATE ON TRIPOD 


The ornamentation consists of tree peony and flowers in bloom 
in dark blue, rose-pink, red and other enamels and enhanced by 
gilding. Border of conventional fret designs in turquoise blue 
and interrupted by four scepter heads in red. 


299—Larcs PuatE 


The center decorated with warriors on foot and on horseback, 
and the borders with animals, flowers and “The Hundred An- 


tiques,” all painted.in famille verte enamels. 
Diameter, 141% inches. 


800—Larcrt Derr Disu 


Decorated with flowering plants and sprays of flowers, in enamel 
colors and gilding. 


Diameter, 151%, inches. 


301—Larcrt FamiItLteE Rosr Priaave 


Deep shape. The inner panel and exterior border are embel- 
lished with large peonies, flowers and cherry tree in bloom, in 
rose-pink, yellow, green and blue enamels. The wide inner 
border, of conventional fret designs in yellow, is intercepted by 
four oblong panels containing floral sprays, and the edge is of a 
rose-pink. 

Diameter, 21%, inches. 


302—CuInEsE PaInTED GLAss SCREEN 
The decoration represents the Taoist Immortals, Fu, Lu and 


Shou, painted in orange-red, blue and black, enhanced by gold 
and silver. Mounted in black teakwood. 


303-—CuINEsE Painrep Giass ScREEN 
Ch’ien-lung Dynasty. The decoration, which is painted in bril- 
hant enamel colors of red, blue and white, enhanced by gold 
and silver, represents the star gods of Rank, Longevity and 
Happiness and their attendants. Mounted in teakwood. 


304—CuINESE PaintiIne on Guass 
Ch’ien-lung Dynasty. Representing warriors entering a palace 
and being received by a high dignitary, painted in red, blue, 
green and white and enhanced by silver and gold. Mounted in 
a black wood. 


305—CuINEsE Parintine on GLass 
Ch’ien-lung Dynasty. Representing a young Chinese lady and 
gentleman at an open window, minutely painted in rose-pink, blue, 
green, red and white, and enhanced by gilding. Mounted in a 
black wood frame. 


JAPANESE POTTERY AND PORCELAINS 


306—Two CuHatcrepony CourPrers 
With shaped top and two carved handles. 
Height, 114, inches. 
307—Moxoso1na Bow. 


~ One-half in yellow and one-half in brown, with the four corners 
turned upward, coated with a heavy glaze. 


Height, 2 inches; width, 5 inches. 


308—Suixco Ware Bow. 
Coated with a grayish color and ornamented with two medal- 
lions in white, and a white line around top. 
Height, 23%, inches; diameter, 414 inches. 


309—JapANEsE Wau Bracket 


Fan shape. Light brown glaze with design of bamboo tree and 
birds in green, blue and gold. 
Height, 91% inches; width, 734 inches. 
$10—Japanese Wat Bracket 
Pack sack with tea casket on top, bamboo rod on each side, and 
the front ornamented with crests and fret design in dark blue 
on a green ground. 
Height, 714 inches; width, 5 inches. 
$11—JapanrseE Watt Bracket 
The ornamentation consists of split bamboo, with grapevine in 
bearing in high relief in enamels of red, green and blue, and a 
squirrel in light brown. 
Height, 8 inches; width, 414 inches. 
$12—JapPaNEsSE PLATE 
Light brown center, with chrysanthemums in yellow and blue; 
border of geometrical designs in various colors; underneath, 
covered with a greenish glaze and black wave lines. 


Diameter, 77% inches. 


313—Banko DisH 


Representing a basket and piece of fabric. The decoration con- 
sists of crests, howo bird and detached blossom in blue, green, 


yellow and brown. 
734, inches square. 


314—JapanesE Disy | 
Decoration of peonies, crests and poem in two shades of brown 
on a grayish-brown crackled ground. . 
Length, 10 inches; width, 7% inches. 
315—JapanesE TEAPOT | 
The ornamentation consists of chrysanthemums in relief and 
leafy scrolls outlined with gilding and filled in with enamels of 
red and blue. Metal spout and bamboo handle; cover in design 
of a chrysanthemum. 


316—TIwo Bowtus e 
Imari. One, with four baskets filled with flowers, in red, green 
and blue enamels and rimmed with a blue border; the other, — 
with bamboo tree and peony flower painted in red and blue on 
a white ground. 


317—Imart Bowu 


With flanged lip. Decorated with floral sprays in rouge-de-fer 
and gilding. 


$18—Imart Bowr 


Richly decorated with floral sprays and scrolls in rouge-de-fer __ 
and blue, enhanced by gilding. 


319—Imart Bown anp Cover 
The embellishment consists of peonies, chrysanthemums and lotus 
in enamels of red, green and blue with gildings, upon eight alter- 
nating panels of blue and white. 
Height, 7 inches; diameter, 8 inches. 


820—Imart Bown 


The decoration consists of flowering plants, rocks, emblems and 
scepter-head borders painted in red and blue enamels and gilding. 


Diameter, 1014, inches. 
321—Imarit PLATE 
The embellishment consists of a screen of scroll form, flowers 
and stork painted in blue, red and -green enamels and gilding. 


822—Four Imart PLATES 


The decoration of three consists of vases filled with flowers and 
medallion borders, in red and blue enamels and gold; and the 
fourth with pomegranates and flowers in red, green and blue 
enamels and gilding. 


3$23—Oxp Imarrt SauceR-SHAPED PLATE 


Blue and white alternate reserves in which are floral decorations 
in red and gold. 


324—Five Imart PLATES 


Richly decorated with flowers and other designs. Borders to 
correspond, 


325—Five Inari Puates 


The embellishments consist of ‘The Hundred Antiques” and 
flowering plants painted in red, blue and green enamels. 


—$26—F rive Imarr Puates 


Various decorations painted in red, blue and green enamels. 


EUROPEAN CERAMICS 


327—Two Sarr Crerrars 
Dammouse porcelain. One, covered with a bluish-green vitre- 
ous glazing on which is a design of leaves and flowers; and the 


other, partially covered in iridescent coloring. 
: Diameter, 2 inches. 


328—Covure on Four Ferrer 
Dammouse porcelain. Interior covered with a fine purple and 
gray glaze; the exterior with a grayish ground and with scroll 


design in various colors. 
Diameter, 41% inches. 


329—Pair oF CuHitpREeN’s Heaps: 


French. ‘Terracotta, one laughing and the other crying. On 


wood pedestals. 
Height, 131% inches. 


830—Otp Frencu Wuire Biscurr Ciock 
Figure of a child in rustic dress feeding pigeons from a hat. ° 
The elliptical base of the clock is mounted with a band of 
ormolu. Eighteenth century. 


331—O.p Frencu Wuire Biscurr Crock 
Louis XVI period. ‘Two nude children standing and reclining 
upon rocks. The rectangular base has one oblong and two 
circular miniatures of blue and white Wedgwood, which have 


been applied. 


332—CHIMNEY-PIECE GARNITURE 


Consisting of a clock and two candlesticks. The clock, which is 
surmounted by a vase, rests on a column base of white marble. 
Has ormolu mountings. Movement by Cronier a Paris. Candle- 
sticks to correspond. 


333—Patr or Covered Bow ts 


French. The bowls and cover, which are of alabaster, are sup- 
ported by a dark green bronze figure of a boy who rests on a 
plinth in imitation of lapis-lazuli and marble. Late eighteenth 


century. Ormolu mountings. 
Height, 20 inches. 


334—Oxup DrespEN STATUETTE 


Standing figure of a poet, and an eagle, in white biscuit, hich 
is glazed and enhanced by gilding. The square base is decorated 
with four coats of arms in various colors and penciled in gold. 


Height, 19 ‘inches. 


335—Four Oup Drespen EcciuesiAstTicaL Figures 


“The Four Apostles.” They are of white biscuit undecorated 
and coated with a glaze, enhanced by gilding. The four sides of 
the square base are decorated with a coat of arms, painted in 


various colors and gilding. 
Height, 19 inches. 


336—Pair oF WepGwoop JARDINIERES 


Blue jasper, with relief decorations in white of classical female 
figures, representing Music, Painting and the Dramatic ead 
Mark: Wedgwood. Eighteenth century. 


Diameter, 5 inches. 
337—Pair or Wepewoop Ewers on Bases 


Blue jasper with relief decoration in white. Subjects: Music, 
Arts, Science and Drama. The ornamentation on the bases are 
of the “Four Seasons.” Mark: Wedgwood. Eighteenth century. 


Extreme height, 171 inches. 


3838—Pair or Urn-sHarpepD WerpGwoop VasEs AND COVERS 


On a very delicate mauve-colored ground are decorations in 
white relief of classical Greek figures. ‘The covers are orna- 
mented with conventional leaves radiating outward from the knob. 
Mark: Wedgwood. 

(Illustrated) Height, 9 inches. 


339—Pair oF WepdGwoop Jars AND Covers 
Decorated in white on a soft green ground. Around the body of 
the jars are Egyptian and the zodiac signs and figures, while 
the covers are formed of the heads and shoulders of sphinxes. 
Exceptionally rare. Mark: Wedgwood, and workman’s mark. 


(Illustrated) Height, 10 inches. 


ag MEM Py > 


eh Sand Oke D wy 


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340—Parr or Ory Wepewoop CaNnDLESTICKs 
Jasper ware, in blue and white, representing two marine mon- 
sters with human bodies and dolphins’ tails, upholding shells as 
the receptacles for the candles. Thrown over the shoulder of 
one is a net, and over the other is the skin of a sea serpent. 


Mark: Wedgwood. a 
Height, 11% inches. 
. { 


* 


341—Parr or Wepewoop ORNAMENTS 
Rectangular shape. Dark blue ground with relief ornamentation 
of white. Within four panels are mythological figure subjects 
and bordered at either side by lily stalks. The top and lower 


border of acanthus leaves. Mark: Wedgwood, 
Height, 7 inches. 


342—Very Larce Wepcwoop Frowrer Hover 

Flower-pot shape, with openwork cover. In blue and white 
jasper, with relief ornamentation of a Greek mythological sub- 
ject. The wide upper borders of floral and leaf scrolls and 
the lower border grapevine in bearing. Underneath the foot 
impressed mark: Wedgwocd. 

ITeight, 15% inches. 

(Illustrated) 


$3438—Patr or Oty Wepcwoop PLAQvuEs 


Oblong. Black ground with corn-color border, which is divided — 
by a relief floral motive in white. The* ornamentation, which 
is also in white and in high relief, consists of children personating 


“The Hunt” and “Music.” Mark: Wedgwood. 
Height, 6 inches; length, 18 inches. 


BEER ERED ER CAR EW CED CEOS ER ORV ER AER ED CORY TRE DS. 


344—OLD Werpbewoop “Praqur 


Extremely rare. Mauve ground with very bold relief subjects 
in white, representing Mars and Venus. To the right a half- 
reclining figure and under a tree a dancing satyr and nymph. 
Framed. Mark: Wedgwood. 

: Height, 5%, inches; length, 141% inches, 


345—Parm or OLtp Wepewoop Ovat Mepariions 


Jasper blue, with female figures in bold relief in white, one rep- 
resenting Summer, and the other the winged Goddess of Love. 
Mark: Wedgwood. Mounted in a black wood frame. 


Height, 6 inches; width, 41% inches. 


$46—Pair or Ovat Wenewoon PraaueEs 


On a blue jasper ground, and in white relief, is a representa- 
tion of classical female figures. Mark: Wedgwood. Have carved 
and gilt frames. 


Height, 7% inches; width, 514 inches. 


347—OLp Wepewoon Ostone PLAQuE 
On a blue jasper ground is an ornamentation in white relief— 
a scene from the Greek classics of time. Mounted in a carved 
wood and gilt frame. 


348—Oxi.p Werpcwoop Ontone PLAQUE 


On a blue jasper ground and in white relief is a representation 
of a scene from the Greek classics. Mounted in a carved wood 


and gilt frame. 
Height, 6%, inches; length, 2114 inches. 


349—Wepewoop Osntone PLAQUE 


On a blue ground is an ornamentation which is in white and in 
high relief and illustrates the Birth of Cupid, after Flaxman. 


Framed. 
Height, 51%, inches; length, 121% inches. 


SCULPTURES 


350—Wuite Statuary Marsie Bust 
Child laughing, mounted on a white marble plinth. 
Height, 18 inches. 
351—STATUETTE 
White statuary marble. Nude boy seated with legs crossed and 
reading. 
Height, 17% inches. 
352—STATUETTE . 
White statuary marble. Little boy asleep on a tree trunk. 
Height, 201%, inches. 
353—STATUETTE 
White statuary marble. Two cupids in dispute. 
Height, 1634 inches. 
354—VasE WITH FIGURE 
White statuary marble. The vase, which rests on a square base, 
is filled with fruit and a child arises from the center. 
Height, 28 inches. 


355—Pair oF Busts 
White statuary marble. George IV when Prince Regent, and 
his Consort. Signed: Turnerelli, and dated: Pinxt. 1810-1817. 
Mounted on white and gold painted pedestals with swags of 
acanthus leaves of the same period. 


_356—Pam or Sratvuerres 
White statuary marble. Figures of a young boy with doves and 


girl with dog. 
Height, 31 inches. 


357—STATUETTE 
White statuary marble. Nude boy fondling and protecting a 


dove from a puppy dog. Signed: Farrell, 1859. 
Height, 291 inches. 


358—Srarvurrre 
White statuary marble. A young child with cat on her shoulder. 


(Illustrated). Height, 26 inches. 


359—STATUETTE 
White statuary marble. Entitled, “Go to Sleep.” Signed: J. 
Durham, A.R.A., and dated 1872. 


Height, 3314 inches. 
(Illustrated) Ce 


360—SraTvuETTE 
White statuary marble. The Bather. Signed: F. Bienaimé. 
(Illustrated) Height, 40%, inches. 
361—STATUETTE 


White statuary marble. Young woman with dove. Signed: F. 
Bienaimé. 
Height, 39 inches. 
3862—Puaster Cast 
“Madonna and Child.” 
Height, 261, inches; width, 20 inches. 
863—Puaster Cast 


- After Della Robbia: “Tambourine Players.” Group of seven 
children, modeled in high relief. 
Height, 3914, inches; width, 371 inches. 
- 864—Praster Cast 


After Della Robbia: Group of six dancing children modeled in 
high relief. 


_ Height, 39 inches; width, 3734, inches. 


TILES, PLATES AND PLAQUES 


+4 EN RR AEC RE Re ate 


3865—Panewt or Eicur AntieuE Persian Mosavut Ties 


Floral and spray design in blue and green on light greenish 


ground. Height, 18 inches; width, 36 inches. 


$66—NECKLACE OF BYZANTINE STONE BEApDs 


Carved in different forms and in various colors. 


367—Smauut Persian PERFUME SPRINKLER 


Blue and white decoration. 
From the Charles A. Dana collection, Catalogue No. 444. 
Height, 44%, inches. 


368—Oxp Prrstan BotrriE with ENGRAVED Sitver Top 


White translucent porcelain, with decoration of red and green 
flowers in panels, surrounded by a reticulated design. 


Height, 67% inches. 


3869—TurereE SPANisH PLATEs 
Various shapes and colored decoration. 


370—Four Spanish PLATEs 


Blue and white floral and figure decoration. 
Diameter, 5 inches. 


371—Fovur Spaniso Puates 
Decoration in various shades of blues. 


3872—AntTiquE Masouica PLATE 


In the center is a head of a warrior with helmet painted in blue, 
orange and yellow. The border of egg and dart design in dark 
blue and red. (Repaired. ) 


Diameter, 1034 inches. 
873—Two EneuisH Paintep PLaauEs 


One, reproduction of a Rhodian plate, bird and flowers, on a dark 
blue ground; and the other, of floral design, and leaves in colors 
on a buff ground. 


Diameter, 131 inches. 
374—Two EncusH Paintep PLAaQuEs 


One, reproduction from a Rhodian plate; and the other, mask . 
and fruit design. 


Diameter, 151% inches. 
375—Two EneuisH Painrep PLAQuEs 
Subjects: “Chrysanthemums” and “Cherry Blossoms.” 


Diameter, 151%, inches. 


376—TWENTY-NINE CHINESE TILES 
Various subjects of birds, fruit and flowers in natural colors. 
Height, 634, inches; width, 414 inches. 
3877—Two Encusu Titers 


Subjects: “Winter” and “Summer,” painted in blue. Framed in 


ebony wood. 
12 inches by 6 inches. 


378—Two Encuisu TILes 
“Winter” and “Summer,” painted in brown tones. 


12 inches by 6 inches. 
379—Two EncusH TILEs 


“Winter” and “Summer,” painted in two shades of blue. 


880—Two EncusuH Ties 


“Winter” and “Summer,” painted in brownish tones. 


381—Eneusu Picture TILE . 
“Landscape” after Weissenbruch, painted in natural colors. 
Framed in ebony wood. 
Height, 834, inches; width, 141, inches. 
_ 882—Turee Upricutr Picture Ties 
“Flora,” “Knowledge” and “Pomona.” In ebony wood frames. 
; 18 inches by 6 inches. 
383—Turee EnctisH Painted TILEs 
“Flora,” “Helen” and “Pomona.” In ebony wood frames. 
1754 inches by 6 inches. 


'384—Parr Encuisu Paintep TILes 
“Mars” and “Amor.” Framed in ebony wood. 


/ 


16 inches by 8 inches. 


3885—Two EneusH Patntep TILEs 
“Ganymede” and “Beauty.” In ebony wood frames. 
1754 inches by 5% inches. 


386—Turee Encuisny Parntep Ties 
“Ganymede,” “Beauty” and “Hebe.” In ebony wood frames. 
20 inches by 8 inches. 


387—TureE EncuisH Paintep TILes 
“Fortune,” “Love” and “Fame.” Framed in ebony wood. 


16 inches by 8 inches. 


388—Four Eneisu Patnrep Ties 
“Market Girl,’ ‘“Barmaid,” ‘Milkmaid’ and “Goose Girl.” 


Framed in ebony wood. 
20 inches by 8 inches. 
389—Turee Encusu Partep Tites 
“Morning,” “Noon” and “Night.” In ebony wood frames. 


8 inches by 24 inches. 


390—EwnecuisH Paintep Tite 


“Pomona.” In ebony wood frame. 
Height, 1714. inches; width, 71/, inches. 


391—EnecusH Patntep Tite 
“Sir Walter Raleigh.” In ebony wood frame. ; 
Height, 18 inches; width, 8 inches. 


392—Two Encuiso Painted TILEs 
“Harvest Girl’ and “Milkmaid.” In ebony wood frames. 
Height, 20 inches; width, 81% inches. 


393—Two Enc.iisH PAINTED Picrure Tires 
“Fame” and “Death.” Framed in ebony wood. wer. 
Height, 16 inches; width, 9 inches. 


394—Two EncusH Patmntep Picture TILes 
“Chaucer” and “Dante.” Framed in ebony wood. : 
Height, 18 inches; width, 7 inches. 


3895—Two EncusH Parintep Picture Ties x 
“Lady with Fan” and “Man Taking Snuff.” In ebony wood 
frame. | Se ee 

Height, 20 inches; width, 842 inches. 

396—EncusH Paintep Picture Tite 


“Enid.” Framed in ebony wood. 
Height, 2414 inches; width, 9 inches. 


$97—EnceusuH Patntep Picrure Tite 
“Guinevere,” with floral and fruit border. 
Height, 39 inches; width, 19 inches. . 


THIRD AFTERNOON’S SALE 
FRIDAY, NOVEMBER 21, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 O’cLOCK 


398—Porrrorio 
Greenish-brown leather, lined with green moire silk. 


ey 399—AntTiauE Sitver Repousst Tankard 
With hinged cover, design of stag pursued by horsemen and 


dogs. 
= Height, 6 inches. 
— 400—Turee Strver Kyives anv Forks 
I; Of various shapes and designs. Made by Cardillac of Paris. 
In leather case. 


401—Six Knives anp Forxs 
With ivory handles and gold ferule. Made by Cardillac of Paris. 


In leather case. 


402—Larcr Guass Servine Tray 
With handles. Silver frame and gallery. 
Length, 22 inches; width, 13% inches. 


403—Tirrany Guass INKWELL 
With a bronze casing of floral design in openwork. 
Height, 4 inches; width, 6 inches. 
404—Bronze OrNAMENT 
Head of bear cub, by A. Phimster Proctor. Mounted on a 
marble base. j 
Height, 4 inches. 
405—BronzeE ORNAMENT 
Fawn. Signed A. P. Proctor, and dated 1893. Mounted on a 
walnut base. 
Height, 634 inches. 
406—BronzeE OrNAMENT 
Dog with bone. Signed by A. Phimster Proctor and dated 


91. Mounted on a walnut base. 
Height, 8%, inches. 


407—Min1atTure Eavestrian Bronze FIcurRE 


French. Knight in armor, seated on a charger. Mounted ona — : 


pedestal in brass and tortoise-shell. Eighteenth century. 


408—HammMeErepD Brass Cuurcu PLAQuE 


German. The central boss, which is of cloisonné enamel, is sur-_ 
rounded by raised gadroons and twelve medallions in enamel of 


Secs 


various colors. Seventeenth century. 


Diameter, 1514 inches. 


409—HammMEReED Brass CuourcH PLaQuE 


German. The center, which is of a raised star pattern and con- 


tains a medallion of cloisonné enamel, is surrounded by a border 
of arabesque designs and twelve medallions filled in with various 
colors of enamels. Seventeenth century. — 
Diameter, 1514 inches. 
410—Hammerep Brass Cuurcn PraauE 
German. The center medallion represents a Biblical subject, 
“The Two Spies Returning Carrying a Bunch of Grapes,” and 
the surrounding border of arabesque design. Seventeenth cen- 
tury. 
Diameter, 1534 inches. 
411—Hammerep Brass Cuurcn Praaue 
German. The raised center medallions represent ‘Caleb and 


Joshua” carrying a bunch of grapes, and surrounded by a border | 


of grapevine in bearing. The outer borders of two rows of 
egg darts. Seventeenth century. 


Diameter, 161%, inches. 


412—HammMerep Brass CourcH PLaque 
German. In center medallion “St. George and the Dragon,” sur- 
rounded by bands of Gothic lettering, arabesques, scrolls and 
gadroons. The outer border of floral and detached blossoms, 
engraved and hammered. Seventeenth century. 
Diameter, 20 nee 
413—HammMerep Brass Tray 
With two tiers. Repoussé design of gadroons and etched 
borders. : 
The work of William Morris, the friend of Daniel Cottier. 
Height, 12 inches; width, 18 inches. 
414—JapaneEse Brass Vase 
On lotus stand. Treasure-bag shape, with cords and _ tassel. 
Body is covered with an engraved leaf scroll and ornamented 
with two Tycoons’ crests, which are in relief and applied. 


Height, 19 inches; diameter, 13 inches. 
(Illustrated) 


ciate 


ae sae i Mi te 


415—Parr Japanese Bronze TEMPLE VASES 
With dragon handles. The vases are of Gorosa bronze and the 
ornamentation consists of male and female figures inlaid with 
gold, silver shibuichi and shakudo. ‘The upper and lower sec- 
tions are of bronze inlaid with various metals. 
Height, 201%, inches. 
416—CHINESE Gone 
Hammered bronze, on stand, of water and wave crest design. 
Height, 19 inches. 
(Illustrated) 


417—Parr or Bronze Braziers on Tripop 
Empire period. The bowl, which is of bronze and coated with 
a dark brown patina, is supported on three tall legs, which 
are ornamented with lions’ heads, leaf panels and paw feet in 
ormolu. Has band of ormolu openwork round neck. 
Height, 29 inches. 


418—Ciock 
Carved mahogany case and base; finely modeled columns and 
moldings. Dial of metal with chiseled stars. The hands are 
ornamented with a sun and moon. Movement by Tiffany & Co. 


419—Bovrt Urricut Wari Crock 
Louis XIV. Wood case, with brass arabesques inlaid with shell. 
The gilt mountings, which are in high relief, include a female 
winged figure as finial; Art, Science, and Agriculture as a plaque 
front piece; masks, female busts, and feet of winged dragons 
terminating in rocailles. Chiseled gilt brass dial, with enameled 
hour medallions. 
Height, 31 inches; width, 21 inches. 
420—Parr or Sipe Brackets 
Brass with crystal ornaments, each fitted for five electric lights 
and two gas-burners. 


421—Parr or Sipe Brackets 
To match the preceding. 


422—-AnTIQUE JEWISH Brass Lamp 
For seven lights, fitted for electricity. 


423—AntTIQUE JEwIsH Brass Lamp 
For seven lights and fitted for electricity. 


424—Brass CHANDELIER 
With onyx ornaments. For twelve lights and fitted for elec- 


tricity. 
Height, 6 feet 6 inches. 


425—Gritt or Wrovucut Iron 
Oval shape, with floral and leaf scrolls. 
Height, 22% inches ; width, 28 inches. 


426—Grate Basket == 
- Length, 36 inches; depth, 15 inches; height, 11 inches. 


427—Parr Brass AnpDIRONS 
Female figure at base, surmounted by balls and spiked top. 
Height, 30 inches. 


428—Parr tenons 


Cast-iron. Figure of man. 
Height, 311% inches. 


429—AntiauE Oak CarvING 
Design of cherubs’ heads. 
Height, 4 inches; width, 8 inches. 


430—Five Panes 
Carved oak. Of various patterns. 
> Height, 654 inches; width, 15 inches. 
431—Two Pars or Panets 
Carved oak. Designs of vases with fruit tree in bearing. 
were. 1 Height, 11% and 14 inches; width, 81, and 9 inches. 


432—Five Carvep PAanets 
Antique oak. Various designs. 


433—Four AntiauE Woop Panets 
Moorish, carved and inlaid with ivory. 
574%, and 43%, inches by 914 and 914 inches. 


434—Turee AntTIQUE Woop PANELS 
Moorish. Carved and inlaid with ivory of various designs. 
234, and 231% inches by 6% and 103% inches. 


435—Carvep Manocany Pane 
Swag of fruit and flowers, surmounted by a flying bird. 
Height, 331% inches; width, 12 inches. 


436—Carvep Watnut PaNneL 
Cupid head in center surrounded by birds, dragons, and swag 
of fruit. : 
Width, 36 inches; height, 14 inches. 
437—Two Antique PaneELs 
Moorish. Carved wood of various designs and tinted red. 
Height, 43%, and 481 inches; width, 221, and 291% inches. 


438—AnTIQUE PANEL 
Moorish. Carved wood of various designs and inlaid with ivory. — 
Height, 354, inches; width, 241 inches. — 


439—Two ANTIQUE PANELS 
Moorish. Carved wood and inlaid with ivory of various designs. | 


440—AntievE Door 
Moorish. Carved in various designs. 
Height, 451, ea width, 29 ees 


THE FOLLOWING ARE THE MANUFACTURE OF 
COTTIER AND COMPANY, 
ALL BEING HAND-MADE FROM SPECIAL DESIGNS. 


441—Traxwoop STanp 
Partly carved. . | 

Height, 131, inches. 

442—Mrrror 


Black Dutch frame. Beveled glass. 
20 by 2242 inches. 


443—FoorTstroou 


Oak. Crown shape; covered with needlework trimmed with brass 
nails. 


444—FooTstoon 


Crown shape; gilded; upholstered and covered with red and 
gold silk velours. 


44.5—STAND 
Ebonized wood. 


446—Oxnitone Box wrrn Rounpep Tor 


Covered with black and tinsel brocade. The outline of the box 
is gilt. Lined with cedarwood. 


Length, 12 inches; width, 7 inches; height, 61%, inches. 


44°7—Mirror 
Black Dutch frame. Beveled glass. 
20 by 221% inches. 
448—Enonwzep Taste 


Carved border around top; finely turned legs. Has shelf under- 
neath. 


449—Mirror 


Gilt frame of Spanish design. 
Height, 19 inches; width, 17 inches. 


450—SmatL TABLE 


Green maple. Clover leaf design. Top and legs inlaid with 
Comino wood. 


451—Ancona Watnutr Taste with Drawers 
Carved and molded body supported by two carved trusses. 
Height, 3314 inches; length, 25 inches. 


452—Epronizep Carp Piers 


Folding top covered with green cloth; turned legs; shelf under- 
neath. 


453—CHAIR 
Cane seat, ebonized and decorated. 


- 454—CnHair 
Oak. Seat and, back covered with tapestry. 


455—ARMCHAIR 


Oak. Seat and back covered in brown calfskin; brass nails. 


456—Manocany ARMCHAIR 
Upholstered seat and back covered with brown kangaroo skin. 


457—Manocany CHair 
Seat and back covered with figured silk armure. 


458—Manocany CHair 


- Carved arms and legs; three-cornered seat; upholstered and cov- 


ered with pigskin. 


459—GreeN Marre Taser 


Clover leaf design, with border of Comino wood. 


460—Oax TasBLe 
Drop sides and drawer; supported on eight twisted legs. 


461—Manocany TABLE 


Known as “Gate Leg” table. Has drop sides and one drawer. 


462—EncusH Oak Tasie 
Clover leaf design. Top and ees inlaid with Comino wood. 


463—‘Tus” CHair ‘ a 
Covered with Persian design tapestry and trimmed with fringes a 
fluted Comino legs. 


' 464—Recertion CHair = 
Ancona walnut. Stield-chaped back. Front legs handsomely 
carved, covered with blue and gold silk damask. 


465—Tus-sHAPED CHAIR 
Upholstered in green figured silk aa 


466—Tvus-sHAPED CHAIR 
Similar to the preceding. 


467—Cuair 
Upholstered and covered with rose damask of Gothic design; 
trimmed with all-silk fringe, galloon and pompons. 


468—Liprary CHAIR 
English oak. The back and legs carved with a leaf and scroll 
pattern, the seat covered with hand-tooled illuminated leather. 


469 Minsor 


Black Dutch frame; beveled glass. 
20 by 221, inches. 


AVO—Two PEpDESTALS 


Square tops and bases, covered with yellow velvet. 
Height, 39 inches. 


471—GREEN Marre Tasie 
Square top, inlaid with ebony, and has a finely molded edge. 


47 2—GRrEEN Marie Tasie 
Clover leaf design; top and legs inlaid with Comino wood. 


4738—Watnut TaBLe witH One Drawer 


Gothic design. Beautifully turned legs and spindles, all joined 
together by stretchers. 


4'74—W aLNuT TaBLe witH One Drawer 
_ Gothic design, with finely modeled legs and stretchers. 


—475—Watnur TasLe wirh Drawer 
Similar to the preceding. 


476—Circassian Watnvut Taste 
With carved border and five carved legs; shelf underneath. 


| 4°7'7—Mrrror 


Shaped mahogany frame, with painted panel of five Cupid heads 
at top, after Sir Joshua Reynolds. 


Height, 44 inches; width, 141% inches. 


478—Two Sroots or WaLnuT 


With carved legs and claw feet, covered with green and gold 
~-“Cellini” velvet. Queen Anne period. 


479—Manocany Piano Bencu 
With carved legs and sides. 


480—Seat or Manocany 


Carved ends, covered with brocade. 


481—Dersk or Comino Woop 
With shelf and gold-plaited gallery on top supported by four 


carved columns. Has drawer. 


482—Comino Woop ARMCHAIR : 
Panel in back; legs fluted and carved; seat ‘covered with red 
and gold St. George damask. 


483—Ficurine Casre or Gotpen Exsony 
On low pedestal. Elaborately inlaid with mother-of-pearl. Glass 
sides and front; golden ebony back. 
Height, 16 inches; width, 6 inches; length, 14 inches. — 


484—JARDINIERE TABLE 


White enamel, with gold decoration. Georgian period. © 


485—Mirror 
Black Dutch frame, yellow beveled glass. 
: 20 by 221%, inches. 
486—Two PEDESTALS 


Square tops.and bases, covered with red velvet. 
Height, 39 inches. 


487—TaBLeE 
Walnut, gate leg, drop sides, drawer. 


488—Desk wirn THREE COMPARTMENTS 


Containing eight drawers and one cupboard, the doors of which 
are of fine figured mahogany. 
Height, 31 inches; length, 33 inches; width, 25 inches. 


489—Oax Dintne CuHarr 


Legs and back, which is divided into two parts, covered with 
green damask. 


(Illustrated) 


490—Oax CuHarr 


French. Seat and back covered with embossed leather, trimmed 
with brass nails and ornaments. 


491—CuHatr 


Named after “Sir Walter Scott.” Upholstered with green 
morocco leather and trimmed with brass nails. 


492—Rerapine CuHarr 


Mahogany rail around back, covered in green figured silk damask. 


493—ReEavING CHAIR 
Similar to the preceding. 


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494—Nest CHAIR 
Upholstered in green ae silk damask. 


495—RecEPTIon CHAIR 


Loose cushion, seat and back covered with red silk velvet, trimmed 
with brass nails and galloon. Walnut legs and stretchers. 


496—SavonaroLa CHAIR 


Italian. Carved walnut stretchers. Entirely covered with blue 
silk velvet; trimmed with Bich yellow and blue silk border and 
fringe. 


497—Oax ARMCHAIR 


Finely carved legs, arms and top, covered with green damask. 


498—Oak CHAIR 


Back and legs carved, with claw feet. Back and seat covered 
with green damask. 


499—Cnair 


Known as “Maxwell.” Covered with blue striped silk velvet. 
and trimmed with gimp and fringe. 


500—Earsipe CHarr or Comino Woop 


With legs partly carved and gilded; covered with red-brown 
Utrecht velvet. 
(Illustrated) 


501—Ocracon-sHareD Mirror 
Ebonized carved frame with an inlay decoration. 
Height, 46 inches; width, 251% inches. 


502—Two Consort TaAasues witH CLAw FEET 


Of finely figured English walnut. Queen Anne period. 


503—Oax Writine Tasre 

Has five drawers and an open compartment supported on turned 

legs. 

Height, 29 inches; length, 491, inches; width, 23 inches. 

504—Rocxkine CHarr 

Hand-carved gilded woodwork; seat and back covered with fine 

red and gold silk velours. 

(Illustrated) 


505—Rerapine CHarr 


Mahogany, with divisions in back, covered with brown morocco 
leather ; finished with brass nails. 


506—Reapine Cuarr 


Mahogany rail around back; carved and fluted legs; covered with 
green figured silk damask. 


507—ARMCHAIR 


French design. Entirely upholstered and covered with fine red 
velvet. Trimmed with brass nails and silk cut fringe. 


508—Earsipe CHAIR 
With carved legs; covered with fine red figured silk velvet ; loose 


cushion. 
(Illustrated) 


509—Sora or JAcoBEAN DEsIGN 


With beautifully carved legs and stretchers and twisted arm 
supports; upholstered and covered with fine red and brown 
chenille tapestry of a Gothic design; two loose cushions. 


Height, 33 inches; length, 60 inches; width, 30 inches. 
(Illustrated) 


510—Two Cuairrs 
To match preceding. 


511—Wine Cuair 


Upholstered in figured light amber damask and trimmed with 
antique purple and yellow border and fringe; loose cushion. 


(Illustrated) 
512—Turee CuHairs 


Queen Anne. Seat and back covered with green damask; walnut 
legs. (Illustrated) 


513—Oax Sipe Tasie witH Base 


Top supported by two fine turned and carved columns. Carved 
drawers, which are finished with brass handles. 
Height, 38 inches; length, 61 inches; width, 21 inches. 


514—-Manocany ScREEN 


Finely carved frame. Tapestry panel inlaid with green silk 
damask. Basket pattern. 
Height, 58 inches; width, 41 inches. 
515—Manocany BepstTeap 
Half canopy, head and foot paneled and trimmed with fine 


moldings. Length, 6 feet 7 inches; width, 4 feet 1 inch. 


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516—Warprospe or Ancona WALNUT 
Consisting of numerous sliding trays and drawers and lined with 
cedar. It is inclosed by four doors with beautiful antique 
Moorish panels inlaid with ivory. The top and base finely 
carved. 
Height, 6 feet 5 inches; length, 8 feet 3 inches; depth, 2 feet 3 inches. 


517—CiotHes Hancer 
Antique Dutch oak, with elaborately carved scroll border and 
shelf supported by three carved brackets, the center one a figure 


playing a flute. 
Length, 5 feet 10 inches; height, 1 foot 5 inches. 


518—Doorway 
Italian Renaissance design, the ornamentation skilfully molded 
in high relief. Gilded and decorated in various colors. 
Outside measurements: Height, 98 inches; width, 70 inches. 


Opening measurements: Height, 851 inches; width, 43 inches. 


(Illustrated) 


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519—Turre-seat OrroMan ee 
Scroll shape; black ebonized legs ; Satan in green reine io: 
silk damask. 


520—TuHREE-sEAT OTTOMAN “i 
Scroll shape; back supported by ebonized fretwork panels; ae a 
holstered in green figured silk damask. : 


ANTIQUE FURNITURE | 


521—AnTI@uE SPANISH FRAME 

Carved wood with bold leafy scroll, gilded and tinted. ean: 
. 16Y, by 19% inches. 
522— Mirror | = 
Antique Italian tortoise-shell frame; beveled aa 
1334, by 111% inches. 
523—Oxup Oak JAcoBEAN REFECTORY STOOL : . 

With turned legs. 


524—Ortp Oax JacopEAn ReEFectTory STOOL 
Turned legs and carved frieze on front side. 


525—Oup JAcoBEAN Bisie Box 
Carved oak. » 


526—Mirror 
Antique Italian tortoise-shell frame; beveled glass. 
~ 10%, by 12% inches. 
527—Carvep RENAISSANCE STATUETTE 


Of a youth in armor. Probably German. Decorated in gilt and 
colors. 


528—Parr Ory ApAams Carvep Woop Gitt BRACKETS 


The supports of the brackets represent hearthstone ferns. — 


529—Oxrp Carvep Manocany Corner CnHarr 
Chippendale. Seat upholstered in old red damask. 


5380—Carvep Manocany CHair 


Chippendale. Legs and stretchers, partly gilded, upholstered — 
with modern figured green damask. 


531—Oxup Earty Jacopean Oak Warnscot CHarr 
With plain molded paneled back. 


532—Oxtp Manocany Corner ARMCHAIR 


Chippendale. The back with perforated fan-shaped splats. 
Has straight legs and crossed stretcher. 


583—Oxtp JAcoBEAN OccasIONAL TABLE 
On turned legs. 


5384—Smatu Oax TEA-TABLE 
Jacobean. 


535—Smaui QUEEN ANNE SIDE TaBLe 


With cabriole legs and drawer in center. The under portion 
of the table is in walnut while the top of the table is in oak. 


5386—Oxip Oak JacoBEAN GATE-LEGGED TABLE 
With turned legs. 


587—Ortp Oak JacoseAn OccasionaL TABLE 
Square-shaped, with turned legs. 


588—Smatt Oxrp Oak JACOBEAN GATE-LEGGED TABLE 
Flaps and turned legs. 


5389—Lone Watutnut Bencu 


Queen Anne. Carved cabriole legs in front, and straight legs 
in back, with molded scroll-shaped stretchers. 


540—Pair or Oxrp Watnut ARMcHAIRS 
Italian Renaissance. Backs and stretchers richly carved. 


541—Pair or Orp Watnutr ArRMCHAIRS 


Italian Renaissance. Similar to the preceding. 


542—Oxup Oak Cromweriian Warnscor ARMCHAIR 


Panels in the back carved in a conventional foliated design. 


543—Oxp CHair 
Curved shaped top and panels carved in a trailing leaf pattern. 


544—Smatt Oak JAcosean OccastonaL CHAIR 
Turned legs and stretcher and railed back. 


545—SMALL JACOBEAN Oak CHEST 


With carved panels. 


546—Smatt JacoBEAN Oak CHEST 


Fluted frieze. The front is divided into three panels which | are 
richly carved and scalloped. ky A Sepeawiay eee 


— 54%—Smatt Orp Oax Carven JACOBEAN CHEST 


Fluted frieze. The front is divided into two panels, ornamented 
with carved molding. 


548—Oxup Oak g ACOBPAN Guess 
with rosettes on either side. The frieze is of fluted design. 3 a 


549—Oup JACOBEAN Carvep Oak CHEST | ? Fe a 


The front formed of three panels in which are carved geometrical 
designs, and above these 1 is a fluted frieze. } 


550 0nD Oak Carved CENTER TABLE 
Turned legs. Jacobean period. 


551—Oxp Encuisu Carvep Manocany Servine Taste es oe 
Georgian period. The legs are formed as molded trusses and the = 
frieze carved in a scroll design. 


552—Oup Manocany HepriewnHite Fire ScREEN 


With extending wings. The legs are formed as tripods with — 
ormolu mounts. 


553—SmatL Otp EncusH Watnut PeprstaL Drerssinc CHEST 


Queen Anne period. With center drawer, and on either side of 
the pedestal are three drawers. In the knee-hole is a cupboard 
and a secret drawer. P . 


554—Oxtp Oak JacoBEAN OccaAsionaL TABLE 


With turned legs and stretcher. Has drawer with old brass drop 
handles and decorated bosses. 


555—Oup JacoBEAnN OccaAsIONAL TABLE 


Similar to the preceding. 


556—Tureerotp LeEatHeR SCREEN 


Old Spanish. Painted scrolls and flowers in polychrome ‘colors. 
Seventeenth century. 


557—Oup James I Lone Oax Cuestr 


Curiously carved front in scroll pattern with grapes and pome- 
granates. Has two drawers. 


558—THREEFOLD SCREEN 


Antique embossed leather, in design of vases of flowers and scrolls 
in red and gold on a green ground. 
Height, 7 feet 4 inches; extends 5 feet 10 inches. 


559—Otp Oak Jacopean OccasionaL TasLe with Drawer 
Supported on turned legs and middle stretcher. 


560—OLp JacoBEAn OccasionaL TABLE 


With turned legs and front stretcher. Fitted with drawer. Has 
brass drop handle, and rosette. 


561—Oup EncuiisH CHIPPENDALE Manocany ARMCHAIR 


Upholstered seat and back. The arms, legs and stretchers carved 
in Chinese fret design. 


562—Oxp Oax JAcoBEAN HiGH-BACKED RAILED ARMCHAIR — 
With turned legs and wooden seat. 


563--Fourrorn SCREEN OF nanene LEATHER 
Brown scroll pattern on a greenish ground. 


Height, 4 feet 3 inches; olen 5 fects ro , ; 


564—Oxtp Watnvut OccasionaL TABLE witH DRAWER 


Queen Anne period. Supported upon twisted legs of unusual 
design, which are pontested at the base with a pgtten Pate 
stretcher. . 


565—Oak GaTrE-LEccED TABLE 
Jacobean. Flaps on turned legs. 


566—Pair TErrestriaAL AND CrEeLesTIAL REvoLtvine GLOBES 
English. On turned tripod stands. Early nineteenth century. 


FIREPLACES AND OVERMANTELS 


567—Box Contarnine THree EncuisH Panrts ror FIREPLACE 
Subject: Birds, fruit and flower, printed in various colors. 
Outside size: Height, 30 inches; width, 42 inches. 
568—FIrREPLACE 
_ Lined with tile of animal design, nickeled. 


— 569—FirEepPLace 
With facings of tiles, figures on each side, and fruit across top, 


nickeled. 


570—F ir EPLACE 
With facings of tiles; brass trimmings. © 


571—FIrREPLACE : 
Black, with blue and white tile facings on each side, brass spindles 
across top. 
Height, 4414, inches; width, 36 inches. 
572— FIREPLACE 
Black, tile facings on top and sides. 
Height, 36 inches; width, 36 inches. 
573—FIREPLACE | 3 
Black, bird and flower tile facings; brass spindles across the 
top. 
TTeight, 3914 inches; width, 36 inches. 


a 


574—MantTeL witH OvERMANTEL 
Upper part with opening for mirror, shelves each side. Lower 
part carved and decorated with swag of fruit design. 


Height, 95 inches; width, 54 inches. 
Fireplace opening: Height, 444, inches; width, 36 inches. 


e 


— 5'75—OverMAnTe. 


Finely molded walnut partly ebonized. Has decorated figure tiles 


and beveled glass mirrors. 
Height, 481, inches; width, 60 inches. 


576—OvERMANTEL OF ExsonizEpD Woop 


Has seven decorated leather panels and three beveled glass 


mirrors. 
Height, 56 inches; width, 66 inches. 


57 7—OvEeRMANTEL 


Carved ebonized wood, with fine moldings and six beveled glass 


mirrors. 
Height, 59 inches; width, 69 inches. 


\ 578—Watnut CHIMNEY PIECE 


With painted swag panels; gallery around top; two niches. 


Height, 68 inches; width, 65 inches. 
Fireplace opening: Height, 37 inches; width, 55 inches. 


578 A—Box ConTatnine FirTeEEN Encuisu Parintep Ties 


Design of ships, windmills, landscapes and marine views in various 


colors. 
18 by 12 inches, 24 by 12 inches and 24 by 18 inches. 


578B—Box ConTatnine NINETEEN EncuisH Patntep TILEs 


Ships and windmills in oval centers in various colors. 
18 by 12 inches. 


578C—Two Boxes Conramstne Twenty-two Encuisu Parntep TILes 
Subjects: Landscapes, view of Glasgow, marine view, Philadel- 

phia, figures of “Juliet,” “Cassandra,” “Geraint,” “Marguerite,” 
“Miranda,” ‘‘Madelaine” and “Isabelle,” in various colorings. 

24, by 12 inches, 30 by 18 inches, 18 by 6 inches and 16 by 14 inches. 


578D—Box Containine TWENTY-FIVE EnowisH TILEs 
Figure subject: “Man Taking Snuff,’ “Lady with Fan,” 
“Medea,” “‘Persephone,” portraits of Dante and Chaucer; land- 
scapes, “The Elements,” “Summer and Winter,” flowers and 
other subjects painted in various colorings. 


33 by 12 inches, 24 by 12 inches, 24 by 6 inches, 12 by 6 inches and 18 by 6 
inches. 


578E—Box Contarnine 'THIrRTY-ONE ENeuisH TILEs 
Subjects: “Lady with Fan,” “Man taking Snuff,” “Harvest 
Girl,” “Goose Girl,” “Market Girl,” “Milkmaid,” reclining fig- 
ures and “Barmaid,” “King and Beggar Maid,” “Genevieve and 
Knight,” “Hector and Andromache,” ‘Althea and Circe,” and 
other subjects, painted in various colors. 


8 by 16 inches, 16 by 13 inches, 20 Ape 8 inches, 24 by 8 inches and 8 by 24 — 
inches. 


578F—Box Containine THirty-Two Enewisu TILEs 
Subjects: “Lady with Fan,” “Man taking Snuff,” reclining re 
ure, and fruit, flowers, wreaths, “The Elements,” and other sub- 
jects painted in colors. 


22 by 6 inches, 32 by 12 inches, 12 by 6 inches, 18 by 6 inches and 24 ae 6 
inches. 


578G—Box Containine Forty-six Eneriso Parntep Tries 


Subjects: Portraits of painters, “Mrs. Siddons,” ‘‘Duchess of 
Devonshire,” “Reynolds” and ‘Gainsborough,’ and wreaths, 
flowers in jardiniéres, and landscape views in various colorings. 

32 by 8 inches, 16 by 8 inches, 8 by 8 inches and 28 by 8 inches. 


578H—Box Conrarnine Firty-trwo EnerisH Parntep TILes 
Subjects: “Isabella” and ‘‘Madelaine,” ships, windmills, towns in 

oval medallions and heads in circles, in various colorings. 
16 by 40 inches, 12 by 18 inches and 8 by 8 inches. 


578I—Box ConTaIninc SEVENTY-THREE EncuisH 'TILEs 
Geometrical design, fruit in circles, heads of “Flora” and ‘‘Po- 
mona,” wreaths and other subjects painted in various colorings. 
32 by 8 inches, 24 by 8 inches and 8 by 8 inches. 


578J—Box ContTainine E1cuty-oneé EncuisnH Truss 


Subjects: “The Elements,” portraits of painters and poets, and 


female heads, painted in various colorings. 
8 by 8 inches. 


578K—Box Conrartninc Ont Hunprep anp Nine Encuisn Tines © 


Design of birds, figures, poets’ heads and furies, painted in 


brown with gold leaf. 
6 by 6 inches. 


578L—Box Conratmninc One Hunprep ano Twetve Eneussa Ties 


Design of vases, fans, and other subjects painted in yellow, blue 


and orange colors on a buff ground. 
6 by 6 inches. 


578M—Box Contamsne One Hunprep anp Fourtrern ENGLISH 
TILEs 


Design of birds, flowers and fruit, painted in colors. 
6 by 6 inches. 


578N—Box ContTarininc Onrt Hunprep AND NINETEEN Encuisu TILes 


Design of birds, Persian vase and flowers, painted in various 


colors. 
6 by 6 inches. 


5780—Box Contatntne OnE Hunprep anp NINETEEN Enecuisu TILes 
Design of butterflies, flowers, birds on branches and within 
squares and round medallions, painted in various colors. 


6 by 6 inches. 


578P—Box ConTaininc Onr Hunprep AnD NINETEEN Ewnecuisu Ties 


Daisy and other flowers, fruits and border patterns, on a green- 


ish ground. 
6 by 6 inches. 


- 578Q—Box Contarsinc One Hunprep anp Twenty Encuissn TIves 


Design of vases, fans and other subjects, painted in yellow, blue 


and orange colors on a buff ground. 
6 by 6 inches. 


578R—Box Contarmninc OnE Hunprep anp Twenty Encusu Ties 


Design of vases, fans and other subjects, painted in yellow, blue 
and orange colors on a buff ground. 
6 by 6 inches. 


578S—Box ContTatntnc OnE Hunprep anp TWENTY-THREE ENGLISH 
TILEs 
Various flowers in red, black and green, on a white ground, and 
wreaths, fruit and other subjects painted in colors. 


5 by 5 inches, 4%, by 4%, inches and 16 by 6 inches. 


5787 — Box Contraintnc OnE Hunprep anp Twenty-rour ENe.Lsn 
TILEs — 
Portraits of artists, poets, furies and other subjects painted in 


colors. 
6 by 6 inches. 


578U—Box ConTatninc One Hunprep Aanp Twenty-Four ENGLISH 
TILEs 


Design of shells, geometrical patterns, dolphins, vases, flowers, 


fruit, birds and portraits of poets, painted in various colorings. 
6 by 6 inches. 


578V—Box ContTaintnc Ong Hunprep anp TwWENTY-SEVEN ENGLISH 
TILes 


Design of shells, fruit in circles and scrolls, painted in colors. 
6 by 6 inches. 


578W—Box Contarninc Ong Hunprep anp Forty-£1GHT ENGLISH 
TILES ; 


China. Design of animals and scroll patterns painted in red 


and black on a white ground. 
6 by 6 inches. 


578X—Box Contrarsinc One Hunprep anp Firry-sEvEN ENGLIsH 
TILES 
Sunflower and leaf design, painted in gold on a green ground. 
6 by 6 inches. 


578Y—SixTEEN Rotts WALL-PAPER 


Embossed foliated design, cream and yellow. _ 
Width, 181% inches. 


578Z—One Hunprep And TWENTY-EIGHT MiscELLANEOUS PANELS 


White papier-maché, embossed design. 
26 by 26 inches. 


FOURTH AFTERNOON’S SALE 


SATURDAY, NOVEMBER 22, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 O’cLOCK 


CHAIRS, SOFAS, SETTEES AND STOOLS 


- The following are the manufacture of Cottier and Company, all 
being hand-made from special designs. 


579—Smauut Easer 
Of Comino wood. 


580—Two Smari Brackets 
Of Comino wood, carved and gilded. 


581—Fovur Arcu-sHarep Panets 
Of Comino wood, with floral decoration. 
Height, 2614 inches; width, 181% inches. 
582—FoorstToo. 


Of Comino wood. Feet carved and gilded. Covered with antique 
figured Italian velvet and trimmed with tinsel galloon. 


583—AntTieuE Martewoop Worxksox witH Tray 


Octagon shape, the top inlaid with a spray and shell design, 
the side with spray and small panels containing landscapes. 
Lined with green velvet. 


Length, 1014 inches; width, 1014 inches; height, 414 inches. 


584—Jewet Case wirH Two Trays anp Two ComMPpaAarRTMENTS 


Comino wood with finely carved gilded moldings. The body 
and top decorated with floral and scroll designs, and lion’s head. 
Inside of cover decorated with a painted panel by F. Vincent 
Hart. Lined with blue velvet. 


585—Eneusn Oax Taser 
Clover leaf design. Top and legs inlaid with Comino wood. 


586— Mirror 
Black Dutch frame. 


587—STATIONARY STAND OF Comino Woop 


With various compartments. Hand-painted decoration by F. 


Vincent Hart. 


588—Green Marte Work Tasie 


With Comino wood legs, carved and gilded, and top and ode : 


inlaid with Comino wood. Basket covered with red and gold Sot 
George” damask. Interior has pink velvet cushion and com- 
partments. 


589—Green Marre Tasre 
Clover-leaf design. Top and legs inlaid with Comino wood. 


590—Mrrror 


Black Dutch frame; beveled ane 
: 16 by 20 inches. 


591—Green Marre Curio Casinet Tasie 


Inlaid with panels of Comino wood. Has folding top, two 
drawers, and open compartment below. 


592—Jewrewt Case with Two Trays ann Two CoMPpARTMENTS 


Comino wood. Finely carved gilded moldings. The body and 
top decorated with floral sprays and medallion, and inside of 
cover decorated with a painted panel, by F. Vincent Hart. 
Lined with green velvet. 


593—KipNEY-sHAPED TABLE 


Inlaid golden ebony, with borders of inlaid Comino. 


594—JeEwEL Case oF Comino Woop 


Finely carved and gilded moldings; body and top decorated 
with floral and leafy scroll design. Inside of cover is decorated 
with a painted panel of “Juno.” Fitted with trays and com- 
partments which are lined with ruby velvet. 


595—STATIONARY STAND WITH COMPARTMENTS 


Comino wood. Decorated on front and sides by F. Vincent Hart. 


16 by 20 inches. 


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596—Sertrer or Comino Woop 
Carved arms. Covered with red and gold “St. George” damask 
and trimmed with gimp. : 


597—GreEN Marre CaBinert 
Oval panels of Comino wood, with borders of marqueterie; the 
interior of mahogany, which is divided into compartments and 
drawers. 


(Illustrated) 


598—Five WHEELBACK CHAIRS 


Ebonized, with decoration in gold; cane seat, reproduction of 
chair in South Kensington Museum. 


(Illustrated) 


599—Easy Cuarr 


Known as “Hillmgdon.” Loose cushion seat, all-upholstered 
in fine red and gold figured velours. E 


600—Easy Carr 


Known as “Ivor.” All-upholstered in fine red and gold figured 
velours. Has loose cushion. 


601—Easy CuHatr 


Known as “Ivor.” All-upholstered in fine red and gold figured 
velours. Has loose cushion. 


602—Music CaBIneET 


Upper part of white holly, decorated in gold and silver with six 
sliding trays for holding music. The lower part of Comino 
wood and golden ebony, partly carved and gilded. Has two 


shelves. 
Height, 481/, inches; length, 291, inches; width, 191% inches. 


(Illustrated) 


603—Music CaBIneT 
Comino wood and golden ebony. Upper section, with hand- 
painted decorated panel, “Three Angels,” by F. Vincent Hart, 
and has carved white holly trays. The lower section of golden 
ebony and Comino wood, with gilded side rails. 
Height, 52 inches; length, 351% inches; depth, 163% inches. 


604—Granp Curio CABINET 
Golden ebony, handsomely inlaid with mother-of-pearl. The 
upper part has glass doors, sides and shelf, with mirror back; 
a compartment below has hinged glass top. Drawer and shelf 


underneath. 
Height, 53 inches; length, 331% inches; width, 2534 inches. 


605—RecerrtTion CHAIR 


Comino wood. Tall back, with hand-painted panel of “Puritas.” 
Seat covered with fine green figured silk velvet. 


606—RecertTion CHAIR 


‘Comino wood. Tall back, with hand-painted panel of “Justitia.” 
Seat covered with fine green silk velvet. 


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607—Mrrror with Hanp-carvep Esrony FRAME 


Ornamented with tortoise-shell, and carved gilt molding; beveled 
glass mirror. 
Height, 4 feet 8 inches; width, 4 feet 2 inches. 
608—Receprion CHatrr 
Comino wood. ‘Tall back, with hand-painted panel in the back 
of ‘‘Caritas.” Seat covered with fine green figured silk velvet. 


609—THREEFOLD ScREEN 
Upper panels hand-carved and decorated leather of floral de- 
sign in delicate tones, by Mme. Thaulow (widow of the artist 
Fritz Thaulow), and signed. Lower panels of fine silk velours 
of a foliated design on a tinsel ground. Elaborately carved and 
gilt walnut frame, backed with gold and brown damask. 
Height, 4 feet 3 inches; width, 4 feet 5 inches. 


610 


—Oax Cuest 
_ With three elaborately carved panels. The center in design of a 
cupid head, bird, dragon and swag of fruit, and side panels in 


geometrical pattern. The border of the cover is also finely 


carved. 
Length, 5 feet 8 inches; height, 3 feet; width, 2 feet. 


610A—Writinc Taste oF EncusH Oak 


The upper part has compartments and shelf with three drawers 
at each end. The lower part has a center drawer and on one 
side is three drawers and on the other two drawers’ and a com- 
partment. Slides at each end. Partly carved. — 

Height, 441, inches; length, 62 inches; width, 31 inches. 


611—Curio CABINET 


With two drawers and glass shelves. Japanese lacquer decora- 
tion with handsome carved molding; top of Comino wood. 
Beveled glass doors in front and at sides. Lined with green 
velvet. 

Height, 51 inches; length, 571%, inches; depth, 18 inches. 


611A—Taste or Ancona WALNUT 


The shaped top has a carved border and frieze and is supported 
by five legs. Shelf underneath. 


Height, 2814 inches; length, 29 inches; width, 29 inches. 


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612—Watunour Hart Seat 


Above the hinged seat are five carved panels of Gothic design, 4 
and above these are two with design in leaf scroll and fruit, sep- 
arated by a cartouche. The sides are carved with a foliated 
ornament running into the arms, which end in a scroll. The 
panel in base is also carved. 
Height, 5 feet 4 inches; width, 5 feet. 


613—Curio CaBinet 
Golden ebony and white holly. The entire cabinet is profusely 
embellished with a hand-painted decoration. The body is divided 
into three compartments, with gilded interiors and glass shelves 
and five drawers. The center panel*is decorated with a Persian 


. tree design and the two side panels with classical subjects painted 
| on white holly. The under shelf inlaid with white holly. The 
entire cabinet is decorated by F. Vincent Hart. 


Height, 5 feet 24, inches; length, 2 feet 91%, inches; depth, 1 foot 1%4 inches. 


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613A—Writine Tasie 
Comino wood. Kidney shape, brass rail around top; legs partly 
carved and gilded; a drawer and two slides. Plate glass top. 
Height, 30 inches; length, 41 inches; width, 28 inches. 


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614—UnieurE ScREEN 


Comino wood, with top partly carved and gilded. ‘The upper part 
has six water-color drawings by F. Vincent Hart representing 
the classical subjects of “Medea,” ‘Cupid and Psyche” and “‘Cas- 
” on one side, and ‘*Proserpine,” “Apollo and Daphne” 
and “Glauce” on the other. The lower part has panels of 
Chinese embroidery, with bouquet of roses in gold. 

Height, 5 feet; length, 3 feet 10 inches. 


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6144—Larecer Liprary Taste or Ancona WaALnur 


The finely carved top is supported by ten turned columns with 
carved capitals. The lower part has a shelf at each end and 
base connecting all the legs. Has a drawer ends and sides. 


Height, 301, inches; length, 891%, inches; width, 42 inches. 


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615—Watnut CaBinet 
With four carved doors. Body supported by three turned and 
carved columns. 
Height, 4 feet 6 inches; width, 5 feet; depth, 1 foot 5 inches. 


6154—GeEnTLEMAN’s Bureau 
The doors are paneled with beautiful golden ebony with stiles 
and fronts of three drawers of. finely figured Ancona walnut. 
The interior is fitted with thirteen sliding trays and three drawers 
all lined with cedar. Top and sides of golden ebony. Has two 
elaborate escutcheon plates. 


Height, 62 inches; length, 50 inches; depth, 24 inches. 


616—Larce Mrrror 


Gilt frame of Spanish design. 
Height, 6 feet 4 inches; width, 5 feet. 


617—Larce Sora 
All-upholstered; with fine green silk velvet and trimmed with 
green and gold galloon and fringe; loose cushion seat and three 
shaped cushions in back; back and sides covered with green 


damask; Comino wood legs. 
Length, 9 feet; width, 3 feet 4 inches. 


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618—Larcre Granp CABINET 


Covered with an inlay of tortoise-shell. Supported by Comino 
wood columns, which are carved and gilded. The interior is fitted 
with a gallery supported by gilded columns, and mirror back. 
The base is ebonized and partly carved and gilded. 

Height, 5 feet; length, 5 feet 1 inch; depth, 2 feet 1 inch. 


619—Granp Manocany CABINET 


The whole of a gold background and decorated with classical 
figures and inlaid border. The lower part comprises three com- 
partments; the upper part divided in compartments with beveled 


glass. 
Height, 6 feet 6 inches; length, 5 feet 6 inches. 


620—Dinine Tape 
Fine figured mahogany with carved border, and supported on 


an elaborately carved center support with four feet. Has seven 
extra leaves, each 231% inches. With case. 6 feet square. 


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ANTIQUE AND ORIENTAL RUGS 


621—Unvsvat Antiaur Cuinese Rue 


Contiguous medallions of a floral, scrolled outline of mustard- 
yellow form a lattice or open grill over a broad quadrilateral 
field of deep, intense blue. Within the medallions a graceful, 
conventional plant pattern is repeated in white, red-brown and 
yellowish-fawn color. Embraced within successive stripes of varied 
Oriental ornament, including the wave-line, is a broad border 
of detached curved open links in white on a brown ground, seem- 
ingly derived from the archaic conventionalization of the dragon. 
Camel’s and goat’s hair has been interwoven in the stripes and 
border. Thick, closely matted short pile. 
: Length, 14 feet 7 inches; breadth, 8 feet. 


622—OLp Dacuestan Rue 


The oblong field of a very pale yellow, almost a yellowish-white, 
is covered with an open lattice of narrow black cords outlined 
in brown, enclosing latch-hook and geometrical devices in dark 
brown, blue, green, pink and white. The border, lying between 
guard-stripes of angular ornament, displays complex medallions 
in white, various browns, black, blue, yellow and green on a rose- 
pink ground. ‘Short pile; loose texture. Fringed ends and over- 


cast edges. 
Length, 8 feet 6 inches; width, 3 feet 8 inches. 


623—Antiaur CutnEse Rue 


Soft, silky pile; field of a light golden brown tone, with corner 
ornaments of floral medallions and fret in pale yellow, white and 
blue, a large central medallion constructed of similar motives, 
and the balance of the ground strewn with floral sprays and con- 
ventional art and literary emblems in the same colors. A narrow 
border of key-fret in blue and white is succeeded by a broad 
border with lotus flowers and detached scrolls in yellow, white, 


__ brown and blue, outlined by a deep blue band. Early eighteenth 


century. 
Length, 4 feet 4 inches; width, 2 feet 1 inch. 


624—Kunorassan Ruc 


With thick soft pile and bright sheen and the characteristic 
texture. The large field of brilliant flame-color contains a 
stepped medallion, blue, outlined in red, enclosing a smaller me- 
dallion and repetitions of the Herati or fish pattern and floral 
conventionalizations in red, black, blue and yellow-brown. Mani- 
fold border of stripes and bands of geometrical and scrolled 
ornamentation in sundry subdued colors. 

Length, 13 feet; breadth, 10 feet 3 inches. 


6244A4—AntiavE Movssout Rue 


Dull red ground with repeating lozenge-shaped medallions. 
Borders in green, écru and wine red. 
Length, 15 feet 1 inch; width, 3 feet. 


624B—AntiaveE Movussout Rue 
Similar to the preceding. 


624C—AnTIQUE FEREGHAN RuG 


Soft red ground; all-over geometric Persian design in blue-black, 
old blue and écru. Border dull green and blue-black. 
Length, 12 feet 10 inches; width, 2 feet 11 inches. 


624D—AntTiIQuE Ferecuan Rue 
Similar to the preceding. 


624E—AnTIQUE IRAN RuG 


All-over “pear” design in green and blue on terracotta ground. 
Narrow border in green. Close clipped and very fine in texture. 
Length, 15 feet 5 inches; width, 3 feet 2 inches. 


624F—AnrTiIavE Iran Rue 
Similar to the preceding. 


624G—AnrTiaue Kurpistan Rue 


All-over palm-leaf design in écru and rose on deep Persian blue 
ground. Borders rose red, green and ivory. Representative of 
the old type weave. Very heavy pile. 


Length, 16 feet 3 inches; width, 3 feet 3 inches. 


‘624H—AntTIQquE Kurpistan Rue 
Similar to the preceding. 


ANTIQUE CHAIRS, TABLES AND OTHER FURNITURE | 


of the Jacobean, Queen Anne, William and Mary, Chippendale, 
and Hepplewhite Periods 


625—Earty JacoBEAN Carved Oak Warnscot CuHarr- 


With turned legs and stretchers, the back elaborately carved with 
a conventional vase of leaves and flowers. 


‘626—EarLy Wittiam anp Mary Carvep Oax Crenrer TABLE 


Circular top, turned legs and shaped stretcher. 


627—Carvep Oax Wraitine Taste Desk 


English Georgian. Dated 1735. The carving is in the Eliza- 
bethan style and represents a vase from which springs a pome- 
granate tree with birds in the branches. 


628—Very Rare Creme Oax Warnscot CHAIR 


a Of the Elizabethan period. The paneled back is carved in a 
fluted design. Has turned legs and arm rests. 


629—WirtiAm Anp Mary Watnvut OccasionaL TABLE 


On turned legs with bulbous feet, connected by an X-shaped 
stretcher of beautiful proportions. The front is fitted with 
one shallow drawer. 


— 680—Witiiam anp Mary Watnut Occasionat Tasie 


‘Similar to the preceding, but less ornamental in design. 


631—JacoBsEAN Oax OccasionaL TABLE 


Carved frieze of geometrical design. 


f= 7 632—Cu1PpENDALE Manocany TEA-TABLE 
With fretted gallery and brackets in the Chinese taste. 


633—AntiauE Reapinc STAND 
Supported by ball and claw feet. Ebony, inlaid with tortoise- 
shell and ivory, finished with a fine molding. 
From the Leon Escosura sale. 
Height, 151% inches; length, 141/, inches; width, 11% inches. 


634-—CHIPPENDALE MAanoGany POLE-scREEN 
On tripod; panel of old English petit point. 


635—Oax BrsLE-Box on STAND 
The carved frieze is of an arched design. The stand, which is 
fitted with a small shallow drawer, is supported on turned legs 
and stretcher. 


636—JacoBean Tortet Guass . 
Carved walnut. Very quaint design, and extremely rare and 
interesting. 


637—Pair or Oty JACOBEAN CarveD CHarRs 
High back with caned seats. . 


639-Rour Oxup Iravian CHAIRS 


Have carved stretchers. The seats and backs are covered in 
richly stamped leather ; finished with large bronze nails. Of the 
seventeenth century. . 


639—Oax Jacopean CHEST 


Carved acanthus-leaf design on frieze. The front is divided into 
three panels with circular decoration. 


640—Very Rare Carvep Oak PRIE-DIEU 


The center panel has an elaborately carved vase of flowers, and 
scroll-shaped terminals. On each side are grotesque caryatid 
figures, and the frieze has a human mask and garlands of flowers. 
Below the kneeling board are two caryatid heads, supported and 
connected by a carved scroll frieze. 


641—Two Oup Eneuisn Oak ReFecrory CHAIRS 


With turned legs and front stretcher. The seats and low backs 
are covered in leather studded with large brass nails. 


642—Two Oup EncutsH Oak ReFrectrory CHAIRS 


Similar to the preceding. 


643—Two Oxtp EncusH Oak Rerectrory CHarrs 


Similar to the preceding. 


644-—Patr oF Oup Encuisny Oak ReFectrory CHArrRs 


The legs and the front stretchers are twisted. Covered with 
leather and finished with two rows of brass nails. 


645—Two Oup Encusn Oak Rerecrory CuHairs 
Similar to the preceding. 


646—Turee Ouvv Encusu Oax Rerecrory CwHairs 
Similar to the preceding. 4 


a4) Orn Eneuish Oax Rerecrory CnHair 
Similar to the preceding, but with a high back. 


648—OLup EncusH Oax Rerecrory CHAIR 


Similar to the preceding, with the exception of the legs and 
stretcher, which are turned in corkscrew fashion. 


649—Two hacia Oax Rerectrory CHArrRs 
Similar to the preceding, but with wooden seats. 


pes — 650—Oxp Jacopean Carvep Oak CHAIR 


The legs, seat and stretchers in quaint design. The back is 
formed of two transverse stretchers connected by head-shaped 
spindles. : 


651—Orp Encuish Watnur CHeEst 


Low stand with brass handles and escutcheons. Queen Anne 
period. pis 


652—MiniATuRE JACOBEAN Carved Oak CHEST 


The front ornamented with fluted frieze, and under this a conven- 
tional carved design of pomegranates and acanthus leaves. Fitted 
with a drawer with two carved panels. 


653—THREEFOLD SCREEN 


Upper panels covered with fine and rare brocade of bold floral 
and foliated design in tinsel and silk on a pink ground. Lower 
panels of gold cloth, finished with bow-knot galloon. 

Height, 47 inches; width, 52 inches. 


654—Antievrt HerprpLrewHItTE Manocany CHAIR 


Carved back and legs. Upholstered with modern green damask. 


655—Antieve Herpreptewuire Manocany CHarr 


Carved back and legs. Upholstered with green morocco leather 
and trimmed with brass nails. 


656—O.p CuiprenpaLte Trieop Tasie 
Supported upon a carved standard with claw feet. Circular 
top with scalloped edge. 


657—Ox.p CHripPpENDALE Tripop TABLE 


Somewhat heavier in construction than the preceding one. 


658—O1p Oax Jacosean OccastonaL TABLE 
With turned legs and stretcher. Fitted with one drawer. 


659—Oxup Oax JAacoBEAN OccaAsIonaL TABLE 


With turned legs and stretchers, the front fitted with one shallow _ 


drawer. 


660—JacoBpEAn Oxvp Oax Brste Box anp STAND 


The front, sides and base are elaborately carved. The stand is 
supported on turned legs, with plain stretcher. 


661—Courious Otp FiemisH Cuest or Four Drawers 


Of unusual shape. Has chased brass handles and escutcheons. 
The top of the chest is finished with a scalloped edge. Eighteenth 
century. 


Height, 2 feet 9 inches; length, 2 feet 8 inches; depth, 1 foot 81% inches. 


662—O1p Jaconran Carven Oak CuEst 
The upper part is divided into two double arched compartments 


by three sets of double turned pilasters. In the lower part is a 


drawer, with molded panels and brass drop handles. 
Height, 2 feet 6 inches; length, 3 feet 2 inches; depth, 1 foot 4 inches. 


663—CHIPPENDALE Manocany Tripop TABLE 


Very fine old English. With octagonal top, and claw and ball 
feet. The shaft and shoulders of the feet are beautifully carved 
in leaf and scroll designs. 

Height, 2 feet 4 inches; top, 2 feet 2 inches. 


664—Manocany Sinver TABLE 


Old English Chippendale. Rectangular shape. The top is. bor- 
dered with a fretted gallery in the Chinese taste; fretted brackets 
under the frieze. 


665—Oxp CHIPPENDALE Manocany Sipr CHaAtrr 


Covered in old petit point. The dark background has designs of 
birds, flowers and scrolls in various rich colors. 


666—O.p CuHippeNDALE Manocany Sie CuHarr 
Similar to the preceding. Covered in old petit point, with de- 
signs of large flowers in blue, rose, yellow and green. 


619 oLO ; 619 


667—OLp CuHIpPpENDALE Manocany ARMCHAIR 


Covered in fine old petit point. Subject: Peasants dancing. The 
groundwork is black, with scrolls of flowers in red, blue, green 
and other colors. Has loose cushion. 


668—Oup CHIPPENDALE T'EA-TABLE 


Exceptionally fine, of rectangular shape. The deep frieze, 
bracketed legs and the gallery around top are elaborately carved 
and fretted in the Chinese style. 


669—JacoBEAN Oak Biste Desk 


Drop front, which is carved in scroll designs. Fitted with — 
pigeon-holes and small drawers. 


670—Manocany Siiver TABLE 


Old English Chippendale. On tripod legs, claw feet and turned 
fluted standard. The circular top is bordered with a finely turned 
balustraded ‘gallery. 


671—Oxp EneuisH Ovat-sHAPED Mirror 


Carved gilt wood frame in design of leaves, scrolls and flowers. 

Surmounted by a circular wreath oon a crest, and has a 

Latin inscription: “Nonte de alto.” | 
Height, 3 fost 7 inches; width, 2 feet 2 inches. 


672—Pair or Watnvut Louis XIII Sroots 


Of quaint design. The seats are covered in old needlework of 
’ the period. 
(Illustrated) 


673—CuHIPPENDALE Manocany Fire-scrEEN on TRIPOD ; 
The frame encloses a panel of fine petit point, illustrating one of 


the Fables of sop. 
(Illustrated) 


674—Lovuis XVI Armcuarr 
Carved walnut. Covered in fine petit point. 


675—CHIPPENDALE CHAIR 
Upholstered in fine petit poit needlework of a floral design, 
trimmed with edging. Carved mahogany legs and stretchers 


partly gilded. 
(Illustrated) 


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676—Carvep Watnut ARMCHAIR 


Italian Renaissance. Covered in fine old red velvet. The back 
embellished with a medallion embroidered in colors, representing 


St. John. 


677—FInELY Carved CHIPPENDALE Manocany ConsoLeE TABLE 


The front legs have lions’ heads and claw feet boldly carved. 
An elaborate scroll design decorates the center of the frieze, 
which is carved with alternate flutes and patere. Veined greenish- 
gray marble top, with molded edges. 


(Illustrated) 


678—Turee Irarian Watnut ARMCHAIRS 


Seats and backs covered in old red velvet, enriched with gold 
galloon. Seventeenth century. 


679—Oxp CuHrpPENDALE Manocany Wine or GRANDFATHER CHAIR 
Covered in old English needlework. The ground, of pale amber, 
with designs of leaves and flowers in soft tones of rose, blue and 
green. 


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680—Oxp EncusH Watnut CHEst or Drawers 


Queen Anne period. Elaborately inlaid with various woods in 
scroll designs. Finished with brass handles and escutcheons. 


681—OLp CHIPPENDALE Manocany ARMCHAIR 


Similar to the preceding. Covered in fine old petit point. Sub- 
ject; Pastoral scene, from an Italian comedy. The groundwork 
is in soft amber tones, with scrolls and flowers in various rich 


coloring. 


682—CHAISE-LONGUE 
Carved walnut frame, all-upholstered and covered with antique 
needlework and finished with brass nails. Loose cushion seat. 


Six O_tp ENG LIisH Sipe Cuarrs 
Carved walnut. The backs are formed of twisted spirals and 
richly carved plaits, mounted by an eagle. The seats are cov- 


683 


ered in crimson velvet. 


684—OLp QuEEN ANNE Burt Watnut CHEST 


On raised base with five drawers. The top is inlaid with circular 
designs, and the drawers are banded with rosewood. Has brass 


handles. 
685—AntievE HEPPLEWHITE CHAIR 


Carved mahogany back and legs. Upholstered with petit point 
needlework in yellow, brown, red and blue. Finished with brass 
nails. 


686—ANTIQUE HEPPLEWHITE CHAIR 


Carved mahogany back and legs, upholstered with fine petit 
point needlework of bird and scroll design in various colors on a 
black ground. Finished with brass nails. 


687—Fine Oxtp EncutsH Oak CENTER TABLE 


Supported on massive turned legs. The frieze is inlaid in various 
orchard woods of geometrical designs. Elizabethan period. 


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; 688—Marriace | CHEST 


French(?). Of nut-tree wood. Front wall, in two parts, con- 
tains two drawers. Carved outlines, and ornamented with cir- 
cular medallions and allied coat of arms held by angels. On the 
sides, two helmeted sphinxes with a bull’s head. Sixteenth 
as - _ century. 

‘From the Oscar’ Hainauer Collection. 


: ; t =, | Height, 12 inches; length, 331, inches; width, 14 inches. 


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689—AntievE FLoRENTINE CHEST 


Covered with red velvet and embellished with black and gilt metal 
squares and borders. Handles at each end. 


Length, 4 feet 5 inches; height, 2 feet 8 inches; width, 1 foot 4 inches. 


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690—Oxp CHIPPENDALE oes TABLE 


In Chinese style. The frieze, legs and brackets are in fretwork 
design, and the top is surmounted by a fretwork gallery. 


691—T asLE 


Similar to the preceding, but of smaller size. 


692—O.p JAcoBEAN Carvep Oax CHEST 


On low stand with turned legs. The front of chest is composed 
of two arches supported by trussed pilasters and contains richly 
carved panels. The sides of the cabinet have arched panels. to 


correspond. 
(Illustrated) 


693—FourFoLp Screen 
Finely carved Renaissance gilt walnut frame. Upper panels of 
finest quality of old Renaissance tapestry, of classical subjects 
executed in harmonious colors, and lower panels of fine French 
red and brown chenille tapestry. Lined with red and gold damask. 
Height, 5 feet 6 inches; width, 6 feet 8 inches. 


(Illustrated) 


San of oh a gee ae 


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Sa Me, 
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694—Iramian Renaissance Center Tasre 
With four drawers, two on each side, and supported on hand- 
somely carved trestles connected by a stretcher of like carving. 
Height, 2 feet 10 inches; length, 4 feet; depth, 2 feet 101% inches. 


695—Six Otp Spanish Carvep Woop ArmcnHairs 


The backs are carved, with a formal design of vase and flowers. 
Seventeenth century. 


696—Five Oxrp Warner Cuarrs 


Queen Anne. Splat backs and cabriole legs. Loose seats, up- 
-. holstered in old red damask. 


697—Whuitr anp Goitp HicH-pack ARMCHAIR 


Old Louis XVI. Covered in a deep mauve brocade enriched with 
silver thread. 


698—Par or Oxrp Apams Carvep Gitt TuB-sEATS 


With turned fluted legs. The backs and loose cushions are 
upholstered in flowered blue silk damask of the same period. 


699—Oxp Apams CarvepD AnD Gitt Winpow Skat 


On turned fluted legs and upright sides; the seat and sides up- 
holstered in blue flowered silk damask of the period. 


700—Pair or Carvep And Gitt Woop ConsoLe TaBLes 


Georgian period. On the shoulders of the legs are human masks, 
and rising from the center of each stretcher is a griffin. Have 
white marble tops. 

Height, 3 feet; length, 3 feet 8 inches; depth, 1 foot 11 inches. 


701—Ouxp Carvep anp Girt ApAms SETTEE 


Of very beautiful lines. The back and seat upholstered in old 
flowered blue silk damask. 


702—Oup Ovat-sHAPED ApAms Mirror 


Surmounted by an eagle in carved gilt wood. The remainder of 
the frame is decorated in black and gold with carved moldings 
and pateras. 

Height, 4 feet 5 inches; width, 2 feet 8 inches. 


703—Oxp Louis XVI Carvep Gitt SETTEE- 


On six turned fluted legs and straight back. The settee is up- 
holstered in old pink and cream striped and flowered brocade. 


704—Oxrp EnewisH Carvep Gitt ConsoLte TasLe 
Georgian period. Supported on a scroll-shaped leg. The frieze 
is ornamented with a key pattern, with scroll brackets on either 
side. Has Siena marble top. 
Height, 2 feet 10 inches; width, 2 feet 1 inch; depth, 1 foot 3 inches. 


705—Oxp Carvep Gitt TorcHERE 


Adams period. Column design, with spreading top, and trian- 


gular base with claw feet. 
Height, 5 feet 6 inches. 


706—TurEEFoLtp ScREEN 
The upper panels are covered in old Louis XVI flower brocade 
on a cream ground, and the lower panels plaited in écru silk. 
Height, 6 feet 9 inches; extends 6 feet 9 inches. 


707—Suire or Six Sinere anv Four Armcuairs 
_ Adams period. The carved frames are decorated in cream and 
_ gold, and the seats and backs are covered in old brocade. 


j 
i 
{ 


708—Oxp Louis XVI Carven Girt Sora 
On six turned fluted legs. Upholstered in old flowered brocade 
with mauve stripes on a cream ground. 


709—Very Fine Otp CuiprenpaLe TorcHERE 
On tripod of scroll design, carved and gilt. Design of dolphin 
with dragon’s wings, supporting a cornucopia. 
Height, 4 feet 8 inches. 


(Illustrated) 


710—Oxp Grorcian Carvep Gitt ConsoLte TABLE 
The frieze is supported by an eagle with outstretched wings, 
which is mounted on a black and gilt stand. Connemara green 
marble top. 
Height, 2 feet 11 inches; width, 2 feet 11 inches; depth, 1 foot 4 inches, 


711—Oxp Louis XV PareaueTRy CoMMODE 
Rose and tulipwood. Mounted in ormolu. Has two short and 
one long drawer and white marble top. 


709 


712—Very Fine Carvep Woop ConsoLte TABLE 


. Adams period. Supported on square fluted legs with the 
acanthus leaf at the base. The carvings are in gilt on a pale 
green ground, and the frieze is decorated with a scroll design. 
Fine bréche violette marble top. 


Height, 2 feet 10 inches; length, 5 feet 7 inches; depth, 2 feet 11 inches. 


713—Parr or Harr Circurar Consote TABLEs 


Adams period. The frieze and legs are richly carved and deco- 
rated in green and gold. The tops are of harewood, artistically 
inlaid with various orchard woods. 


(Illustrated) 


714—James II Center TAasie 


The top is richly decorated with inlays of flowers, scrolls, birds 
and festoons. The frieze of the table is similarly inlaid and the 
legs are twisted and connected at the bottom by a richly inlaid 
stretcher. 


om 


715—Very Fine Oxvp Encusu Lacauer CABINET 


On stand of Queen Anne period. The decoration consists of 
Chinese subjects in raised gold on a black ground. The interior 
is fitted with small drawers and the inner parts of the doors 
and fronts of the drawers are decorated with birds and flowers 
in high relief in various colors on a pink ground. 


716—Apams SatTiInwoop CoMMODE : 


Bow front, inlaid with swags of flowers, vase and plant. Has 
four drawers and two cupboards. ; 
Length, 3 feet 5 inches; height, 3 feet; width, 1 foot 6 inches. q 


(Illustrated) 


9 


I 


L 


717—Oup Louis XIII Center Taste with Drawer ; 


The top, frieze, legs and stretcher are all richly inlaid with 
various colored woods. 


718—ScrrEEN 


Walnut frame, containing three panels of antique figured 
tapestry, lined with green damask. 
: Height, 79 inches; width, 93 inches. 


(Illustrated) 


719—Encutsu Mirror 


Richly carved and gilded wood. Decorated with vases of flowers, 
swags and wreaths of foliage. Eighteenth century. 


Height, 7 feet 2 inches; width, 3 feet 51% inches. 


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720—JacoBEAN Carvep Oak CABINET 
With turned legs. The two side panels have carved diamond- 
shaped designs. 
Height, 3 feet 9 inches; length, 3 feet 11 inches; depth, 1 foot 8 inches. 


4 


4721—Spanish Watnut Tasie 
Supported on curiously carved trestle legs. Fitted with four 
drawers, the fronts of which are richly carved. Sixteenth cen- 
tury. 
Height, 2 feet 9 inches; length, 4 feet 3 inches; depth, 2 feet 81 inches. 


722—O.p JAcoBEAN Carved Oak DreEssEerR-CHEST 
Fitted with five drawers. The whole face is ornamented with a 
diamond-shaped molding. Has original iron hinges and brass 


drop handles. 
Height, 2 feet 9 inches; length, 5 feet; depth, 1 foot 6 inches. 


723—O.tp JacoBEAN Carved Oak CHEST 
The front is composed of four arched panels, each of which is 
divided by fluted pilasters. Above this is a carved frieze with 
a strapwork design. 
Length, 5 feet 3 inches; height, 3 feet; depth, 2 feet. 


724—Oxtp EnerisH Carvep Oak BUFFET . ; ‘ 
Early Jacobean period. Supported on richly carved bulbous 
columns. The friezes carved with a strapwork design. 
Height, 4 feet 3 inches; length, 4 feet; depth, 1 foot 10 inches. 


725—Fiverotp LEATHER SCREEN 
Old English. With painted figures in the Persian style. The 
borders are minutely decorated with designs of scrolls and 
flowers. Early eighteenth century. 
Height, 7 feet 2 inches; extends 10 feet. 


(Illustrated) 


726—Oxtp Watnut CENTER TABLE 
Supports of turned legs and stretcher. The carved frieze of a 
delicate geometrical design, and fitted with two drawers. Seven- 


teenth century. 
Length, 5 feet 2 inches; width, 2 feet 7 inches. 


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72%7—Oxv Encusn Oax Haut Seat or Serree . 
On three turned front legs and four back legs, connected by 
stretchers. The back is divided into six panels by molded stiles 
and open sloping arms with turned supports, | 
Height, 3 feet 6 inches; length, 6 feet 11 inches; depth, 1 foot 8 inches, 


728—Oxup Watnut Tasle re a: er a 
The front is of a carved scroll pattern design, the ends with 
conventional bosses. Has turned legs and stretchers. Fitted 


with two drawers. y 
Length, 5 feet 9 inches; width, 2 feet 2 inches. 


729—Oup Watnut CentER TABLE ; . 
Supported on turned legs with stretcher. The frieze is carved 
in rectangular sections with conventional floral bosses. One — 
side of the table is fitted with two drawers. Seventeenth century. 

Length, 6 feet; width, 2 feet 2 inches, 


7380—Oxup WatnuTt Sipe Taste 
With two drawers. The front is of carved conventional scroll 
pattern. The turned legs are connected by a stretcher. Seven-— 
teenth century. 
Dimensions, 7 feet 2 inches by 2 feet 3 inches. 


781—Very Fine OLrp Watnut Center Tape ' 
The frieze is richly ornamented with conventional leaves and 
flowers in scroll design. The four terminal legs are turned and 
connected by a stretcher which is supported in the center by a 
fifth leg. One end is’ fitted with two drawers. Seventeenth 
century, 
Dimensions, 7 feet 7 inches by 2 feet 8 inches. 


732—Oup JacoBEAN Oak Rerectrory TABLE 


Supported on four turned legs and stretchers. On the frieze 
is a molded facing. 
Length, 7 feet 11 inches; width, 2 feet 214 inches. 


733—Oxp JacoBEAN Oak Rerecrory TABLE 


Supported on six turned legs connected by a stretcher. The 
frieze carved in a bold fluted design, with scroll-shaped brackets. 


Length, 9 feet 7 inches; width, 2 feet 11 inches. 


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734—Very Important JACOBEAN OAk ARMOIRE 


Fitted with two large doors. The whole of the front is richly 
carved with floral and scroll designs. 


Height, 81 inches; width, 72 inches; depth, 2112 inches. 


FIFTH AFTERNOON’S SALE 


MONDAY, NOVEMBER 24, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 o’cLOCK 


7385—Two PaneEts 


Containing four stained and leaded glasses. Reclining figures 
in each panel. 


74, by 18 inches. 
736—Two Sratnep anp Leapep Grass PANneEts 
+ Portrait of Velasquez and of another artist. No background. 
271%, by 14 inches. 


737—Turee Sramnep-ciass Panets 
Jewels and opalescent glass. 
Respective measurements: 174, by 20 inches and 23 by 24 inches. 


738—Sratnep-ciass PaneL 
“Knowledge,” with border of quarries. 
29%, by 1314 inches. 
739—-Ten Sratvep-ciass Panets 
Center, ships, with fancy painted frame, and four with wind- 


mills and ships. 


Respective measurements: 5 by 5 inches and 221/, by 1634 inches. 


740—SrTarixnep Anp Leapep Grass PANEL 


Rose-bush in pot with lattice background. 
39 by 1434 inches. 


741—Srarmep-ciass Pane 
“Homer.” 
38 by 1414 inches. 
742—-Srarxep anp Leapep Grass CrrcuLtar PANEL 
Chrysanthemum and roses. 
Diameter, 141%, inches. 
743—Turee STAINED-GLAss PANELS 
Sunflowers and heads of Japanese women. 


Respective measurements: 11 by 11 inches and 15% by 24 inches. 


744—TuHree STAINED-GLASS PANELS 


Reclining figure representing “Morning,” and two scenes from 
“The Lady of Shalott.” Original designed and painted by 
Matthew Maris. 


Respective measurements: 12 by 22 inches and 22 by 124% inches. 


745—Two SrTatnep AnD LEADED GuaAss PANELS 


Representing Scotch Castle of Stirling; bird circle with fancy 
painted frame. 


Respective measurements: 14 by 15 inches and 91/%, by 16% inches. 


Y46—STAINED AND LEADED Guass PANEL 
“Titian.” No background. 
28 by 151% inches. 


747—Two StTAinep-Giass PAanets 


Portraits of “Helen” and “Titian,” with fancy painted frames 
and quarry background. 
171, by 17% inches. 


748—STainep-ciass Pane 
39 


Portrait of “Lycurgus,” with fancy painted frame and _ back- 


ground of quarries. 
21%, by 33 inches. 


749—STAINED-GLASS PANEL | 


Figure of “Spring,” with background of quarries. 
42 by 151% inches. 


"50—Two Sramvep anp Leapep Guass Panets 
Bust of “Spes,” and portrait of Lord Darnley, with background 


of quarries. 
15, by 1314 inches and 24 by 1914 inches. 


{51—Etenr Srarnep-crass Paners 
“Orpheus and Eurydice,” “The Dancing Girl,” ae birds. 


Respective measurements: 8-inch circles; 81 by 81% inches and 21 by 1454 
inches. 


752—Eicutr STAINED-GLASS PANELS 


The two lower panels represent “Dante and Chaucer” and 
“Orpheus and Eurydice,” with six bird and flower circles across 
top. 


_ Respective measurements: 8-inch circles; 21 by 1434 inches. 
753—Two Srainep anp Leapep Guass Panes 
Oval landscape with figures, and Dutch ship. 
Respective measurements: 13 by 101 inches and 19 by 1514 inches. 


"154—Five STAINED-GLAss PANELS 
Center panel, landscape in painted frame, ship, windmill and 


horsemen. 
Respective measurements: 5 by 5 inches and 22 by 16%, inches. 


755—Two Srarnep anp LeapEp Grass PANELs 
_ Dutch ship and view of Philadelphia. 
Respective measurements: 19 by 151% inches and 12 by 20 inches. 


756—Two Sratvep anp LeapEep Grass PANELS 
Classical landscape, and reclining figure. 


Respective measurements: 71> by 18 inches and 29 by 201% inches. 


757—Five Sratnep-ciass Panexs 
The center panel of chrysanthemum, with painted frame and 
background of wild roses, and portraits of artists at top and 
bottom. 


wv 


Respective measurements: 7 by 7 inches and 191, by 151% inches. 


758—STAINED-GLASS Beer 


i) 


“Fortune,” with background of quarries. 


34 by 22 inches. _ 
759—TureEE STAINED-GLAss PANELS 


Center panel, figure of a dancer, with “Pomona” and ae ‘ 
on either side. 


Respective measurements: 22 by ay, inches and 211, by 16 inches. ig 


760—Two Srainep-ciass Panes 
One, mother playing with child; and the other, roses. 


Respective measurements: 14%/,-inch circle; 233, by 18%, inches, ne 


761—Six Sratnep anp Lreapep Guass PANELS 
Old Scotch towns of Ross and Glasgow, and four Reis fends 


Respective measurements: 8 by 8 inches and 91, by 164, inches. 


762—Statnep-cLass PanEL . 
“Audentia and Amor.” Border of quarries. eda 
381, by 23%, inches. 


163—STAINED-GLASS PANEL 


The twin sisters “Samkhat and Kharimat,” and a stanza of — 
poetry from Chaldean Legend. Has fancy painted frame. 
36 by 21 inches. 


164—Two StTatnep-ciass PANEts 
Portrait of “Palissy” and “Velasquez.” 
321, by 1514 inches and 3112 by 15% inches. 


765—Pair oF STAINED-GLASS PANELS 


Representing “Enid,” with floral background and fancy rey 
frame and “The Lady of Shalott.” 


371, by 1734 inches and 37 by 181, inches. 


766—Turee Srarnep-ciass Panets 
_ Head of “Dante” and figures of ‘‘Love” and “Death.” 
Respective measurements: 1734 by 934 inches and 17 by 14 inches. 


%67—Turee STAINED-GLASS PANELS 
Portraits of “Velasquez,” ‘‘Chaucer” and ‘‘Dido.” 


Respective measurements: 1034 by 101% inches, 1034 by 10 inches and 17% 
by 14 inches. 


768—STAINED-GLASS PANEL 


Portrait of “Titian.” 
32%, by 18 inches. 


769—Two Srarnep-ciass Panets 
Portraits of “Cellini” and “Velasquez.” 


Respective measurements: 34 by 16 inches and 421, by 15%, inches. 


770—TuHree STAINED AND LEADED Guass PANELS 
Portraits of ‘““Rembrandt” and other artists. 


351, by 16 inches and 33 by 18 inches. 


771—Two Sratnep-cuass PANELS 
Portrait of “Rembrandt” and of another artist. 


30 by 13 inches and 2934 by 1434 inches. 


7%72—Two STainepD-cLass PANELS 


“Lady of Shalott,” surmounted by a panel with bird, vase and 


flowers. 
Respective measurements: 11 by 13 inches and 231/, by 14 inches. 


773—Two SrTarnep-ciass PANELS 


One, “Perseus and Andromeda,” with fancy painted frame and 


background of quarries; and the other portrait of “Spenser.” 
Respective measurements: 1314, by 1114 inches and 2534 by 1814 inches 


774—Two Srainep anp Lreapep Grass Panets 
“The King and Beggar Girl,” and a reclining figure, “Morning.” 


Respective measurements: 254, by 17 inches. 


(75—TuHReEE STAINED-GLAss PANELS 


Center panel, portrait of “Penelope,” with fancy painted border 
and quarries, and portraits of artists at each side. 


Respective measurements: 10 by 91, inches and 201, by 201/, inches. 


(76—Four SrTainep-cuass PANEeLs 


“Lady of Shalott,” originally designed and painted by Matthew 
Maris. Japanese heads at top, horsemen at bottom. 


Respective measurements: 93, by 91%, inches, 221, by 12%, inches and 5 by 5 
inches. 


777—Four Sratnep-ciass Panes 
“Lady of Shalott,” with top panel of Japanese heads; ships and 
marine at the bottom. 


Respective measurements: 9%/, by 9%, inches, 224%, by 12%, inches and 5 by 5 
inches. 


Y78—Two PaneEts 


(A) Containing eight stained glasses. “Lady of Shalott,” 
originally designed and painted by Matthew Maris. Japanese 
heads at top, horsemen at bottom. 


Respective measurements: 9%/, by 91 inches, 221, by 12%, inches and 5 by 5 
inches. 


(B) “The Lady of Shalott,” after Tennyson, originally de-— 
signed and painted by Matthew Maris. Heads of Japanese 


women at top, and horsemen at bottom. 


Respective measurements: 91, by 934 inches, 22 by 121 inches and 5 by 5 
inches. 


779—Parr STAINED AND LEADED GtaAss PANELS 


Portraits of “Rembrandt” and ‘Velasquez’; background of 
quarries. 


31%), by 19 inches. 
780—Two Sratnep anp Lreapep Guiass PANELS 3 
Subjects: “Fides” and “Spes,” with background of quarries. 
44 by 181% inches. 
781—Srartnep-ciass Pane. 


“The Trojan Mother.” 
27 by 311% inches. 


%82—TureEE STamnep AND LEapED Grass PANELS 


Lake and shore scene, with fifteen glass panels, fancy painted 
borders, and birds and branches of flowers. 


Respective measurements: 9-inch circles; 281, by 12% inches. 


%83—Four STAInep-cLass PANELS 


Two views of “The Lady of Shalott,” originally designed and 
painted by Matthew Maris. Bird and cherry circles at top. 


Respectwe measurements: 1134-inch circles; 22 by 12%, inches. 


%84—Two STAInED-cLAss PANELS 


“Hidden Treasure,” taken from one of the Parables, with panel 
of sunflower at the top. 


Respective measurements: 15 by 15 inches and 261, by 20% inches. 


785—TurReEE STAINED-GLASS PANELS 
Portraits of Japanese women and pots of flowers. 


Respective measurements: 1514, by 1514 inches and 93, by 9 inches. 


%86—Four STAINED-GLASS PANELS 


The old Scotch towns of Ayr, Montrose, Paisley and Dunnottar 


Castle. 
91% by 16% inches. 


787—Four Sratnep-eiass Panes 


Sunflowers and chrysanthemum in pots with portraits of 
“Chaucer” and “Reynolds.” 


Respective measurements: 281 by 1014 inches. 


788—Fovur Srarvep-ciass Panes 
Portraits of “Lord Darnley” and “Henrik Van Bolen,” with 
background of quarries. In the center a figure of “Sculpture,” 


and birds and butterfly. 


Respective measurements: 211, by 121%, inches and 13 by 6 inches; 6-inch 
circle. 


789—Turee STaInep AND LEADED Guass PANELS 


The lower panel, angel holding a cup, on a landscape back- 
ground; the two upper panels, portraits of “Rubens” and 
“Reynolds.” 


Respective measurements: 7 by 7 inches and 291, by 21 inches. 


790—Turee Sratnep-ciass Panets 
Center panel, old German, dated 1530, with inscription, and two 
panels of fragments of antique glass on each side. 
From the Clarence H. King sale. 


La 
Respective measurements: 13 by 10%, inches; 8-inch circle. 


%91—STAINED-GLASS Panay. 


Old German glass. “Bishop and Acolyte.” 
1934 by 151%, inches. 


792—STAINED-GLASS PANEL 


“Tsolt,” with background of quarries. Black frame. 
A431, by 231% inches. 


793—Parir oF STAINED AND LEADED Guass PANELS 


Portraits of “Cellini”? and “Palissy,” with background of 


quarries. 
44, by 181%, inches. 


794—Two Sratnep anp LEApED Guass PANELS 


Portraits of “Chaucer” and “Dante,” with border of geometrical 


quarries. 
381, by 20%, inches and 381%, by 20%, inches. 


795—Two Srarnep anp LEAapED Guass PANELS 


> with background of quarries. 


421/, by 20 inches and 42 by 1834 inches. 


Autumn,’ 


796—Twetve Srainep-cLass PanELs Re 
Old Scotch towns of Hamilton, Dunnottar, Aberdeen and Castle z 
of Bothwell, and portraits of J apanese women ott birds acro 
the top. ; 


797—TweELvE STaInep-cLass PANELS 2 
Views of the old Scotch towns of Ayr, Aberdeen, Culross and th ae 
Abbey of PON eat! 


“98—TweELvE STAINED-GLASS PANELS 


Views of the old Scotch towns of Edinburgh, Aberdeen, Dun ee 
and Dunfermline, and female heads. iv ds 
Respective measurements: 8 by 8 inches and 91% by 161 inches 2 


799—Twetve STAInep-cLAss PANnELs 3: 
The old Scotch towns of Dunblane, Dunnottar Castle, Aberdeen 
and Bothwell Castle. Japanese heads and birds. 


Respective measurements: 8-inch circles; 914 by 161% inches. 


800—Fovur Srainep anp Leapep Guass PANELS 
“The Lost Piece of Money” and “The Leaven,” from the 
Parables, and flower panels of roses and morning-glories. 
Respective measurements: 15 by 15 inches and 26%, by 20%, inches. 
801—Four Sratnep anp Lrapep Guass PANELS 
Illustrating the parables, “Good Samaritan” and “Lost SL: 
surmounted by panels of morning-glories and roses. 
141,-inch circles; 261, by 2014 duchen 


802—Tern StTainep anp LEADED Grass PANELS 
The center oval panel contains a lake scene and fisherman, with 
a fancy painted border and a stanza by Byron. The remaining 
panels illustrate ships, horsemen, windmills and a reclining figure. 


Respective measurements: 2817, by 1234 inches, 71% by 18 inches and 5 by 5 
inches. 


803—TrEn Srainep anp LeapEep Guass PaneELs 
The center oval panel contains a landscape with a fancy painted ~ 
border and a stanza by Robert Burns. The remaining panels 
represent a reclining figure, ships, horsemen and windmills. 


Respective measurements: 281%, by 1234 inches, 7% by 18 inches and 5 by 5 
inches. 


804—Ten Stainep anp Leapep Gtiass PaneELs 
The center oval panel contains a landscape, surrounded by a 
fancy painted border with stanza by Robert Burns. The re- 
maining panels illustrate a reclining figure, ships, horsemen and 
windmills. 
Respective measurements: 2814 by 121% inches, 71% by 18 inches and 5 by 5 
inches. 


805—SrTaiInep Anp Leapep Guass PANEL 


“Marguerite.” 
44 by 1714, inches. 


806—Pair STAIneD AnD LEADED Guass PANELS 


Portrait of “Velasquez” and “Cellini,” with background of 


quarries. - 
43, by 1914 inches and 35 by 20 inches. 


807—Pair STAINED-GLAss PANELS 


“Dancing Girls.” Black frame. 
49 by 22 inches. 


808—SrTaInep-cLass PaneL 
Vase of various flowers with bunches of fruit at each end. Black 
; \ frame. 
Fad ey! we = <5. Q41/, by 481%, inches. 
—809—Sramep-crass Paver . 
Flowers on a blue ground, with columns at each end. Painted 
border. 
24 by 4814, inches. 
810—Srainep-ciass Paneer 


“The Reaper,” with border of quarries. 
35 by 23 inches. 


811—Sratnep-cLass PANEL 
“Philadelphia,” with coat of arms, double glaze. Black frame. 
18% by 30% inches. 
812—Sranep-ciass Panen 
Flowers and bird on a blue ground. Black frame. 
ii 24 by 36 inches. 
813—Two Srarinep-ciass Panes 
One, illustrating “Lost Piece of Money,” taken from one of 
the Parables; and the other, a rose. 


Respective measurements: 15 by 15 inches and 261, by 201% inches. 


814—Two Srarnep-ciass Panes ¥ 
“The Prodigal Son,” taken from one of the Parables, and morn- 


ing-glory. 


Respective measurements: 141/,-inch circle; 27% by 20 inches. 


(Illustrated) 


814 


815—Trree STAINED AND LEADED GuaAss PANELS 


The lower panel representing ‘“‘Veritas” and “Pulchritudo”; the 
two upper, portraits of “Gainsborough” and “Rubens.” 


Respective measurements: 7 by 7 inches and 32 by 19% inches. 


816—Four Srarnep-ciass PaNneEts 
Female figures of “Painting” and “Sculpture,” and portraits 
of “Velasquez” and “‘Palissy.” 


Respective measurements: 104%, by 934 inches and 28 by 10 inches. 


817—FourTEEN STAINED AND LEADED Guass PANELS 


The Abbey of Dunfermline and Culross, surrounded by twelve 
panels illustrating ships, windmills and horsemen. 


Respective measurements: 1817, by 251% inches and 5 by 5 inches. 


~818—Twenty STainep AND Leapep Guass PANELS 


Center panel “Old Scotch Castle of Dunnottar,” surrounded by 
nineteen panels illustrating reclining figure, mermaids, ships, 
windmills and portrait heads of artists. 


Respective measurements: 181, by 251, inches, T1/ by 18 inches, 5 by 5 
- inches; 5Y2-inch circle; 8 by 8 inches. 


819—FourtEEen STAINED and LeapEep Grass PANELS 


Illustrating the old Scotch town of Ayr, Castle of Dumbarton, 
ships, windmills, horsemen, and other subjects. 


Respective measurements: 181, by 251% inches and 5 by 5 inches. 


820—SrEvEN STAINED AND LeapeD Gass PANELS 
Representing the Four Seasons, Sculpture and Painting. 


Respective measurements: 371, by 1434 inches; 94-inch circle; 13 by 5% 
inches. 


821—Fovr Srainep-ciass PaneLs 
Figures of “Pomona” and “Flora,” and birds. 


Respective measurements: 141,-inch circle; 23%, by 131, inches. 


822—Two PaneEts 
(A) Seventeen stained-glass panels. Oval center panel, land- 
scape with fancy border, surrounded by ships, windmills, 
sheaves of wheat and other subjects. 


Respective measurements: 5 by 5 inches and 34 by 16 inches. 


(B) Sixteen stained and leaded glass panels. Oval center, 
marine scene, with fancy painted border, and stanza by Sir 
Walter Scott, and the remaining illustrating ships, windmills, 
horsemen and other subjects. 


Respective measurements: 34 by 16 inches and 5 by 5 inches. 


823—Two Panets _ Meee 
(A) Stained and lead glass. Representing “Enid,” surmounted d 

by a circular bird panel with border. | 
Respective measurements: 15 by 16 inches and 304% by 154 

(B) Representing portrait of “Fair May,” wits yee 
Browning and a figure: ‘““Thisbe.” - 
Respective measurements: 1442 by Whe inches and 30 oye ut 


824—Pam oF PANELS “a 
Stained and leaded glass. Representing “Sir Lancelot 
Arthur,” birds and circles with border. Rate: 


Respective measurements: 15 by 16 inches and 301% by 151 


825—SIxTEEN STAINED-GLASS PANELS - 


Dutch windmill surmounted by a view of the old Suntenes cas 
of Dunnottar; ships, windmills, sheaves of wheat and other s 
jects on lower panel. ee eee 


Respective measurements: 914 by 15 inches, 19 by 12% inches and 5 by 
inches. pe, 


826—Fovur StTainep-ciass PAnELs AOS 

Oval landscapes with border of roses. The upper panels of 
birds in circles. (pene eee 

Respective measurements: 144/,-inch circle; 23 by 1334 inches. 

827—SIxTEEN STAINED-GLAss PANELS : 


Center panel, “Goose Girl,” with painted frame and panteranndal 4 
of quarries. Surrounded by fifteen panels illustrating reclining — “a 
figure, ships, windmills and sheaves of wheat. 


Respective measurements: 18 by 71/4 inches, 26 by 13 inches and 5 by 5 inches. _ 


828—SrTainep-cLAss PANEL 


“Tsolt’s Descent”; leaded glass border. RA ck 
354, by 1734 inches. 


829—TuHREE STAINED-GLASS PANELS 


Figure of “Fame” and two female characters, with floral back- 
ground and painted frame. 


Respective measurements: 233, by 12%, inches and 1714 by 934 inches. 


830—STAINED-GLASs PANEL 


Flowers on lattice work. Black frame. 
26%, by 36 inches. 


831—SrTaInEpD-cGLass PANEL 


Center panel of poppies, with oval landscapes at each side; 
apple-blossom ground. Black frame. . 
: 23% by 41 inches. 


832—Parir Srarnep-ciass PANnets 


Portraits of “Jane Seymour” and “Judge More,” with fancy 
painted frame in center; oval landscapes on each side. 


21 by 481% inches and 21 by 481% inches. 


833—STaAInED-GLAss PANEL 


“Ceres,” with border of quarries. Black frame. 
461%, by 20 inches. 


_ 834—Parr StTainep-cLass PANnELs 
“Moses” and “Aaron,” with quarries on each side. Black frame. 
47 by 24 inches and 463, by 231% inches. 


835—SEVEN STAINED AND LEADED Gass PANELS 


Center panel, “Helen,” surrounded by “The Four Seasons,” 
“Sculpture” and “Painting.” 


Respective eee te: 38 by 14 inches; 91/4,-inch circle; 13 by 5°34 inches. 


836—Twenty Srarnep AND Leapep Grass Panets 
Center panel, the old Scotch town of Dumbarton, surrounded 
by nineteen panels illustrating a reclining figure, mermaids, 
Dutch ships, windmills and portraits of men. 


Respective measurements: 181, by 251% inches, 71/4, by 18 inches and 5 by 5 
inches; 5%/,-inch circles; 8-inch circles. 


837—Five Srarmwep anp Leapep Giass Panets 
The center panel, “Isabella and the Basilpot,” female figures 
and Japanese heads. 


Respective measurements: 42 by 15%, inches, 22 by 91% inches and 914 by 9%4 
inches. 


& 


838—SrTaINED AND LEADED GuaAss PANEL 
99 


“Penelope with Bow,” surrounded by geometrical quarries. 


491%, by 181% inches. 


839—Two Srarvep AND LEADED Guass PANELS 


Representing “Eve of St. Agnes,” “Basilpot,” and two reclining 
figures. 
Respective measurements: 414%, by 16%% inches and 71 by 18 inches. 


840—Two Srainep anp LEADED Guass PANeELs 
Portraits of “Rembrandt” and another artist. ai 
85 by 16 inches and 35%, by 17 inches. 


841—Two Sratnep anp Lreapep Guass Panes a 
Portraits of “Palissy” and “Cellini,” on a background of ue - 


quarries. 
421, by 1834 inches and 37 ey 18% inches. 


842—S1x Srarnep-cLass Panes Saree 
Figures of ““Barmaid,” “Pomona,” “Flora,” ships, and Japanese — 


head. ; . e 


Respective measurements: 121, by 1014 inches; eae circle; 24, by 8% : . : : 


inches and 25%, by 151%, inches. 


843—Six Sramwep anp Leapep Grass Panets ie 
Center panel, “The Lady of Shalott,” originally jae end 
painted for Cottier & Co. by Matthew Maris, and surrounded 
by five panels illustrating reclining figure, birds and flowers in 
pots. 


Respective measurements: 91/4-inch circle; T%, by 18 tions ede by 12% 
inches and 28 by 914 inches. — 


844—Two Sratinep anp LEADED Gtass PANELS 


Female figures, representing “Spring” and “Winter. mg 
381, by 15% shen. 


845—STAINED AND LEADED Guass PANEL . 


” surrounded by geometrical quarries. 


“Spring, 
493, by 1834 inches. 


846—Pam Srainep and Leapep Guass PanEts  _ 
Reclining female figures representing “Morning” and “Night,” 
and surrounded by painted borders of foliated and leafy scrolls. 
22 by 38 inches and 22 by 28 inches. 


847—STAINED AND LEADED GuaAss PANEL 


Fides.” | ; 
14 by 18% inches. 


848—STAINED AND LEADED Guass PANEL 


” with border of geometrical quarries. 


381, by 20%, inches. 


‘**Homer, 


849—TeEn Srarnep-cLass Panes 
“Julia,” ships, windmills, reclining figure, and other subjects. 


Respective measurements: 27% by 1414, inches, 7% by 18 inches, and 5 by 5 
inches. 


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Kharimat,” and a ee figure. — 


Respective measurements: 131 “ 26%, inches and aly, by 


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851—Turee Srarnep-ciass Panes . as 
“Tstar’s Descent, a? “Nausicaa ad Ulysses,” and tae 
eL ; | 


852—Six giles: -GLASS ro ws 

Classical subjects represen ae “T-yr0” _and “Orph 

and fruits. | Ee 

Respective measurements: 1014-inch circles; 29 
853—Four Srarvep-ciass Panes 

“Daphnis” and “Orpheus,” surmounted by two reclir 

Respective measurements: ", by 18 inches and 2e er 


S54 tour STAINED-GLASS Pinar 


Roses and lilies in pots, surmounted | by” port 
“Veritas” and “Isabella.” } is 


Respective measurements: 15% by 13% inches and 39 by 15 
(Illustrated) 


855—Fovur StTainep-Guass PANELS 
° 


Figures of “Psyche” and ‘Sappho,’ 
som. 


wild rose, and ery, blos- 


Respective measurements: 13%-inch circle; 38 by 4 inches. 


856—Pair Srainep anp LrEapEep Grass Panes 
Figures of “Dante” and “Chaucer,” and circular flower panels 
at top. ; 


Respective measurements: 141,-inch circle; 13%%-inch circle; 38 by 14 inches. — 


857—Srarinep-ciass PaneL 
Nude female figure. peranet: 
| 58 by 19 inches. 
858—Four Srarnep-ciass Panets 
Figures representing “Spring,” “Summer,” “Autumn,” “Winter.” 
57%, by 19 inches. 
(Illustrated) : | 


859—Parr STAINED-GLAss PANELS 


Head of “Spring” and of “Autumn,” with background of 
poppies in center. Border of flowers and ribbons. Amber glass 


on each side. Black frame. 
341%, by 38 inches. 


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860—Srainep anp LeapEp Grass PANEL 
“Acropolis at Athens.” 
364%, by 343, inches. 
861—PLaIn Lreapep Guass PANEL 
Oval panels of shore scene and Dutch Canal. Black frame. 
321, by 441, inches. 


862—STaInED-GLAss PANEL 
Bird and flowers, with border of fruits and flowers. Black frame. 
3314 by 4314, inches. 
863—Fovur Srainep-ciass PANELS 


Two views of “The Lady of Shalott,” originally designed and 
painted by Matthew Maris. Bird and cherry circles at top. 


Respective measurements: 11%,-inch circles; 22 by 12% inches. 


864—Four Srarnep AND LEADED Guass PANELS 
Marine views, and “Lady of Shalott.” 


Respective measurements: 13 by 101% inches and 22%, by 12%, inches. 


865—TuHREE STAINED-GLASS PANELS 


Two views of “The Lady of Shalott,” originally designed and 
painted by Matthew Maris, surmounted by a reclining net of 
“Morning.” 

Respective measurements: 12 by 22 inches and 22 by ley, inches. 


866—Two Panets 


(A) Twelve stained-glass ua Views of old Scotch towns 
of Montrose, Dunblane, Dunnottar and Alloa; birds and portrait 
heads of women. 


Respestive measurements: 8 by 8 inches and 91, by 16% inches. 


(B) Twelve stained-glass panels. Views of the old Scotch towns 
of Dumbarton, Aberdeen, Linlithgow and Edinburgh, and por 
traits of men and women artists. 


Respective measurements: 8 by 8 inches and 91% by 16% inches. 


867—Srx STaIneED anp LEADED GuaAss PANELS 


Two female figures on leafy background, landscape with painted 
borders and sunflowers, and portraits of “Aida” and “Cas- 
sandra.” 


Respective measurements: 10 by 11 inches; 13-inch circle; 1234 by 24 inches 
and 27 by 1114 inches. 


868—Two Srainep AnD LEADED Gass PANELS 
Female figures representing “Spring” and “Autumn.” 
38 by 151% inches. 


869—Two SraingepD AND LEapED Guass PANELS 
Representing “Geraint” and ‘Elaine.” 
304, by 15%, inches. 
870—Srx STAINED-GLAsSs PANELS 


Classical subjects of “Orpheus” and “Narcissus,” with circles of 
birds across top. 


Respective measurements: 1014-inch circles; 29 by 201% inches. 


871—STAINED-GLASs PANEL 


“Knight of the Round Table,” with painted frame and border 


of quarries. Black frame. 
37 by 47 inches. 


872—Pair STAINED-GLASS PANELS 


“Spes” and “Fides,” with border of quarries. 
54 by 20 inches. 


873—Patr STAINED-GLAss PANELS 


“Dancing Girls.” Black frames. 
49 by 22 inches. 


874—TureEE STAINED-GLAss PANELS 
Representing “The Lady of Shalott,” “Istar’s Descent,” and 
a reclining figure. 
Respective measurements: 12 by 22 inches and 22 by 121% inches. 


 875—Four Srarwep-crass Paners 
“The Lady of Shalott,” originally designed and painted by 
Matthew Maris. Bird and fruit circles across the top. 


Respective measurements: 11%4-inch circles; 221, by 1214 inches. 


876—NINETEEN STAINED-GLAss PANELS 
Dutch ship, surrounded by eighteen panels illustrating horse- 
men, windmills, boats and other subjects. 


_ Respective measurements: 5 by 5 inches and 29 by 20 inches. 


877—Twetve Srainep-ciass Panets 
Windmill, surrounded by eleven panels illustrating New York in 
1671, ships, horsemen and windmills. 


Respective measurements: 5 by 5 inches, 1444 by 231, inches and 1914 by 121, 
inches. 


878—Srven- STAINED-GLAss PANELS 
View of the old Scotch town of Edinburgh, with fancy painted 
frame, and the remaining six of horses and windmills. 


Respective measurements: 5 by 5 inches and 18 by 251, inches 


879—Srix Srarnep-ciass PAneELs 
“King and Beggar Maid” and ‘“‘Calypso and Ulysses,” and por- 
traits of “Helen” and “Miranda,” ‘“‘Genevieve and Knight” and 


“The Golden Fleece.” 


Respective measurements: 1014-inch circles; 16% by 13%, inches and 11 by 10 
inches. 


9 


880—Two PaneEts 
Stained glass. ‘The Leaven,” taken from the Parables, with 
panel of sunflowers above, and ‘‘Sowing Tares.” 
Respective measurements: 15 by 15 inches and 2614, by 201, inches. 


881—Pair Panels 
(A) Twenty stained and leaded glass panels. ‘Old Scotch 
town of Culross,” surrounded by nineteen panels illustrating a 
reclining figure, mermaids, Dutch ships, He eas windmills and 
portrait heads of men. 


Respective measurements: 181%, by 251, inches, 7, by 18 inches and 5 by 5 
inches; 5%/,-inch circles; 8-inch circles. 


(B) Twenty stained and leaded glass panels. “Old Scotch 
Castle of Stirling,” surrounded by nineteen panels illustrating 


a reclining figure, mermaids, Daten ships, Horsch Be 
and birds. k 


Respective measurements: 18y, by 251, ie TY, — 18 inch 
circles; 5 by 5 inches and 8 by 8 inches. 


Rs 


882—Two Srainep anp Leapep Guass PaneLs 
Similar to the preceding. 


saedanrene te STAINED-GLAss PANELS 


serted in the center. The two upper ae noe 

_ ne 

“Dante” and Spenser.” » a 
7 SS: Cee 

Respective measurements: 134%, by 111% inches and 24 by 31% i 


884—SEvVEN STAINED-GLASS PANELS 


Respective measurements: 5 by 5 inches and 19% by 294 


885—Pair Panets a en 
(A) Sixteen stained and leaded glass panels. meee: wi 


hocenen ships, windmills and other subjects. 
Respective measurements: 5 by 5 inches, 22y, by 16% inches and ™% % 
inches. 


(B) Sixteen stained and leaded glass panels. Marine view 
ship, surrounded by fifteen panels illustrating the old Scotch — 
town of Elgin, sheaves of wheat, boats, horsemen and other 
subjects. oop aR 
Respective measurements: 5,by 5 inches, 201, by 16% ee 91% by 13% 
inches. Yaar are 


886—Four Srainep anp Leapep Guass PANELs © 
The lower panel of autumn leaves, and across the top J apanese ” hs 


heads and bird. 
Respective measurements: 91 by 91% inches; 121%4-inch circle; 234, by 40 oN 
inches. a 


887—Four Sratinep anp Leapep Guass Panes sais 
Classical subjects, “Daphnis” and “Orpheus,” and reclining 

figures across top. 
Respective measurements: 71, by 18 inches and 29 by 20 inches. 


888— Pair PANELS | 
(4) Four stained and leaded glass panels. Poppies and chrys- 
anthemum in pots, panels of birds and duck at top. 

Respective measurements: 834, by 834 inches and 383, by 1434 inches. 
(B) Four stained and leaded glass panels. Roses and lilies in 
pots, surmounted by a duck and bird panel. 


Respective measurements: 834 by 834 inches and 383, by 1434 inokee 


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889—Pair STAINED-GLAss PANELS 


“Caritas” and “Spes.” 


49 by 17 inches and 49 by 17 inches. 


890—SraInED-cGLAss PANEL 


Figure representing ‘Music.” 


891—STAINED-GLAss PANEL 


“Agony in the Garden.” Black frame. 


55 by 22 inches. 


56 by 26 inches. 


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892—- Pair SrainEep-ciass PANELS 


Flowers and birds with borders of fruits and flowers. Black 


frame. 
331%, by 43% inches and 34 by 46 inches. 


893—Patr PANnELs 


(4) Four stained glass panels illustrating the Parables, “The 
Money Changer” and ‘‘Publican and Pharisee”; roses and morn- 
ing-glories. 


Respective measurements: 15 by 15 inches and 271, by 20 inches. 


(B) Four stained and leaded glass panels. Scenes illustrating 
the Parables: ‘The Leaven” and ‘“‘Lost Piece of Money.” Roses 
and sunflower above. 


Respective measurements: 15 by 15 inches and 251, by 2014, inches. 


894—Srartnep-GLass PANEL 
“Genevieve and Knight,” with fancy painted frame and back- 


ground of quarries. Black frame. 
341% by 40 inches, 


895—Turee Sramnep-ciass PANneEts 
Two panels of “The Lady of Shalott,” originally designed and 
painted by Matthew Maris, and sleeping female figure. 
Respective measurements: 121 by 264, inches and 221% by 12%, inches. 


896—SEVENTEEN STAINED-GLAss PANELS 


Dutch windmill, surrounded by sixteen panels illustrating town 
and river scenes, dolphins, windmills, ships, horsemen and other 
subjects. 


Respective measurements: 121% by 221% inches, 201% by 17 inches and 5 by 5 
inches. 


897—Fovur Srarinep-ciass Panes 
Two views of “The Lady of Shalott,” and two bird circles. 
Respective measurements: 1414,-inch circles; 22 by 1234 inches. 
— 898—Two Sratnep-crass Paners 


“Tsabella” and ‘‘Miranda.”’ F 
44 by 18 inches. 


_ 899—Pam Panets . 

(A) Twelve stained-glass panels. Representing the old Scotch 
towns of Dumbarton, Montrose, Glasgow and Ayr, heads of 
Furies, and portraits of artists. 


Respective measurements: 7 by 7 inches and 914 by 1614 inches. 


(B) Twelve stained-glass panels. Four views of the old Scotch 
towns of Dumbarton, Alloa, Brechin and Perth, and portraits 
of women and artists. 


Respective measurements: 7 by 7 inches and 914, by 161% inches. 


900—Four Sratnep anp Leapep Giass PAnELts 
_ Figures of “Man taking Snuff” and “‘Woman with Fan’’; circle 


‘flower panel at top. 
14-inch circle; 38 by 1414 inches. 


901—Four Srarnep anp Leapep Guass PANELS 
Figures of “Spring” and “Autumn,” with circular portraits of 
“Tsabella” and ‘‘Genevieve,” with stanzas. 


Respective measurements: 1444 by 1434 inches and 381%, by 1534 inches. 


902—Six Srarvep anp Leapep Guass PANnELs 
Sunflowers and chrysanthemum, birds and reclining figures. 


Respective measurements: 9:by 9 inches, 39 by 15 inches and 7 by 18 inches. 


903—Pam Panets ee 
(A) Sixteen stained-glass panels. Oval landscape with painted 


border and stanza by Robert Burns, windmills, boats, horsem 
and other subjects. : 


Respective measurements: 34 by 16 inches and 5 by 5 i 
7 ly 
(B) Sixteen stained-glass panels. Oval Ree, with ee 


men, windmills and other subjects. 


Respective measurements: 5 by 5 inches and 34 in 16 inch 


904—Two Sramnep anp Leapep Grass Panets is ef ; 
“The Basil-pot” and “Miranda.” 


Respective measurements: 44 by Ty, inch 


905—Five SrTarinep-cLass PANeELs © 


39 


Female figures. “Summer,” “Sappho,” and other subjects. — 


Respective measurements: 434%, by 18 inches and 16 by 7 ‘inches. 


906—Patr PANELS 
(A) Fourteen stained and leaded glass panels. Two old Scotch 
towns, Linlithgow and the Castle of Dumbarton; surrounded 
by twelve panels representing windmills, horsemen, ships and 
other subjects. 


Respective measurements: 181, by 251, inches and 5 by 5 inches. 


(B) Fourteen stained and leaded glass panels. Two old Scotch 
towns of Dundee and Montrose, surrounded by twelve panels 
representing boats, windmills, sheaves of wheat and other sub- 
jects. 


- Respective measurements: 181, by 251% inches, 5 by 5 inches. 
907—Four Sratnep-ciass PANELS 


Classical subjects of “Narcissus” and ‘‘Orpheus” and two re- 
clining figures. 


Respective measurements: 71/, by 18 inches and 29 by 20 inches. 


908—Six Srarnep-cLass Panes 
“Orpheus” and “Narcissus,” with circles of birds. 


Respective measurements: 10Y%4-inch circles; 29 by 20% inches. 


909—Srx Strarmnep and LrapED Guass PANELS 
The center panel, “The Lady of Shalott,” originally designed | 
and painted for Cottier & Co. by Matthew Maris, surrounded 
by five panels illustrating reclining figure, birds and flowers in 
pots. 


Respective measurements: 91/4-inch circle; TY, by 18 inches, 22%, by 12%4 
inches and 28 by 9%, inches. 


910—Sratnep-cLass PaNneEL 
“Justice,” with fancy painted border. Black frame. 
671, by 231% inches. 


911—STaInED-cGLAss Panet 


“Angel and: Child.” Black frame. 
, 77 by 2614, inches. 


912—-SrTaInep-GLass PANEL 


“Virgin and Child.” Black frame. 
821, by 30 inches. 


9138—Srainep-ciass Panei 
ae and Children,” with inscription. 
Height, 8 feet 1114 inches; width, 2 feet 1114 inches. 


GE hirer) crass vee 
“Eve of St. Agnes,” with stanza; floral border all around. 


Black frame. 
84 by 44 inches. 


~ 915—Srarinep-ciass Panev 
“Pool of Bethsaida.” Black frame. 


916—Srainep-ciass Pane 
“Christ and St. Peter on the Sea.” Black frame. 


917—Srarnep-ciass Panen 
“Immaculate Conception.” Black frame. 
93 by 30 inches. 
918—Srainep-cLass Panen 


“Fides,” framed in black. 
: 841, by 27 inches. 


919—STaInED-GLAss PANEL 


“Angel Reaper.” Black frame. 
75, by 25 inches. 


920—SrTaInep-cLAss PANEL 


“Spring,” with fancy painted flower and leafy scroll border. 


Black frame. 
62 by 34 inches. 


921—STAINED-GLASs PANEL 
Figure of “Enid,” with a bird circle above and fancy painted 
circle below and painted border all around. Framed in black. 
731, by 23 inches. 


Black frame. 


923—Four SrTainep anp LEADED Guass PANELS © 


The lower panels of lilies and sunflowers in pots, a 
panels heads of “Fides” and “Veritas.” 


Respective measurements: 15%, by 13% inches and 3 


924—Fovur STAINED AND teen GLAss PANELS 


Heads of “Spes” and “Caritas,” portrait, chrysan 
lilies. — bas ) 
Respective measurements: 151%, by eA inches and 39° 


925—Parir STAINED AND LrapEep Guass PANELS 


;  * (Mustrated) 


926—Four Srarnev AND LEApED Guass Panets 


‘ 
The two lower panels, “Man taking Snuff” and “Womar ? 
Fan.” Surmounted by circular flower panels of sunflower 


~ aes, 


roses. as 
Respective measurements: 144%, by 144% inches and 38 by Ay, 


927—Four Srainep anp Leapep Grass Panets os eehag 
Two panels, illustrating the Parables, “Sowing Tares” ane 
“Hidden Treasure,” and two roses and sunflower. 
Respective measurements: 15 by 15 inches and 2617, by 204, inches. 


928—Srx Srarnep-ciass Paners ; : a (eee 
Six upright female figures, one representing “Aurora.” 


Respective measurements: 61, by 1714 inches, 16 by 514, inches and pk by 
1434 inches. 


929—Eieut Strainep-ciass Panews ; 
“Fides” and “Aurora,” and portrait heads of men and women. | 


Respective measurements: 7 by 7 inches and 61 by 1714 inches; 91/,-inch 
circles; 11 by 91% inches and 31 by 13% inches. 


930—Pair PaneEts 


(4) Twelve stained-glass panels. The Scotch towns of Mon- 
trose, Edinburgh, Dunfermline, and portrait heads of women _ 
and birds. F 


Respective measurements: 8-inch circles; 91% by 1614 inches. " 


‘ 
~ = 
rs 


of Dundee, Ross, Hamilton and Dunnottar ‘Castle, and a apane 
portrait heads and birds. 


Respective measurements: 8-inch circles; 91, by 1614 ine Y 


-931—Pam Panuts. Mai 
(A) Fourteen stained and leaded She: panels. Two old Sco 
towns of Dryburgh and Culross, surrounded by twelve | Be 
ships, windmills, horsemen and other subjects. 2 


Respective measurements: 181%, by 251% inches and 5 by 5 inches 


(B) Fourteen stained and leaded glass parle The old ay 
town of Kelso and the Castle of Dumbarton, surrounded by 
twelve panels of windmills, ships and other subjects, 


Respective measurements: 181, by 25% inches and 5 by 5 ‘ones 


932—Pam PaneELs i i 
(A) Four stained and leaded glass panels.. The two lower 
panels, “Hidden Treasure” and ‘Sowing Tares,” illustrating the 
Parables, and circles of morning-glories and sunflowers. 


Respective measurements: 1414-inch circles; 261%, by 204, inches. 


(B) Four stained-glass panels. “Good Samaritan” and ‘Lost 
Sheep,” scenes illustrating the Parables; sunflower and roses. 
Respective measurements: 15 by 15 inches and 26%, by 20%, inches. 


933—Srainep AnD Leapep Grass Panen 
Quarterfoil design with inscription, “Suffer little children to 
come unto me, and forbid them not, for of such is the kingdom of — 


God.” St. Mark X, 14th Verse.. ‘ 
37 by 37 inches. 


934—Four Srainep anp LeapEep Guass PANeELs ' 
Representing “King and Beggar Maid,” reclining figures with 
fancy painted frame and portrait heads of “Dou” and “Crabet.” 


_ Respective measurements: 17 by 14 inches, 8 by 8 inches and 13%, by 26% 
inches. 


935—Pair PANnets 
(A) Sixteen stained-glass panels. Center panel, “The Market 
Girl,” with panel across top representing “Night,” surrounded 
by fourteen panels of ships, windmills, horsemen and other sub- 
jects. 


Respective measurements: 8 by 18%, inches, 2534 by 1514 inches and 5 by 5 
inches. ; 


(B) Sixteen stained-glass panels. ‘Dairy Maid” and panels 
representing figure of “Aurora,” windmills, ships, horsemen and 
other subjects. . 


Respective measurements: Tim by 18% inches, 26 by 151% inches and 5 by 5 
inches. ; 


936—Four Sratnep-ciass Panets 


Figures of “Dante” and “Spenser,” with panels of roses and 
chrysanthemum. 


Respective measurements: 15 by 15 inches and 37 by 14 inches. 


937—Patr PaneEts | 
(4A) Twelve stained-glass panels. Poets, artists, female heads, 
old Scotch towns of Perth, Ayr, Falkland and Aberdeen. 


Respective measurements: 8 by 8 inches and 91/4 by 1614 inches. 


(B) Twelve stained-glass panels. Views of the old Scotch towns 
of Bass, Glasgow, Linlithgow and Dunnottar, and portrait heads 
of poets, artists and women. 


Respective measurements:~8 by 8 inches and 91/, by 161% inches. 


938—Parr Panets 


(A) Twelve stained-glass panels. Old Scotch towns of Elgin,» 
_ Corsregal, Aberdeen and Stirling. The remaining panels, el 
and portrait of woman’s head. 


Respective measurements: 8 by 8 inches and 91% by 161% inches. 
(B) Twelve stained-glass panels. The old Scotch towns of Ayr, 


Perth, The Bass and Dunnottar Castle, surmounted by portrait 
heads of artists and women. 


Respective measurements: ‘8 by 8 inches and 914 by 16% inches. 


939—Pair Panes 


(A) Seventeen stained-glass panels. Dutch windmill, sur- 
rounded by sixteen panels illustrating wharf in Philadelphia, 
ships, windmills and horsemen. 


_ Respective measurements: 5 by 5 inches, 19% by 1514 inches and 12 by 20 
inches. 


(B) Seventeen stained-glass panels. Dutch windmill, sur- 
rounded by sixteen panels illustrating a river and town scene, 
ships, windmills, horsemen, and other subjects. 


Respective measurements: 5 by 5 inches, 19 by 1544 inches and 12 by 20 
inches. 


940—SIxTEEN STAINED AND LEeApED Grass PANELS 


Dutch ship and windmill, surmounted by fourteen small panels 
illustrating horsemen, windmills, ships and other subjects. 


Respective measurements: 5 by 5 inches and 19 by 15% inches. 


941—Srven Sramnep-ciass PaNELs i 
“Penelope with Bow,” “The Four Seasons” in 
figures of “Music” and “Dancing” at sides. 


Respective measurements: 91/,-inch ceed 13 by 5% inches and 
inches. (a ae 


942—EFicut STAINED-GLASS PANELS 
“Titian,” poets, artists, and flowers in pots. 


Respective measurements: 8 by 8% inches, 7 by 7 inches 
inches, 


943—Five Srainep AnD LEADED Guass PANELS 
Center panel, female figure representing Ra 
panel heads of “Christabel” aug ea eae ty ; lower 
male figures. . a ese 


inches. 


944—Six STAINED-GLASS PaNers 


> and figure of a mermaid. 


and ‘‘Shakespeare,’ 


Respective measurements: 161%, by 614 inches, 27% by 13 inches ond 8 
inches; 51-inch circle; 7 by 7 inches. 


945—FourTEEN STAINED-GLASS PANELS 


Classical landscape and “Daphnis,” surrounded by thirteen 
panels illustrating Philadelphia, ships, windmills, horsemen and 
other subjects. ies 


Respective measurements: 7 by 14 inches, 28%, by 20 inches and 5 by oe ? og 
inches. : % 


946—Six Srarnep-ciass Panews : ow? 
“Pomona,” “Barmaid” and “Madelaine,” surmounted by portraits 
of male and female. 


Respective measuremenis: 1914 by 81% inches and 22 by 11 inches; TYyeineh 
circle; 91-inch circle; 814 by 8 inches. 


947—Pair Panes eter 
(A) Twelve stained-glass panels. Old Scotch towns of Bass, 


Ayr, Aberdeen and Bothwell, and portrait heads of women and 


artists. 
Respective measurements: 7 by 7 inches and 91. by 161% inches. 


(B) Twelve stained-glass panels. Old Scotch towns of Mon- 
trose, Glasgow, Culross, and Castle of Dumbarton, and portrait 
heads -of artists. 


Respective measurements: 8 by 8 inches and 9, by 1614 inches. 


AR Se eee mE Tg 


948—NINETEEN STAINED AND LEADED GtuaAss PANELS 


Center panel, old Dutch ship, surrounded by eighteen panels il- 
lustrating ships, windmills, horsemen and sheaves of wheat. 


vespective measurements: 29 by 20 inches and 5 by 5 inches. 


949—SIxTEEN STAINED AND LeapEeD Grass PANeELs 
Dutch ship and windmill, surmounted by fourteen small panels 


illustrating horsemen, windmills, ships and other subjects. 


Respective measurements: 5 by 5 inches and 19 by 15%, inches. 


‘ 


951—Four se -GLASsS PANELS 


painted by Matthew Maris. Bird aa fruit circles at ‘top 


Respective measurements: 11%4-inch circles; 22 by ae 


952—Turer STAINED-GLASS PANELS 


Two views of “The Lady of Shalott,” bilpinata oe 
painted by Matthew Maris, and a reclining figure. 


Respective measurements: 12 by 22 inches and 22 by 13 ine 


953—ELeveN STatnep-ciass PANnELs 


The center panel, “The Harvest Girl,” surrounded by ten pan 


illustrating the seasons, ships and windmills. sie 


Respective measurements: 9Y,-inch circles; 21%, by 11 inches and 5 by 
inches. 


954—Two Srainep-cLass PanEets ‘6 
“Genevieve and Knight,” with background of quarries, and a re- 
clining figure. 

Respective measurements: 27 by 2134 inches and 11 by 27 inches. 


955—Patr Panes 


(A) Twelve stained-glass panels. Representing old Scotch 
towns of Dumbarton, Aberdeen, Bothwell Castle and Montrose, — 
birds and portrait heads of women. 


Respective measurements: 8-inch circles; 9Y, by 161%, inches. 


(B) Eight stained-glass panels. Representing the old Scotch 
towns of Brechin, Ayr, Culross and Bothwell Castle, birds and 
portrait heads of men and women. 


Respective measurements: 8-inch circles; 91, by 16% inches. 


-956—E1cHT STAINED-GLASS PANELS 


Lower panels representing ‘“‘Dante and Chaucer” and “The 
Dancer,” with six bird circles across top. 


Respective measurements: 8-inch circle; 21 by 1434 inches. 


22 UE RRR ep % PLEO MO NA ene TER 


} 


DSc MaRGhad BAG Bad ea B Acar Ge 


: 

\ 

| 

; 957—Turee Panets 

(A) Twelve stained-glass panels. Views of old Scotch towns 

4 . . . 
of Aberdeen, Linlithgow, Dunnottar and Glasgow, and eight por- 
trait heads of men and women. 

i Respective measurements: 8 by 8 inches and 91%, by 161% inches. 


(B) Twelve stained-glass panels. Old Scotch towns of Ayr. 
Dryburgh, Linlithgow and Glasgow, and portrait heads of women 

- and artists. 
Respective measurements: 8 by 8 inches and 91, by 161% inches. 


(C) Twelve stained-glass panels. Old Scotch towns of Glasgow, 
Stirling, Ayr and Aberdeen, and portrait heads of women and 


artists. 
Respective measurements: 8 by 8 inches and 914, by 161% inches. 


958—SiIxTEEN STAINED AND LEADED Guass PANELs 
Dutch windmill and the old Scotch town of Falkland, sheaves of 
wheat, boats, windmills and other subjects. 
Respective measurements: 91, by 15 inches, 19% by 121% inches and 5 by 5 


inches. 


O59 Bask STAINED-GLASS PaNnELs 


Center panel, sunflower surrounded by four panels iinet 
bird and butterflies. 2 


91/,-inch circles; 161/ ae 19 inches; 41-inch circles, 


960—Five Srainep AND LeapEp Guass PANELS 


“<i 
+ 


Four portrait heads and one character mark. 


Respective measurements: 8-inch circles; 1534 by 1 inches and 91 by 9 
inches. 


961—TuHrEE STAINED AND LEADED Guass PANELS 


fancy painted frame. 


Respective measurements: 12 by 12 inches, 161, a 15 inches and 10% by 0% 3) 
inches. 


962—ELEVEN STAINED-GLASS PANELS 


“Sappho with Lyre,” portrait heads of women; ships, windmills 
and other subjects. : 


Respective measurements: 91/,-inch circle; 271 by 14 inches and 5 by 5 ot 
inches. et 


963—Four Srarnep-GLass PANELS 


Portrait of “Homer,” with fancy painted frame and park roncaee 
of quarries, portrait of “Palissy,” and bird panels. . 


Respective measurements: 1014 by 91% inches, 10% by 10% inches and gy, 
by 33 inches. + 


964—Srainep AND LeapEep Grass PAnets 
Flowers growing on a lattice. 
201, by 32 inches. 
965—Pair or PAnELs 


(A) Sixteen stained and leaded-glass panels. Geometrical de- 
sign, with bird circle in center; ships, windmills, horsemen, and 
head of ‘‘Genevieve.” 


Respective measurements: 31 by 21%, inches, 5 by 5 inches and 8 by 8 inches. 


(B) Sixteen stained and leaded glass panels. Geometrical de- 
sign, with bird circle in center; ships, windmills, horsemen and 
head of “Genevieve.” 


Respective measurements: 31 by 21%, inches, 5 by 5 inches and 8 by 8 inches. 


966—Pair or STAINED AND LEeapEep Grass Panes 
Geometrical design, with inserted circular panels of flowers. 
51% by 191% inches. 


967—Pair StTainep anp LEeapep Guass PANELS 


With heads of “Rembrandt” and “Da Vinci,” and “Diirer’’ and 


“Velasquez.” 
19 by 55 inches. 


968—Pair STAINED AND LrapED Guass PANELS 


Oval center panel, containing ships. 
2334, by 41 inches. 


969—Turer Leapep-crass Panets 
Clear glass, flower quarries and roundels, ships and windmills. 


Respective measurements: 441, by 1444 inches and 5 by 5 inches. 


970—SrTaInED AND LEApED Grass Paner 


- Flowers in center. 
2 233, by Al inches. 


971—Serven Srarnep anp Leapep Guass Panes 
Bird and flower design, surrounded by quarries of geometrical 
design, windmills, horsemen and ships. 
Respective measurements: 271, by 2314 inches and 5 by 5 inches. 
972—Srainep anp LrapED Gtass Panew 


- Center panel represents “The Golden Fleece.” 
5 19 by 55 inches. 


973—SEVEN STAINED AND LEADED Guass PANELS 


Portrait of “Rembrandt,” bordered by quarries of a geometrical 
design, surrounded by windmills, horsemen, ships. 


Respective measurements: 271 by 23% inches and 5 by 5 inches. 


974—Two Srainep-ciass Panes 
Leaves on yellow ground. Black frame. 
51 by 16 inches and 5434 by 20 inches. 


975—Turee Srarnep-ciass Panets 
Inlaid with quarries. 
Respective measurements: 431%, by 20%, inches and 431%, by 1614, inches, 


976—GREEN AND AmBer Guass PANEL 


Scroll design, double glazed. Oak frame. 
15 by 30 inches. 


977—GREEN AND AMBER Guass PANEL 


Geometrical design, double glazed. Oak frame. 
15 by 28 inches. 


SIXTH AFTERNOON’S SALE 


TUESDAY, NOVEMBER 25, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 O’cLOCK 


MISCELLANEOUS TEXTILES 


Cushion Covers and Borders 


—978—Two Ornaments For Bepposts 
Covered with red velvet and trimmed with tinsel gimp. 


Height, 211% inches. 


979—LeEaArFy-scroLL BorpER 


_ Embroidered in red twill silk and appliqued on a brown broca- 
telle. ; 
Length, 53, yards; width, 13 inches. 


980—Stix Borper 
Scroll design of roses and leaves on a cream ground. 


Length, 74% yards; width, 61/, inches. 


981—EmBrROIDERED Banp 


Persian design in colored silk and tinsel on a slate-blue satin | 
ground. 
Length, 54%, yards; width, 6 inches. 


982—CircaAssIAN CusHION COVER 


Kincob cloth of gold, with conventional flowers in mauve; silver 
lace finish. 
Length, 22 inches; width, 21 inches. 


983—PaneEL 
Changeable silk. Basket of flowers and flowing blue ribbons em- 


broidered in various colors. 
Height, 121% inches; width, 26 inches. 


984—AntievE Brocapep Rep Damask Mar 


Design woven in gold tinsel, trimmed with tinsel galloon, and 
lined with cream silk. 
Length, 24 inches; width, 1534 inches. 


Oss Aatiaue EMBROIDERED Mat 


Design of medallions and vines in tinsel and colored silks on a a 


blue pepe: 
Length, 29 inches; width, 1014 inches. — 
986—Ricu VENETIAN CuHaALicE VEIL 
Embroidered flowers and leaves, in gold and silver on a blue 

silk ground, trimmed with tinsel galloon. Pan 

213%, by 22 Coren 
987—EmsromErReD Rep Woven Vetver Pane 


With geometrical design in gold cord; trimmed with beedienee 
and corded metal galloon; lined with brown Japanese brocade. ‘ 


Q71, by 29%, inches. oa 


988—Taxsie Mart ~ 
~ Antique brocade. Cream-white silk profusely embroidered with 
various flowers in natural colors; silver fringe and gimp. 
34 by 181% inches. 


989—Cover or ANTIQUE BrocaDE | 
Cream ground with flowers in various-colored silks and tinsel; 
trimmed with silver fringe and galloon; lined with cream silk. 
21 by 3314 inches. 


990—AntTiavE CHINESE BrocapE PANEL 
Flower, bats and fish profusely embroidered in various colors; 
on a tinsel ground. 4 
Height, 37 inches; width, 28 inches. 
991—Two Cusutons 
Covered with green velvet appliqued, and embroidered with a 
floral design in various colors. Lined with silk. 


992—CusHIoNn 
Covered with green velvet appliqued and embroidered with a 
floral design in various colors. Lined with silk. 


993—Two Cusutons 
Covered with brown velvet appliqued and embroidered with a 
floral design in various colors. Lined with silk. 


994—Two Cusuions 
Covered with brown velvet appliqued, and embroidered with a 
floral design in various colors. Lined with silk. 


995—CusHION 
Covered with antique needlework in various colors. Lined with 


brown damask. 


996—AntTiauE Rep GENOEFsSE VELVET CUSHION 
~Covered on both sides and trimmed with cord and tassels. 
Length, 19 inches; width, 14 inches. 


997—AntiavE Rep Genoese VeLveT CusHIon 
Covered on both sides with flower and leaf design. Trimmed with 
cord and tasseled fringe. 


998—Lone Froor Cusnton 
With antique red and cream Scutari panel, under side having a 
fine red velvet, beautifully trimmed with suitable Spee and 
edging, each corner having pompons. 
Length, 38 inches; width, 20 inches. 


999—Antiave Scurart Pane 
Palmettes and leafy scroll in red, on a buff ground and bordered. 
Lined with gold Japanese brocade. 
maa 22 by 42 inches. 

1000—Anrtiave Scurart Paner 


Ruby red ground of fret design and bordered stripes of cream 
and borders of green, yellow and cream. Lined with gold Jap- 
anese brocade. 


| 22 by 401, inches. 


LENGTHS OF SILK LAMPAS, DAMASK, BROCADES, 
VELVETS AND PLUSH 


~ 


1001—Srrie or Green AntiauE Damask 
Foliage and scroll design. 
Length, 3%, yards; width, 23 inches. 
1002—Sitx VELVET 
Leaf, flower and scroll patterns of old-gold velvet on a slate- 
blue satin ground. ; 
; Length, 3%, yards; width, 24 inches. 
1003—Si1tx Damask 
Design of basket of flowers, musical instruments, and fluted 
columns entwined with ribbon on a yellow satin ground. 
Length, 334 inches; width, 50 inches. 


1004—Rep Sirx VELVET 
Large foliated woven pattern on satin ground. 
Length, 4144 yards; width, 21 inches. 


1005—Oup-rEpD Sirk VELVET 


Geometrical design. 
Length, 4%, yards; width, 21%, inches. 


1006—Si11x VELVET . f 
Raphael design, on a satin ground. ere A 
: Length, 4%, yards; width, 21 inche 

1007—Si1x VELVET 3 ein, ee ei ; Bm 


Red and green circular pattern. ‘ae 
: Length, 41, yards; width, 27% inches. a 


sa? 


1008—Rosr Sixx Damask eae a, she 
: 


Foliated design. ; teary 
aan Length, 45% yards; width, 63 w 


1009—Sitx Lampas wee | mean) 2 
~ On a salmon ground is a flower and ribbon design in vari 
colors. on 


A 


1010—Buve Sirx Prius 
English. ata 
Length, 47% yards; width, 24 inches. 
1011—BrocapEep Satin . . 
Bold floral design in various colors on a pink ground. 
Length, 5 yards; width, 50 inches. — 7 


1012—Licut-BLvE Sirk VELVET 
Leaf design on a gold satin ground. 
Length, 54, yards; width, 25 inches. 


1013—S11Lx VELVET 


Conventional pattern in tinsel. fi 
Length, 54% yards; width, 26 inches. 


2 


1014—Brocapep Satin 


Persian design in various-colored silk and tinsel, on a cream — 
ground. 


Length, 54, yards; width, 50 inches. 
1015—Satin 
: Plum color. 
Length, 52 yards; width, 48 inches. 
10154—Si1tx VELVET 
Scroll design in olive on a copper satin ground. 
Length, 5% yards; width, 26% inches. 
1016—Si1tk VELVET 
Straw color. 
Length, 5% yards; width, 514%, inches. 
1017—VeELver 


Green silk. 
Length, 5% yards; width, 21 inches. 


1018—Si1k VELVET 
Conventional design of flowers in various colors on a cream 
satin ground. 
Length, 6% yards; width, 21 inches. 
1019—GreEn SILK 
Without a design. 
Length, 65% yards; width, 48 inches. 
1020—Sirx Damask 
Foliated design in cream on a yellow satin ground. 
Length, 654 yards; width, 643; inches. 


1021—Brown Sirx Damask 
_ Very large foliated design. 
Length, 654 yards; width, 64 inches. 
1022—Lampas 
Running pattern of floral design on a salmon color ground. 
Length, 7 yards; width, 54 inches. 


1023—Siix Damask 
Pineapple design in pink and red on a yellow satin ground. 
Length, 74% yards; width, 29 inches. 


1024— VELVET 
Design of chrysanthemums, embroidered on an olive ground. 
Length, 714, yards; width, 36 inches. 


1025—Sirx Lampas 
Cream flowers on a yellow satin ground. 
Length, 914 yards; width, 21 inches. 


1026—Si1x Lampas 
Cream satin ground, with flowers and vine in red. 
Length, 9144 yards; width, 21 inches. 


1027—S1Lx« 
Turquoise-blue ground with flowers. 
Length, 10 yards; width, 27 inches. 
1028—WuitrE PiusH 
English. 
Length, 1054 yards; width, 24 inches. 
1029—Si1x VELVET 
Daisy pattern on an olive ground with red dots. 
Leigth, 10%, yards; width, 26 inches. 
1030—Oup-cotp Sirk Damask 


Large pomegranate design. 
Length, 103% yards; width, 65 inches. 


1031—Sarnw Damask _ 
Terracotta; ribbon design. 


1032—Armure 
Silk block pattern in green and ae 


1033—Sitx Damask 
With olive and blue medallion. | 


1034—Sinx VELVET Lehn 
Flowers and stripes on satin ground of two shades of 
Length, 13%, yards; width, 21% 


1035—SiILk AND SATIN JARDINIERE VELVET Toe Ar 
Flower and leaf design on a cream ground. ae 
Length, 151% yards; width, 24 inches. 


1036—Si1Lk VELVET 


Scroll and medallion design in antique blue on a gold metal 


ground. 
Length, 155% yards; width, ay, mos. ae 


10387—Si1Lx VELVET et 


Gold color, without pattern. 
Length, 15% yards; width, 28 inches. 


1038—SiLtxk Damask 
Flowered and figured design in olive and blue. 
Length, 16 yards; width, 24 inches. 


1039—BrocapdrE 


Japanese design in tinsel, and roses in colored silk, on a dark 


green satin ground. 
Length, 164%, yards; width, 51 inches. 


1040—VeELveET 


All silk, plain red. 
Length, 161%, yards; width, 48 inches. 


1041—Sitx Damask 
Cream flower and medallion design on yellow satin ground. 
Length, 16 yards; width, 50 inches. 


1042—Si1rx VELVET 
Designs in antique blue velvet on a gold satin ground. 
Length, 171% yards; width, 27 inches. 


1043—Sitx Damask 
Fawn color, in design of a cornucopia, vase and flowers. 
Length, 1834 yards; width, 50 inches. 


1044—Siirx VELVET 


Scutari. Jardiniére, plants and bird surmounted by a crown in 
green velvet on a gold satin background. 


Length, 18%, yards; width, 21%, inches. 


1045—Sitx VELVET 
Small leafy seroll on a copper silk ground. 
Length, 19144 yards; width, 261, inches. 


1046—Si1rx VELVET 
Small dolphin pattern in green on a yellow ground. 
Length, 195% yards; width, 2144 inches. 


1047—Lampas 
All-over flower design, with dark and light blue lines. 
Length, 1934, yards; width, 214%, inches. 


1048—PuvusH 


Prussian blue; crushed. 
Length, 205% yards; width, 20 inches. 


1049—Uncor Sixx VELVET 


Gray net design of flowers and ribbons on a slate-blue satin 


ground. 
Length, 20% yards; width, 22% inches. 


1050—Rriszep SiLk 
» White brocaded flowers on a gold ground. 
Length, 23 yards; width, 53 inches. 


1051—BrocapbrE 
Japanese design. Peacock blue satin ground, with tinsel and 


various patterns in colored silk. 
Length, 231%, yards; width, 51 inches. 


1052—Si1x Damask . 
Red foliated designs on a red ground. 


Length, 235% yards; width, 22 inches. 


1053—Enenish Brive Sirk Prusu 
Stamped wheel pattern. — 


1054—Si-x VELVET 
Violet color, without a pattern. 


1055—Sirx Homespun Damask 
Foliated design i in two shades of se 


1056—Buve Sari Damasx 
Ribbon and bouquet design. 


1057—Si1itx VELVET yaad 
Red velvet stripes with small figure on a brown Wa tinsel 


figured ground. 
Length, 255% yards; width, 203% inches. 


1058—Si11x VELVET | 
Reticulated diamond pattern in rose velvet on a brown ground. | 
Length, 25% yards; width, 53% inches. 


1059—Eneuisu Sirk Priusu . 


Nile green. . 
Length, 26%, yards; width, 24 inches. 


1060—Rep anp Gotp Damask 
Silk double ribboned diamond pattern, with ane dots ang 


small motif in center. 
Length, 26% yards; width, 21%, inches. 


1061—Sirx VELVET | 
Ornamental flower and leaf design in gold on a tinsel and silk 


background. 
Length, 27 yards; width, 25 inches. 


1062—LEMON-COLORED Sirx Damask 


Roses and ribbon design. 
Length, 27% yards; width, 63 inches. 


1063—Si1rx Damasx 
Foliated and fruit design in shrimp color. 
Length, 283% yards; width, 241%, inches. 


1064—Sitk VeLveT 


Red stripes. 
Length, 303% yards; width, 2714 inches. 


1065—Satin 


Roman blue. 
Length, 32 yards; width, 50 inches. 


1066—Pink Sirk VELVET 
Reproduction from the antique. 
Length, 32%, yards; width, 2714 inches. 


1067—Lampas 


Five stripes, with roses divided by four borders, of oval de- 
sign on a light pink ground. . 
Length, 33 yards; width, 21 inches. 


1068—Sprrcimen oF ANTIQUE BrocapdE 
Stripe and bouquet design on a pea-green ground. 
3314, by 31 inches. 


1069—Sirx VELver 


Blue, without a design. | 
Length, 34 ‘yards; width, 491% inches. 


1070—Si1x Lampas 
Cream ground with embroidered silver stripes and roses; bor- 


dered with pink. 
Length, 3544 yards; width, 21 inches. 


Pes ire Cotor Damask 


Bird, vase and plant design. 
: Length, 3814, yards; width, 63 inches. 


1072—-YeEttow Sitk Damask 


In design of flowers, vase and garlands. 
Length, 45% yards; width, 63 inches. 


1073—Si1rx Piusu 


French. Blue. 
Length, 761, yards; width, 24 inches. 


1074—EncuisH Buve Sirk PLusH 
Bold stamped flower and fruit designs. 
Length, 11634 yards; width, 24 inches. 


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VERY FINE CLUNY LACE CURTAINS 


1075—Two Panets or Frye Ciuny Lace 
Gothic designs, with inserted squares of eyelet embroidery. 
Length, each, 6 feet 4 inches; width, 4 feet and 3 feet. 


1076—Two Panets or Fine Cruny Lace 
Gothic design, with inserted eyelet embroidery. 
Length, 6 feet 3 inches; width, 1 foot 9 inches. 


(Illustrated) 


1077—Turee Panets or Fine Cruny Lace 


Gothic designs and inserted borders of eyelet embroidery. 
Length, 7 feet 614 inches; width, 4 feet 7 inches. 


(Illustrated) 


1078—Fixz Firet Lace Panew 
Geometrical designs bordered with bands of Byalet embroidery. 
Trimmed with Cluny and filet edging. 
Length, 11 feet 3 inches; width, 5 feet 7 dnehen 


(Illustrated) 


1079—Two Pairs or Lace Curtarns Hs 
Borders of fine filet lace, with inserts of Cluny. The body of . 
mull with embroidered flowers. : 
Length, 11 feet 6 inches; width, 3 ne 5 shes . 


(Illustrated) - 


1080—FrontTat oF GREEN VELVET 
Antique panel across the bottom of tinsel net Jopligaed. with — 
a scroll design of green velvet. Trimmed with galloon and an- 

tique tinsel fringe. Lined with green silk. 
Length, 5 feet 10 inches; width, 2 feet 3 inches. 


1081—Axtrar FRonrTAL 
Italian. Four black silk panels divided by columns, and em- 
broidered in gold and various colors of silk. Each panel has 
an embroidered subject: “Death,” ‘The Crucifixion,” ‘The 
Virgin,” “Hades.” Border of leafy design. Sixteenth century. 
Frame of the period in carved and gilded walnut. . 
Height, 2814 inches; width, 70 inches. 


(Illustrated) 


1082—MaentFricent Rusy-rep VELVET. Core 
Beautiful soft texture; elaborate and artistic embellishment in 
gold cord and spangles, and with letters “I. H. 8.” Trimmed 


with tinsel galloon. 
Length, 47 inches; width, 58 inches. 


1083—Fuemisu RENAISSANCE ‘TAPESTRY 
Scene from the “Life of King David.” 'The central field pictures 
a green landscape with trees, flowers and a profusion of wild 
plants, where tents are set up and numerous figures, warriors 
and others, are assembled on a sunny day. A prominent figure 
in rich flowing robes brocaded in blue, white and golden yellow, 
kneels in the foreground, with spearsmen standing respectfully 
back of him, and other persons are seen walking, talking and 


1083 


hace on 


eer: 


1084—Feansi VERDURE Toneres 
4, 2 Of: the early eighteenth century, depicting a woodland scene 


in various attitudes. Animals of the sacrifice appear on the 


ground. Elaborate border with figures, chariots and horses, 


cartouches and intricate floral combinations, in many light, 


time-softened colors. 
Height, 11 feet 7 inches; width, 8 feet 7 inches. 


ee llustrated ) 


io ‘ nin, brilliant atmospheric effect and bright coloring. A limpid 


blue lake, its rippling surface mirroring the trees, rocks and 


_ plants of its borders, centers the composition, in a one land- 


scape abounding in trees and viewed on a day of. scintillant sun- 


shine. Houses appear in. the distance, and coming: around the 
lakeshore i in the foreground a huntsman with a dog is followed 


by his bearer carrying a number of falcons. The dense green 
foliage of the trees reflects broadly the golden yellow sunlight 
and reveals compensating shadows. Light blue sky with fleecy 


cumulus clouds. Within an architectural border of old-golden — 


hue between tortuous Roman columns with ornate capitals. — 


Height, 11 feet 3 inches; length, 15 feet 4 inches. 


(Illustrated) 


1085—F LEMIsH "Tapestry 


Verdure panel: grove and landscape. The foreground is ~ 


sprinkled with flowering plants, and from it rise large trees 
with a handsome wealth of foliage. Between them, in the 
center, is a lake with a chateau, drawbridge and other build- 
ings. In the distance rises a splendidly wooded hill dotted with 
villas and castles. Birds and waterfowl in the immediate fore- 
ground and among the trees are most beautifully rendered. The 
whole enclosed in an original border of flowers and foliated 
design. The coloring is fresh and spirited, passing from deep 


shades of blue through lighter ones and russet tones to tints — 


of warm cream, forming a notably harmonious coe 
with an excellent suggestion of atmosphere. 


Height, 9 feet 8 inches; width, 15 feet 4 inches. 
(Illustrated) 


1086—SEVENTEENTH CrEenTURY FLEMiIsH TAPESTRY 


“Triumphs of Alexander the Great.” Bowmen, swordsmen and 
p 


horses, all in scale armor, other helmeted warriors in plate, 


armor, a turbaned figure, a half-nude man with a sort of martel, 
and other hosts coming up with banners flying—an eagle 
soaring before them—are engaged in a confused and vicious 
combat in front of arched gateways of a city, from whose tops 


<6 


ITF PPRPUP PUT reprise 8 a. ai tet iead el ei 2 O18 88 


other fighters shoot arrows and hurl stones. Green trees stand 
at either side before a mountainous background. The whole 
in painstaking drawing and soft, harmonious colors with a few 
intense notes. Narrow border of leaf and fruit scroll, in golden 
tone and brown, with martial cartouches and trophies. 


Height, 11 feet 2 inches; length, 18 feet. 
(Illustrated) 


1087—Antieve Hispano-Moresaut Hancine 


Bold geometrical design, in brown and blue on a gray ground. 
Border of blue, gray and brown. 


Height, 11 feet 4 inches; width, 8 feet 8 inches. — 
1088—BravutiruL SAPPHIRE-BLUE VELVET PANNEAU 


Francis I period. Embroidered in silver. Trimmed with edging 
and lined with satin. 


Length, 8 feet 9 inches; width, 6 feet. 


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1080 -2P reer VELVET jer 


Italian. Renaissance period. "Artistic eps 
and trimmed with tinsel aad o= 


Oo0 Nore DamasK Cover 


on a coral ground. 


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Length, ie ae 


1092—PaneL or CHINESE Damask £33 Nie 
: The upper part lotus flowers in tinsel, on a r 
ground; the lower part the reverse. Lined with satin. 

3 Length, 7 feet 5 inches; width, 3 fee 


1093—Pair Rep CHENILLE Tapestry CURTAINS Baise 
Embroidery in appliqué on brown linen. Lined with 
brocatelle. ae ilee Cage 
Respectively, 12 feet 4 inches by 4 feet 2 inches and 12 feet by 12 f ‘ 


1094—Two anv ONE- -HALF eres CURTAINS 


silk rene 
Length, 11 fate Ben a ne 
1095—Pair Curtains tay 


Brown, buff and blue tapestry, with panels of yellow ona: 
silk plush and brown mohair plush. Lined. 


Length, 9 feet 9 patil width, 4 feet 3 inches, i 


~ 1096—Parr Emprowerep Cream Satin Currains 


Floral design in colors and outlined with tinsel. Trimmed ] 
with tassel edging and lined with cream silk. Pte 


Length, 8 feet 6 inches; width, 4 4 feet. 


1097—Patr CurTAINS 


Buff and brown, waste silk tapestry. Finished with an dpa 
Silk lined. 
Length, 6 feet. 


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1098—Pam Currais | Meese tae eerie o | 
Light green silk sal bei nene cane at rant gray 
plush and embroidered with tinsel cords and silk. gE wi 


slate-blue satin. 
“Length, 6 feet 10 inches; width, 3 ‘feet 9 a 


~— 1099—Pair Curtains ciel pee re, 
Red plush, appliqued with gold cord. Lined with cream 
ahengily 5 feet 6 inches; width, 3 yest, : 


1100—Parr Currarns 


Rich red silk plush, aaa appliqué scroll decigee in 1 gold ¢ 


Lined with silk. 
Length, 5 feet 6 “inches width, 3 feet 9 


1101—Patrr CurTAINS 


Lemon-colored figured velours. ay 
Length, 5 feet 3 inches; width, * ied 6 inches, 


1102—Pam or Ficurep ORsINI VeLours Currarys ie ape ie 
Green and gold. Lined with blue satin. it, or Tee 
Length, 6 feet; width, 11 feet 4 inches. ( 


1103—Tarrstry Curtain : 
Flower and scroll design i in brown and blue on a gray ground. 


Unlined. 
Length, 7 feet 6 Wuchees width, 4 feet 8 inches. — , 


1104—Tarpestry CurTAIN 


Floral design on a brown ground. Unlined. | 
Length, 7 feet 11 inches; width, 4 feet 1 inch. 


1105—PortirrE oF Orancre ARMURE 
Finished with a tinsel border and lined with silk. Ss 
Length, 8, feet; width, 54%, feet. 


1106—Vatance oF Gotp CLoTH AND PLUsH va 
Trimmed with a heavy blue and cream silk openwork border 
with rosettes. 
Width, 7 feet 10 inches; height, 24 inches. 
1107—Vaance 
Fine blue plush, with tulip and scroll design, in cloth of gold, 
and gold cord appliqué. 
Length, 82 inches; width, 11% inches. 
1108—Empromerrep PAneL 
Flowers, leaves and branches embroidered in various-colored 
silks, with border of same character on a rose-silk ground. 
Height, 86 inches; width, 52 inches. 


Leltveh, 68 inches; width, 35 inches. 


eee: Bouquets: of flowers 1 im various colors 


A = 


Longit, 72 inches; width, 29 inches. 


Bs cides of gold cloth and red velvet on 
ee center sone red velvet. ‘Trimmed with antique 


is Planed i with Chinese printed linen. 
Length, 56 inches; width, 23%, inches. 


ay - nee d os buff Dhenille tapestry. Trimmed with galloon. Lined 


Length, 52%, inches; width, 141% inches. 


Baiicn and buff silk tapestry. Trimmed with gold silk border. 


de 2 Based with slate-colored satin. 
Length, 49%, inches; width, 40 Rohe 


-1116—Lemon- -COLORED VELOURS 
pecciar pattern, with olive dots in Brrcie! 
Length, 5% yards; width, 471, inches. 


» 111 7—Tarestry 
Scroll and flower design in colors on a brown ground. 
“ Length, 5%, yards; width, 51 inches. 


1118—Tarestry 


Red chenille medallion design, appliqued on a Sear linen w 
is embellished with an openwork border and metal trimmi 
Finished with a red chenille border. , By re 


Length, 5% yards; width, ny incl aie 


‘ d _— 
4. {> 


5 


1119—Tarestry 
Indian design in blue, brown, red, white and buff. 


1120—Tarrstry 


Persian design in cream, terracotta, blue and brown, an 
on a light brown ground. 


Length, 61, yards; width 49 inches. — 


1121—Rep CuHenitue Tapestry Ikebe ae ‘2 eae 
Geometrical design i in red outlined in brown. 
Length, 63% oes width, Aig inche. 


1122—Burnt Orance Monair Priuse ! Miia a ae 
Embossed floral pattern. . | 


1123—Buve Monarr Puiusu 
Embossed floral design. a 3 

Length, 64% yards; width, 23% inches. 

1124—Tarestry . 


Spray and blossom design in white, green, brown and tinsel on 


a terracotta silk ground. eae C 
Length, 73% yards; width, 48 eee 


1125—Green Tapestry ' : 
Blue thread throughout, giving a changeable appearance. 
Length, 15% yards; width, 531, inches. — 


1126—TarestTry ; 
Scroll and medallion design on an olive silk ground. * 
Length, 8 yards; width, 62 inches, 


1127—Woot Tapestry 


Birds and flowers in various colors. 5 
Length, 81, yards; width, 2, inches. 


d 


1128—Ye.ttow Monair Piusx oe 
Embossed design of fruit and flowers, designed by Cottier & Co. 
Length, 91%, yards; width, 24 inches. 


1129—Monair CroTrH 


Brown. 
Length, 10%, yards; width, 52 inches. 


1130—Tarestry 

Olive green chenille. 

Length, 105% yards; width, 48 inches. 
~1131—Jure Tarestry Borper 


Persian design of scrolls and flowers in various colors on a dark 
blue ground. 

Length, 12% yards; width, 2414 inches. 
1132—Brown Goar’s Har Damask . 


Bold foliated pattern. 
: Length, 12% yards; width, 49 inches. 


1133—SiLk anp Woon Tapestry 
Small flower design in silver, blue and green on a cream ground. 
: Length, 1554 yards; width, 51 inches. 
~1134—Monarm Crotu 


Turkey red. | : : 
Length, 153%, yards; width, 52 inches. 


1135—Sirx Taprrsrry 
Rose and ribbon design on a blue ground. 
‘Length, 16%, yards; width, 52 inches. 


11386—CuHeENILLE TaArEstTry 
Chinese opeet in pink on a oald ground. 
<< Length, 175% yards; width, 451%, inches. 
1137—Goart’s aot PLusH 


Brown. 
; Length, 25 yards; width, 24 inches. 


1138—Si1ix ann Woo. Tapestry 


Geometrical design in various colors with all-over scroll work 
in dark blue on a light blue ground. 


Length, 38 yards; width, 46 inches. 
~11389—Goar’s Harr Puusn 


Green. 
: Length, 41 yards; width, 24 inches. 


1140—Taprestry 
Silk and cotton. Design of large apple trees in brown, on a 
light green ground. 
Length, 421, yards; width, 55 inches. 
1141—Buive Monair Privusu 


Embossed design of fruit and flowers. Designed by Cottier 


& Co. 
Length, 534%, yards; width, 63 inches. 


1142—Green Goat’s Harr Damask 


Bold foliated pattern. 
Length, 56% yards; width, 29 inches. 


SEVENTH AND LAST AFTERNOON’S SALE 
WEDNESDAY, NOVEMBER 26, 1913 
AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 2.30 oO’CLOGK 


1143—Turee EmpBromwerep Perstan Towret Enps 


Embroidered in colors. 


1144—Fovur Networx Tipies 
Lavender silk and tinsel. Have tinsel tassels. 


Length, 12 inches; width, 12 inches. 


1145—Fovur Networx Tipies 


Three mouse-colored silk and one old-gold color, finished with 


tassels. 
Length, 18 inches; width, 91, inches. 


1146—Tasie Cover 
Green and gold flax velours. Trimmed with green and gold 
silk galloon, with raised pattern. Lined with Indian printed 


linen. 
Length, 23 inches; width, 151, inches- 


1147—Taxsie Cover 
Blue silk and tinsel velours. Trimmed with blue and gold silk 
galloon. Lined with Indian printed linen. 


Length, 24 inches; width, 22 inches. 


1148—TasiEe Cover 
Green and gold flax velours. Trimmed with green and gold 
galloon. Lined with printed Indian linen. 


Length, 23 inches; width, 23 inches. 


1149—TasiEe Cover 
Red and gold damask, trimmed with antique border. Lined 


with yellow silk. 
Length, 274%, inches; width, 18%, inches. 


1150—Tasie Cover 
Mat of antique red and gold damask. With a vate bowel 
Lined with aes silk, 


1151—Emprowerep PaneEL 
AMG ses design in gold silk on _ purple satin ground: 
Length, 29 inches; width, 28 inch 


1152— "Danie Coymry @ aa . 4 


Red brown chenille tapestry. Trimmed with gold and red silk 
galloon. ‘Lined with changeable silk taffeta. 
Length, 34 inches; width, 181, inches 


1153—Two Cusuions 
One covered with figured gold silk ace and patie’ ith 
brown and gold damask, and the other blue velvet, backed — © a 
with brown and old gold damask and moss- sped edge. oS 
1154—Two Cusutons 


One covered with a green and gold silk damask, and packed : 7 ‘ 
with brown brocatelle, and the other brown brocatelle. Both 
finished with a moss edging. 


1155—Two Cusuions 
Light blue and pink brocatelle, backed with salmon-colored 
brocatelle. Finished with pink cord. 

1156—Two CusuHions 


Covered with yellow and cream damask, backed with, red and 
gold tapestry. Finished with moss edging. . 


1157—Two Comins 


Covered with a brown figured brocatelle, backed with brown 
and gold figured damask, and the other brown figured broca- 
telle and backed with light blue and ee Both finished with Oe 


moss edging. 


1158—E1entr Cuarr SEATS 


Brown medallion and scroll design on red chenille tapestry 
ground. 
¢ Width, 2334 inches; depth, 221%, inches. 


LENGTHS OF VELVET, LAMPAS, DAMASKS, BRO- 
CADES, BROCATELLE AND TAPESTRIES 


1159—SatLMOn-COLORED SiLtkK LAmMPAS 


Running pattern of a floral design. 
Length, % nade width, 54 inches. 


1160—Two Lrenerus or Sirk VELVET 


One, antique blue velvet pattern on a golden satin ground; the 
other, a geometrical design in old red. 


Length, 1 yard; width, 2114 inches. 


1161—Lenern or Brocave 
Salmon pound with conventional floral design in colors. 
Length, 1 yard; width, 52 inches. 


1162—Borrir-creen Satin Brocave 
Japanese design. Roses in colored silk and tinsel. 
Length, 14% yards; width, 51 inches. 


— 1163—Two Lenerus or Sirk VELVET 


One, foliated woven pattern on a red satin ground; and the 
other, flowers and stripes on a satin ground of two shades of 
red. : 

. Length, 1144 yards; width, 21 inches. 
(1164—Two Lenerus or Sux Lampas 


One, an all-over flower design with heavy and light blue lines; 
and the other, cream-color flower on a yellow-color ground. 


Length, 14%, yards; width, 2114 inches. 


1165—Brocaretre 
- Bouquet and ribbon een in olive and gold. 
Length, 134 yards; width, 51 inches. 


1166—STEEL-BLUE BrocaTELLE 


Foliated design. 
Length, 2 yards; width, 63 inches. 


1167—Two Lenetrus Mouair Crore 


Brown. 
Length, 2 yards; width, 52 inches. 


1168—Turee Lenctrus Tapestry anp Goat’s Hair Piusu 
One, Persian design in cream, blue, brown and tinsel, on a light 
brown ground; one, tapestry, Indian design; the other, goat’s 


hair brown plush. 
Length, 2 yards; width, 24 inches and 25 inches. 


1169—BrocatTeLLe 
Design of leaves and flowers in light green on a gold satin 


ground. 
Length, 21% yards; width, 64 inches. 
g s ¥ 


1170—Buve BrocatTeLtLe 


Design of vases, fruit and flowers. 
Length, 24% yards; width, 63 inches. 


1171—Two Lenerus oF ‘Puuse 
Goat’s hair, green. 


1172—Si.x anv Corron Rep ah 
Design of a crown and scrolls in red and gold. _ 
; Length, 1% yards; wid 


1173—S1x Lenerus or Lampas AND Tapestry 
Rose and ribbon design on a blue ground; flowers an 
red, on a cream-satin ground; stripes, roses and borde 
pink; spiral, rose and ribbon in various colors on pink; flow iT 
and ribbon in color on a salmon-color ground. _ et. 
Length, 2%, yards; width, Qa 


» ’ 


1174—Two Lenertrus or VELVET 


Flower and leaf design in a golden color velvet on a 


and silk Mee Seg EN 
Length, 1% yardatys width, ) 


1175—Two Le or SILK AND Sune VELVET Waa 


1176—YeELiLow Sitk Damask 
Designs of flowers, vases and garlands. 
Length, lim yare width, 63 inches. x 


1177—Brocapep Satin ; fie ar i 
Flowered design in various colors on a pink ground. . ‘2 
Length, 1% yards; width, 50 “inches. ne 


. 


1178—Sitx Damask ce 7 
Foliated design in cream on a yellow satin ground. 
Length, 13% yard; width, oa inches. 


1179—Turee Lenetus or VELVET za 


One, a daisy pattern on an olive ground; one, plain green; and 
the other, leaf, flower and scrolls of old gold on a blue-satin, a 
ground. es 
Length, 2 yards; width, 26 fees AD 


g 


1180—Ve ver Borver 
Scroll design of olive velvet on a gold satin ground. | 
Length, 2% yards; width, 91%, meheee a 


1181—Vetvet Borper 
Scroll and leaf design in various colors on a cream-satin ground. 
Length, 2 yards; width, 9% inches. — 


1182—Vextvet BorpEer 
Scroll design of green velvet on a gold satin ground. 
Length, 3% yards; width, 934 inches. 


1183—Turee Vetvet Borpers 


One, olive-green scroll design; one leaf design, old blue velvet; 
and the other, flower and leaf design, red velvet. 


Length, 3%, yards; width, 9 and 91/ inches. 


1184—Si1x Lampas 


Cream-color ground with embroidery of silver thread in designs 
of stripes and roses. Pink border. 
Length, 2 yards; width, 21 inches. 


1185—VELVET 
Small woven design in two shades of blue. 
Length, 24% yards; width, 24 inches. 


1186—Turee Lencrus or JARDINIERE VELVET 
Design of flowers and leaves in velvet on a cream-satin ground. 
: Length, 2%, yards; width, 24 inches. 


. : 
1187—Turee Lencrus or Sirx Damask 
Medallion design in olive and blue. 

Length, 2%, yards; width, 24 inches. 


1188—Turee Lenerus or Sirk Damask 
Homespun. Foliated design in two shades of red. 


Length, 24, yards; width, 21 inches. 


1189—Two Lrenerus or VELVET 
Small dolphin pattern in green, on a yellow silk ground. 
Length, 234 yards; width 211% inches. 


1190—LenetrH or VELOURS 


Blue, with gold. 
Length, 2% yards; width, 49 inches. 


1191—Two Lrenerus or VELOURS | 
One, red velvet with small figure on a brown and tinsel figured 


ground; and the other, gray velours with flowers and ribbons 
on a slate-blue satin ground. 


Length, 2% yards; width, 2034 inches. 


1192—Sitk anp Linen BrocatTELLe 


Slate blue, on a dark gold ground. 


Length, 24%, yards; width, 63 inches. 


‘ 1203—Two Lrenerus or VELVET fi 


1193—Sacr-cReen : Bro ¢ 
Silk and linen. | 
Cottier & Co. — 


1195—Two Lenctus or Pius aie eae. 
English... White, oysteea ti, ieee 


1196—Sirx Damask 
Lemon, roses and ribbon design. 


1191 Veen : | = 
Floral design in blue and brown on a cream-s 


Length, 23, yard wi 


1198—Sirx anp Woot BR ase oi 


designed by: Cone & Co.; one, red brocatelles floral designs ae 1c k 
the third, plush of embossed floral design. . SS ee 


Length, 27%, ek width, 23 inches and 63 n c] 


1200—Sitx Damask . eee 
Large pomegranate design in yellow on cream ground. 
Length, 9% yards: andth, #40 
1201—RrsBep SILK ie xe 
_ White brocaded flowers on a 2 gold ground. a 
% Length, 2% yards; width, 53 inche 


1202—Sirx VELVET 


Violet color. i = 
Length, 3 yards; width, 28 inches. 


Reticulated diamond pattern in rose velvet on a brown ground. 
x 


Length, 3%, yards; width, 531, ieheos Sa 


1204—Sirxk Damask 


Design of cornucopia, vase and flowers on a fawn-color ground. 
Length, 34%, yards; width, 50 inches. 


1205—BrocatTeL_Le 
Medallion and rose design, pea-green. 
Length, 33% yards; width, 64 inches. 


1206—BrocatTELLe 
Old-gold, large pomegranate design. 
Length, 334 yards; width, 65 inches. 


1207—Satin Damask 


Ribbon and bouquet design, blue. 
Length, 3, yards; width, 50 inches. 


1208—BrocaTELLE 
Flowers, vines, etc., old blue. 
Length, 31%, yards; width, 63 inches. 
1209—ALL-sILK Damask 
Brown, very large foliated design. 
= Length, 3% yards; apldth, 64 inches. 


1210—Two Lenerus or Tapestry 
Scroll and medallion design in olive on an olive-silk ground. 
Length, 31%, yards; width, 62 inches. 


1211—Turee Lenetrus or Sirk VELVET 
Red and olive stripes. 
Length, 3% yards; width, 271%, inches. 
1212—S1x Lenerus or Sitx Damask 


Double-ribbon diamond pattern with triple dots and small 


motif in center in red and gold. 
Length, 35% yards; width, 2134 inches. 


1213—Two Lenetus or VELVET 


All silk, plain blue. 
Length, 3% yards; width, 491% inches. 


1214—Turee Lenctus Damask 


Slate-color bird, vase and plant design. 


Length, 4 yards; width, 63 inches. 


1215—Fovur Lenerus JARDINIERE SILK VELVET 
Conventional design of flowers in various colors on a cream- 


satin ground. 
Length, 3 yards; width, 21 inches. 


1216—Tarestry 
Spray and blossom in white, green, brown and tinsel on a terra- 
cotta silk ground. . 


Length, 334 yards; width, 48 inches. 
-1217—Two Lenerus or Priusu 


French silk; blue. 


1218—CHENILLE TAapEsTRY . 
Chinese design in pink on a gold ground. 
Length, 384 yards; width, 451%, inches. 


1219—Six Lenerus or Sirk Damasx 
Flower and figured design in olive and blue, red and gold and 


.. pink and other colors and designs. 


Length, 4 yards; width, 24 inches. 


1220—CuHENILLE TAPESTRY 
Geometrical design in brown outline on a red ground. 
Length, 34%, yards; width, 451% inches. 
1221—Brown BrocaTELLeE 
Large foliated design. ae 
Length, 4 yards; width, 64 inches. 
1222—-SiLaTE-GREEN BrocaTELLE 


Silk and linen. Pomegranate and bird pattern, designed by 
Cottier & Co. 
Length, 4 yards; width, 63 inches. 
1223—Brown BrocatTetre 
Silk and linen. Medallion pattern. 
Length, 444 yards; width, 63 inches. 


1224—-Two Lenetrus or EncuisH PiLusu 


Prussian blue, design of fruit and flowers, designed by Cot- 
tier & Co. 


1225—Two Lenetrus or PLusH 
French. Plum color. 
Length, 47%, yards; width, 24 inches. 
1226—Rep CHENILLE TAPESTRY 
Cord appliqued on a brown linen ground. 
Length, 454 yards; width, 51 inches. 


1227—RepropuctTion ANTIQUE VELVET 


Plain pink. 
Length, 5 yards; width, 2714 inches. 


Length, 334 yards; width, 24 inches. 


Length, 434, yards; width, 24 inches. 


1228—Two Lrenerus or Tapestry 


One, silk and cotton. Large apple-tree design in brown on light 
green ground; and the other, buff and tinsel leaves and flowers 
on a silk ground. 


Length, 544 yards; width, 52 and 55 inches. 
1229—Two LrEnetHs or PLusH 


One, mohair, with embossed floral pattern burnt in orange; and 
the other, English silk plush, stamped wheel pattern in blue. 


Length, 51% yards; width, 231% inches. 


1230—Aut-s1tK Damask 
Foliated and fruit design in shrimp color. 


Length, 5% yards; width, 241, inches. 


1231—Fovur Lrenetus Sirk VELVET 
Golden yellow. 
Length, 5% yards; width, 28 inches. 
1232—Turee Lenetus or Piusu 
English. Straw color. 

Length, 6 yards; width, 24 inches. 
1233—O.Lp-rED BrocaTELLE 
Floral design. 

Length, 6% yards; width, 22 inches. 
1234—O.up Buive BrocatTEeLte 
Design of flowers, vines and other patterns. 
Length, 64%, yards; width, 63 jnches. 
1235—Turet Lenecrus or PiusH 


Mohair. Green color. 
Length, 654 yards; width, 23 inches. 


12386—TIwo Lenetrus or BrocatTELLE 


_ Red silk and linen. Large design of lons, birds, vases and 
flowers. 


Length, 6% yards; width, 43 inches. 
1237—TIwo Lenerus or Sirk Damask 


Olive flower and ribbon design. 
Length, 634 yards; width, 51 inches. 


1238—Two Lenetrus or Goat’s Harr Damask 


Brown, with large foliated pattern. 
Length, 7 yards; width, 29 and 49 inches. 


1239—Two Lenerus or Goat’s Hair Damask 
Large foliated pattern on a green ground. 


~ 


Length, 7 yards; width, 49 inches. 


1240—Two Lrenerus or TAPESTRY 


“Silk and wool. Geometrical design in various Soler wit 

over scroll work in dark blue, on a light blue ground. oa 
Length, 7 yards; width, 46 

ee 


1241—Turee Lenetus oF BRocATELLE © ~~ ~- 


Golden brown. Bird, blossom and leaf design, on a wl en 
brown ground, designed by Cottier & Co. 


1242—Sreet-stup BrocaTeLtte 

Foliated design. ; 

Length, 1%, yards ; ane 63 

1243—BrivuE BrocaTELLeE 

Design of vases, fruit and flowers. 

Length, 13, Seraee width, 63 i 

1244—Two Lrenerus or VELVET 
All silk, plain rose. | ae 

Length, 734 yards; width, QT, 


1245—Four Lenerus or VELVET 


Se ey oe 


Light blue leaf design on a golden satin ground. pink 
Length, 8% yards; width, 25 inches. f 


a 3X 
¢ \ 


1246—BrocaTELLE 
Bouquet and ribbon design in olive and gold. tin 
Length, 9% yards; Bt 51 inches. 
1247—Ecrvu Linine 


“Silk and wool. Color without pattern. ho 
Length, 10%% yards; width, 52 inches. — 
1248—Ross-cotor BrocaTEeLLe ‘ | 
Bold foliated design. es 
Length, 105% yards; width, 63 inches. 
1249—BrocaTELLe ie | 
Design of flowers and leaf in old blue on a gold-satin ground. 
Tenge 10 yards; width, 63 inches. 
1250—Rep Sirx anv Linen BrocaTeLte 
' Bold design of lions, birds, vases and flowers. 
; Length, 125% yards; width, 43 inches. 
1251—Sace-GREEN BrocaTELLE . 


Silk and linen. Pomegranate and bird pattern, designed by 
Cottier & Co. . 
Length, 13% yards; width, 63 inches. 
1251A4—LenetH oF VELOURS 
Design of flowers and ribbons on a slate-blue satin ground. 
Length, 144% yards; width, 22% inches. 


1252—Fourteen Lenerus or Encuisu Sirk Puusn 
Large stamped flower and fruit design. 
Length, 18% yards; width, 24 inches. 


1253—Si1tk anp LinEN- BrocaTELLE 
Slate-blue pattern on a dark gold ground. 
Length, 37 yards; width, 63 inches. 


1254—CRETONNE 


Turkey-red ground, with Japanese design of flowers and 
branches. 
Length, 15%, yards; width, 31 inches. 


1255—CrRETONNE 


Striped design in various colors on yellow and white ground. 
Length, 2654 yards; width, 31 inches. 


1256—LiINEN si 
Salmon ground with a scroll design in gold. 
Length, 37%, yards; width, 51 inches. 


1257—CRETONNE 


Turkey-red_ ground. Persian pattern in black, brown and 


white. | 
Length, 6134 inches; width, 31 inches. 


1258—SeEven Pieces Cutnese Printep Mustin 


Various designs and coloring. 
Length, 625% yards; width, 121% inches. 


1259—Turee Lenctus or CRETONNE 
One, Turkey-red ground with Japanese design; one, Turkey-red 
ground with Persian designs; and the other, striped designs in 
various colors on a yellow and white ground. 


Length, 24% yards; width, 38 inches. 


1260—Lenetu or Linen 
Salmon ground with a scroll design in gold. 
Length, 2 yards; width, 26 inches. 
1261—TIwo Lenerus or Banpine 


One, salmon-satin ground; and the other, turquoise-blue satin, 


with circles of brown silk. 
Length, 55% yards; width 3 and 5 inches. 


1262—Jutre Taprstry Borper 


Persian design of scrolls and flowers in various colors on a 


dark blue ground. 
Length, 134 yards; width, 241, inches. 


1263—Six LENGTHS OF nee Banpinc 


Blue and gold ground, with scroll, fruit ae gee é 


ered in various silks. 
Length, 844 yards; bilge (82 


1264—Tiree Lenerus or Vetver Borpers 
Blue purple and red Pa with scroll ieee in ap 


1265—VELVET Borver 


ground. 6 
Length, 13 yards; width, ! 
1266—S1x Lenetrus or VELVET Banpine ae ri ; 


Blue, gold, red and purple ground, with embroidered serol olls, 
dolphins and rose, embroidered and ee: in various e olor ‘sce 


1267—Turevolse-BLUE BANDING — ! 
With embroidered leaves and flowers in various cae Sane 
Length, 18 yards; width, 6 in h 

1268—Buvue Vetvet Borpver 


Scroll embroidery in various colors. 
Length, 21% Be width, 4 inches. 


1269—Rep Vetver Borper 
_ Embroidered design of scrolls and dolnninny x 
Leng, 21%, yards; oe 41%, inches. 
1270—TvuraQuolsE-BLUE ee BANDING 
With embroidered circles of brown silk. ath 
Length, 21% yards; width, 3 inches. 
1271—Buvue Vetiver Borper 
Embroidered design of scrolls and dolphins. 
Length, 281%, yards; width, 41% inches. 


1272—Brown Borper 
Geometrical design in red chenille. 
; Length, 2954 yards; width, 8 inches. 
1273—Buive Vetver Banp 
With embroidered fruit and scroll design in various colored 
silks, 
Length, 351% inches; width, 8 inches. 
1274—BorprEr 
Persian. Design painted on gold satin. 
Length, 405% yards; width, 8° inches. 


1275—Rep Vetvet Borver 
Scrolls embroidered in various colors. 
Length, 4534 yards; width, 4 inches. 


1276—Satmon-satin BAanpine 
With embroidered circles of brown silk. 


Length, 4434 yards; width, 3 inches. 


1277—Goupen Vetvet Banpine 
With embroidery of fruit and scroll designs in colored silk. 
Length, 4854 yards; width, 8 inches. 


1278—Satin BorpEr 
Rose design painted in colors on satin. ; 
Length, 52 yards; width, 2 inches. 


1279—Buve Vetvet Banpine 


Fruit and scroll design embroidered in various-colored silks. 
” Length, 73% yards; width, 8 inches. 


1280—Creram-sATIN BorpDER 
_ Persian design in colors. 
meg Length, 8034 yards; width, 3%, inches. 
1281—Wuite Corron Lace 


All-over rose design. 
Length, 129 yards; width, 108 inches. 


1282—Wuitre Corron Lace 


Rose design. 
Length, 74% yards; width, 6 inches. 


1288—Wuite Corron Lace 
Rose design. 
Length, 744, yards; width, 18 inches. 


1284—ALuicaTor SKIN 


Light brown. 
Length, 90 inches. 


1285—Morocco SKIN 
Gold. 


1286—F ive Morocco Skins 
Red. -' 


1287—Srx Morocco anp CALF SKINS 


1288—Tern Morocco Skins 


Imitation alligator; green. 


1289—Enrven Morocco SkIns 
Red. 


1290—Twetve Morocco Skins 
Scarlet. 


1291—SixtEen Morocco Sxrvxs 
Dark brown. 


1292—Twenty-two Morocco Skins 
Dark green. 


1293—Box or FRINGES 
Twenty-three different styles and colors. 


1294—Box or FrincEes AND BorpDeErs 
Twenty-seven different styles and colors. 


1295—Box or Frinces 


Twenty-nine various styles and colors. 


1296—Box or BorpErs anp GALLoons 
Thirty styles and various colors. 


1297—Box or FrincrEs 
Fifteen different styles and colors. 


1298—Box oF FRINGES 


Twenty-one various styles and colors. 


1299—Tuir TEEN APPLIQUES 
Tinsel and black. 


1300—TinseEt AND EmBrormpERED APPLIQUES 


One and seventy pieces. 


1301—Box Envernc, Borprers anp Gimps 


Sixty-four styles and various colors. 


1302—Box or Giups, GaLLoons AnD EpcIne 


Twenty styles and various colors. 


1303—Box or FRinNGES 
Eighteen styles and colors. 


234 yards. 


80 yards. 


80 yards. 


281 yards. 


57 yards. 


13804—Forry-FivE Curran Loops with TassEts 


1305—Box or Tryset Corp, GaLttoon, Giups, FRINGES, ETC. 
Fourteen various styles. 


1306—Box or Gimps anv Epernes 
Thirty-six styles and various colors. 
212 yards. 
1307—Box or Gattoons AND GimPs 
Twenty styles and various colors. 


225 yards. 


1308—Browwn anv Tinset Lace 
Length, 3314 yards; width, 19 inches. 


1309—Brown anv Tinset Lace 
Length, 463, yards; width, 9 inches. 


1310—Brown Lace 
Length, 29 yards; width, 71% inches. 


1311—S1x Pieces Sirx NET 
Blue, red and jgold, and brown. 


. 1812—Box or Frinces, Borprers anp Encines 


Twenty-nine styles and various colors. 
330 yards. 


1313—Box or Currain Puuts, Tasseis, Fancy Rope, etc. 


1314—Sunpry SPECIMENS 
Blue and cream needlework; border of blue terracotta and 
cream; tinsel border; silk loops and tassels. 


13815—Box or AntievE Borvers 


Twelve styles. Various colors and designs. 
65 yards. 


ETCHINGS, ENGRAVINGS AND AUTOTYPES 


1316—Ercuine sy Felix Bracquemond 
| “George in the Cliffs.” Third state with additions by Jules 
Laurens. Black and gilt frame. 


13817—Ercuine sy E. Delacroix 
“Man at Arms.” Black frame. 


1318—Ercuine sy E. Delacroix 
“Study of a Woman.” Black frame. 


1319—Ercuine sy E. Delacroiw 
“Juive d’Alger.” Black frame. 


1320—Cotorep Encravine sy Demarteau 
“Le Printemps.” After J. B. Huet. Guilt frame. 


13821—Ercuine sy Francois Nicolas Augustin Feyen Perrin 
“Flight of Aurora.” Proof before letters. Black and gilt 


frame. 


13822—Ercuine sy Adolphe Lous Hervier 
“Mother and Child.” Black frame. 


1823—Evrcuine sy Adolphe Louis Hervier 
“Fishing Boats.” Black frame. 


1324—Ercuine sy Adolphe Louis Hervier 


“Figures.” Black frame. 


13825—Ercuine sy Adolphe Louis Hervier 
“The Boat.” Black frame. 


-1326—Etcuine sy Adolphe Louis Hervier 
“The Well.” Black frame. 


13827—Ercuine sy Adolphe Louis Hervier 
“The Beggars.” Black frame. 


1828—Ercuine sy Adolphe Lows Hervier 
“Back of the Village.” Black frame. 


13829—Ertcuine sy L. Jacque 


“River Scene.” Black frame. 


13830—Ercuine sy Hubert Herkomer 


“Portrait of John Ruskin.” Signed proof. Black and gilt — 
frame. 


13831—Ercuine sy A. D. Longmuir 
“Cheap Jack.” Black frame. 


1832—Ercuine sy A. D. Longmuir 
“Notre Dame.” Black frame. 


1333—Ercuine sy A. D. Longmuir 
Landscape. Black frame. 


1334—Ercuine sy dA. D. Longmuir 
“Aberdeen.” Black frame. 


1835—Ercuine sy Matthew Maris 


“The Sower.” After J. I’. Millet. Unsigned proof. Ma- 
hogany and gilt frame. 


1336—PuorocrarH arrer Jean Francois Millet 


“Lovers Wooing” and “Lovers Kissing.” Mahogany frame. 


1337— CoLLEcTION OF SEVENTEEN AUTOTYPES AFTER J. F. Millet 


As follows: Stubble Burning; The Diggers; The Gardener; 
hie Pot-au-feu ; The New-born Calf; The Potato Harvest; 
Calling in the Herd; The Goatherd and his Flock; Almsgiving; 
The Churner; Potato Gatherers; The Thunderstorm; Making 
Lye; Showing the Way; Girl Pasturing a Cow; Loading; The 
Angelus. 


1338—Ertcuine sy Paul Adolphe Rajon 


“Thomas Carlyle,” after G. F. Watts. Folio. Signed proof. 
Black and gilt frame. 


1339—Ercuine sy Paul Adolphe Rajon 
“The Legend.” An old woman story-telling to children. 
Signed proof on China paper. Folio. Black and mahogany 
frame. 


1340—Ercuine sy Rembrandt 
“The Death of the Virgin” (B99). Late impression. Folio. 
Mahogany frame. 


1341—Ercuine sy Rembrandt 
“The Great Descent from the Cross” (B81).° Fine impression 
of the third state, before Daneker’s retouch. Mahogany frame. 


13942—Ercuine sy EK. Ribot 
“Les Mets Brulés.” Black and gilt frame. 


1345—Ercuine By Zileken oi 
“Landscape.” After Matthew Maxis. 
DULeIr Ae sees ee eh ee 


THOMAS E. KIRBY, 
AUCTIONEER, 


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